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Potters --- Céramistes --- Biography --- Biographies --- De Waal, Edmund --- Travel.
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Charles Ephrussi, qui inspira à Proust le personnage de Swann, fut le patriarche d'une des plus grandes familles de la bourgeoisie juive du XIXe siècle. Amis de Schnitzler, d'Hofmannsthal, mécènes des impressionnistes, les Ephrussi menèrent grand train entre Paris et Vienne jusqu'à ce que le pillage nazi et la guerre les précipitent dans la tragédie De leur splendeur, égale en son temps à celle des Rothschild et des Camondo, rien ne survivra, sinon une étonnante collection de miniatures japonaises - les netsuke -, parmi lesquelles, comme sur la couverture de ce livre, un certain lièvre aux yeux d'ambre... C'est cette histoire aux croisements multiples que raconte Edmund de Waal, lui-même descendant des Ephrussi. Le résultat - entre histoire et littérature - marque profondément la mémoire du lecteur.
Jewish bankers --- Jewish businesspeople --- Art --- Netsukes --- Ephrussi family --- De Waal, Edmund
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Porselein --- 738(091) --- Keramiek ; porselein ; (persoonlijke) geschiedenis --- De Waal, Edmund --- geschiedenis --- Keramiek ; geschiedenis --- Applied arts. Arts and crafts --- porcelain [material] --- Waal, de, Edmund
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Pottery, British --- 738.07 --- Keramiek ; 1980-2014 ; Edmund de Waal --- Keramiek ; klei ; in de beeldende kunst --- De Waal, Edmund (Edmund Arthur Lowndes de Waal) °1964 (°Nottingham, Groot-Brittannië) --- British pottery --- Keramiek ; keramiekkunstenaars, pottenbakkers --- De Waal, Edmund --- Waal, Edmund de --- Criticism and interpretation.
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"Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice. The unprecedented surge in popularity of ceramics in the last five years has helped forge a new type of potter: the ceramic designer. Part-craftsman, part designer, they bridge ceramic craft, collectible design, and fine art. These ceramicists include product designers who use clay as a means of creative expression, and classically trained potters who create design-led pieces, in addition to interior decorators, illustrators, and graphic designers. Their collective output includes furniture, decorative objects, murals, and vessels: not art, not craft, but design. The ambition of the book is to show the diversity of this area of creative production and the way in which history, craft, technology, and design are all intersecting in the present day, creating a new type of designer--and a new type of ceramicist. The book is divided into four thematic chapters and accompanied by written contributions on the subject from designers, decorators, and collectors."--
Ceramics --- Pottery --- Potters --- Designers --- 738.039 --- Keramiek ; 21ste eeuw ; 2010-2018 --- Design --- Ceramic artists --- Jiggermen --- Artists --- Ceramic art --- Ceramics (Art) --- Chinaware --- Crockery --- Earthenware --- Pottery, Primitive --- Decorative arts --- House furnishings --- Firing (Ceramics) --- Saggers --- Ceramic technology --- Industrial ceramics --- Keramics --- Building materials --- Chemistry, Technical --- Clay --- History --- Keramiek ; 2000 - 2050 --- De Waal, Edmund --- Jongerius, Hella --- Perry, Grayson, --- Waal, Edmund de --- Keramiek. --- Applied arts. Arts and crafts --- ceramics [object genre]
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