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#SBIB:316.7C210 --- Cultuursociologie: kunst: algemeen

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Art --- Sociology of cultural policy --- Service industry --- #SBIB:316.7C210 --- Cultuursociologie: kunst: algemeen

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In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics. Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one.

Art --- Literature --- #SBIB:316.7C210 --- Modernism (Literature) --- Modernism (Aesthetics) --- Aesthetics --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Cultuursociologie: kunst: algemeen

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316.7 --- #SBIB:309H040 --- #SBIB:316.7C210 --- cultuursociologie --- twintigste eeuw --- kunst --- cultuurfilosofie --- 7.01 --- CDL --- Cultuursociologie --(algemeen) --- Populaire cultuur algemeen --- Cultuursociologie: kunst: algemeen --- 316.7 Cultuursociologie --(algemeen)

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In het fotoboek 'Exactitudes' (samentrekking van exact en attitudes) portretteren fotograaf Ari Versluis en styliste Ellie Uyttenbroek qua kleding, kapsel en houding sterk op elkaar lijkende groepen mensen (voornamelijk uit Rotterdam, verder uit Casablanca, Rio de Janeiro en Peking) die via dit uiterlijk hun identiteit uitdragen. Al sinds 1994 maken de twee 'foto-antropologen' dit soort groepsportretten. In dit fotoboek staan 58 pagina's met steeds twaalf foto's van een groep mensen met dezelfde kledingcode en haardracht. Chronologisch, met de meest recente groep ('hoedjesmannen' uit 2002) voorin en de oudste foto's (gabbers uit 1994) achterin. Met foto's van o.a. bimbo's, oma's in regenjassen, gothics, uitsmijters, corpsballen, combat-girls, eco-punks, slagers, leernichten, preppies, Chinese rockers, moslima's, dreads, hanenkammen en 'mevrouwen'. De zeer summiere tekst, op iedere pagina staat de groepsnaam en achterin worden de groepen bij de foto's in postzegelformaat met een aantal trefwoorden nader geduid, is Engelstalig. Boek behorende bij overzichtstentoonstelling (22 december 2001 t/m 2 februari 2002).

Portrait photography --- 761.2 --- Kleding --- Levensstijl --- Mode --- #SBIB:316.7C210 --- Photography --- Portraiture --- (zie ook: sportkleding) --- Cultuursociologie: kunst: algemeen --- Portraits --- Photographie --- Portrait --- Stylisme --- Uyttenbroek, Ellie --- Versluis, Ari