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Manuscript design. --- Manuscripts --- Literature, Medieval --- Collectors and collecting. --- History. --- History and criticism. --- Codices --- Books --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Design of manuscripts --- Layout (Manuscripts) --- Writing --- Book design --- Stichometry --- Design --- Layout

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Book history --- Manuscripts. Epigraphy. Paleography --- anno 500-1499 --- Handschriften [Middeleeuwse ] --- Manuscripts [Medieval ] --- Manuscrits médiévaux --- Marginal notes --- Marginalia --- Medieval manuscripts --- Middeleeuwse handschriften --- Notes marginales --- Manuscripts, Medieval. --- 091 --- 091 "04/14" --- Handschriftenkunde. Handschriftencatalogi --- Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- 091 "04/14" Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- 091 Handschriftenkunde. Handschriftencatalogi --- Manuscrits médiévaux --- Manuscript design --- Manuscripts, Medieval --- Manuscripts --- Design of manuscripts --- Layout (Manuscripts) --- Writing --- Book design --- Stichometry --- History --- Design --- Layout --- Pulsiano, Phillip John

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Manuscripts, Greek (Papyri) --- Manuscripts, Greek. --- Manuscript design --- Titles of books. --- Epic poetry, Greek --- Papyrus grecs --- Manuscrits grecs --- Manuscrits --- Titres de livres --- Poésie épique grecque --- Manuscripts --- Mise en pages --- Manuscript design. --- Manuscripts. --- Homer --- Manuscripts, Greek (Papyri). --- Homère --- Poésie épique grecque --- Manuscripts, Greek --- Titles of books --- Book titles --- Books --- Title pages --- Greek papyri --- Papyri, Greek --- Manuscripts, Classical (Papyri) --- Manuscripts (Papyri) --- Greek manuscripts --- Greek language --- Greek philology --- Design of manuscripts --- Layout (Manuscripts) --- Writing --- Book design --- Stichometry --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Design --- Layout --- Homeros --- Homerus --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Épopées --- Antiquité

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Graphics industry --- English literature --- Manuscripts. Epigraphy. Paleography --- Literary transmission --- Manuscript transmission --- Manuscrits--Transmission --- Tekstoverlevering --- Textual transmission --- Transmission de textes --- Transmission des manuscrits --- Transmission des textes --- Transmission littéraire --- Transmission of texts --- 82.07 --- 82:7 --- 655.26 --- 09 <063> --- 091.31:7.04 --- Literatuur: verklaring van teksten --- Literatuur en kunst --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Handschriften. Oude en merkwaardige drukken. Curiosa--Congressen --- Verluchte handschriften: iconografie --- Conferences - Meetings --- 091.31:7.04 Verluchte handschriften: iconografie --- 09 <063> Handschriften. Oude en merkwaardige drukken. Curiosa--Congressen --- 82:7 Literatuur en kunst --- 82.07 Literatuur: verklaring van teksten --- 091.14:655.26 --- Codicologie. Codices. Scriptoria-:-Typografie. Grafisch ontwerp en lay-out --- Layout (Printing) --- Literature publishing --- Manuscript design --- Manuscripts, English --- Criticism, Textual --- Editions --- Manuscripts --- English manuscripts --- Design of manuscripts --- Layout (Manuscripts) --- Writing --- Book design --- Stichometry --- Literary publishing --- Literature --- Publishers and publishing --- Printing --- Graphic design (Typography) --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Criticism, Textual&delete& --- Data processing --- History and criticism&delete& --- Theory, etc --- History --- Editing&delete& --- Design --- Layout --- Publishing --- Criticism [Textual ] --- History and criticism --- Theory, etc. --- Manuscripts [English ] --- Editing --- Great Britain

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This volume is the first comparative history that studies the practice of impagination across different ages and civilizations. By impagination we mean the act of placing and arranging spatially textual and other information onto a material bearer that could be made of a variety of materials (papyrus, bamboo slips, palm leaf, parchment, paper, and the computer screen). This volume investigates three levels of impagination: what is the page or other unit of the material bearer, what is written or printed on it, and how is writing or print placed on it. It also examines the interrelations of two or all three of these levels. Collectively it examines the material and materiality of the page, the variety of imprints, cultural and historical conventions for impagination, interlinguistic encounters, the control of editors, scribes, publishers and readers over the page, inheritance, borrowing and innovation, economics, aesthetics and socialities of imprints and impagination, and the relationship of impagination to philology. This volume supplements studies on mise en page and layout – an important subject of codicology – first by including non-codex writings, second by taking a closer look at the page or other unit than at the codex (or book), and third by its aspiration to adopt a globally comparative approach. This volume brings together for comparison vast geographical realms of learning, including Europe, China, Tibet, Korea, Japan and the Near Eastern and European communities in which the Hebrew Bible was transmitted. This comparison is significant, for Europe, China, and India all developed great traditions of learning which came into intensive contact. The contributions to this volume are firmly rooted in local cultures and together address global, comparative themes that are significant for multiple disciplines, such as intellectual and cultural history of knowledge (both humanistic and scientific), global history, literary and media studies, aesthetics, and studies of material culture, among other fields.

E-books --- 091.14 --- 091.14:655.26 --- 655.26 --- <0.02> --- 091.141 --- 676 <09> --- 09 <08> --- 09 <08> Handschriften. Oude en merkwaardige drukken. Curiosa--Verzamelwerken. Reeksen--Boekwetenschap. Sociale aspecten van het boek. Boek en media. Toekomst van het boek --- Handschriften. Oude en merkwaardige drukken. Curiosa--Verzamelwerken. Reeksen--Boekwetenschap. Sociale aspecten van het boek. Boek en media. Toekomst van het boek --- 676 <09> Pulp, paper and board industry--Geschiedenis van ... --- Pulp, paper and board industry--Geschiedenis van ... --- 091.141 Papyri --- Papyri --- <0.02> Documenten naar hun fysieke vorm en uiterlijk --- Documenten naar hun fysieke vorm en uiterlijk --- 655.26 Soorten zetwerk. Lay-out. Typografische vormgeving --- 655.26 Typography. Graphic design. Kinds of text (material to be set) --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Typography. Graphic design. Kinds of text (material to be set) --- Codicologie. Codices. Scriptoria-:-Typografie. Grafisch ontwerp en lay-out --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- codicology. --- materiality. --- mise en page. --- the page. --- Imagination. --- Manuscript design. --- Layout (Printing) --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Printing --- Graphic design (Typography) --- Design of manuscripts --- Layout (Manuscripts) --- Manuscripts --- Writing --- Book design --- Stichometry --- Design --- Layout --- Book history --- Manuscripts. Epigraphy. Paleography --- manuscripts [documents] --- papyri [manuscripts] --- codicology --- book history --- Mise en page. --- script and type signs --- Imagination --- Manuscript design --- Layout (Printing). --- Dummies (Bookselling). --- Maquettes (Industries graphiques). --- Manuscrits --- dummies (printed matter). --- Mise en pages.