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Dare experiments! The book documents the teaching philosophy developed at the chair of experimental design by Frank Stepper and his team at the University of Kassel. The approach places an emphasis on fostering and developing aesthetic and formal imagination through experimentation. Thinking the "impossible" helps to formulate architectural concepts that progress beyond predictable causalities and functional constraints. For the emergence of innovative designs and novel construction typologies analogue models are augmented with computational strategies and digital fabrication methods. 20 Years of teaching Experimental Architecture, from introductory to thesis level projects Experimental videos with QR code links With contributions by Hitoshi Abe, Marie Therese Harnancourt-Fuchs, Steffanie Hennecke and others Experimente wagen! Spielerische Experimente wecken die ästhetische und formale Fantasie der Studierenden: Der Ansatz legt den Schwerpunkt auf die Förderung und Entwicklung der ästhetischen und formalen Vorstellungskraft. Das Denken des "Unmöglichen" hilft, architektonische Konzepte zu formulieren, die über vorhersehbare Kausalitäten und funktionale Zwänge hinausgehen. Für die Entwicklung innovativer Entwürfe und neuartiger Konstruktionstypologien werden analoge Modelle mit rechnerischen Strategien und digitalen Fertigungsmethoden ergänzt. Das Buch macht die Lehrphilosophie, die Frank Stepper und sein Team am Lehrstuhl für Experimentelles Design an der Universität Kassel entwickelt haben, allen Kreativen verfügbar. 20 Jahre Lehre "Experimentelle Architektur" vom Einführungsstudio bis zur Masterarbeit Experimentelle Videos mit QR-Code-Verknüpfungen Mit Beiträgen von Hitoshi Abe, Marie Therese Harnoncourt-Fuchs, Steffanie Hennecke und weiteren Autoren
Deconstructivism. --- Design process. --- Formfinding. --- Modeling. --- Architecture --- Philosophy.
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This book aims at encompassing the panorama of design tools being developed, tested and adopted by researchers and professors at the Department of Design of Politecnico di Milano. The tools are organized in a taxonomy that reflects the path of choice of a possible user in need for the right tool for a task to be performed. The taxonomy is based on a formalization of the design process proposed by the authors, which characterizes the Design System at Politecnico di Milano. The book essentially offers two main contributions: an original taxonomy that guides towards the organization of design tools and their usage with different actors; a representative collection of design tools developed within the Department of Design of Politecnico di Milano with specific instructions on how to use them. Design Tools is addressed both to practitioners and academics in the field of design that are interested in getting to know more about the discourse around design tools in general and in particular how this discourse takes a shape within Politecnico di Milano and resolves in usable and shareable tools.
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strategic design --- design process --- design theory --- design practice --- Drawing
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This book aims at encompassing the panorama of design tools being developed, tested and adopted by researchers and professors at the Department of Design of Politecnico di Milano. The tools are organized in a taxonomy that reflects the path of choice of a possible user in need for the right tool for a task to be performed. The taxonomy is based on a formalization of the design process proposed by the authors, which characterizes the Design System at Politecnico di Milano. The book essentially offers two main contributions: an original taxonomy that guides towards the organization of design tools and their usage with different actors; a representative collection of design tools developed within the Department of Design of Politecnico di Milano with specific instructions on how to use them. Design Tools is addressed both to practitioners and academics in the field of design that are interested in getting to know more about the discourse around design tools in general and in particular how this discourse takes a shape within Politecnico di Milano and resolves in usable and shareable tools.
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This book aims at encompassing the panorama of design tools being developed, tested and adopted by researchers and professors at the Department of Design of Politecnico di Milano. The tools are organized in a taxonomy that reflects the path of choice of a possible user in need for the right tool for a task to be performed. The taxonomy is based on a formalization of the design process proposed by the authors, which characterizes the Design System at Politecnico di Milano. The book essentially offers two main contributions: an original taxonomy that guides towards the organization of design tools and their usage with different actors; a representative collection of design tools developed within the Department of Design of Politecnico di Milano with specific instructions on how to use them. Design Tools is addressed both to practitioners and academics in the field of design that are interested in getting to know more about the discourse around design tools in general and in particular how this discourse takes a shape within Politecnico di Milano and resolves in usable and shareable tools.
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Design --- Research --- Research. --- design --- design process --- design development --- Building design --- Drawing
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Architecture --- architecture [discipline] --- computer-aided design --- architectuur --- CAD (computer aided design) --- computer-aided design [process]
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The book discusses how to include artificial intelligence (AI) systems in the early stages of the design process. Today designers need new tools capable of supporting them in dealing with the increasing project’s complexity and empowering their performances and capabilities. AI systems appear to be powerful means to enhance designers’ creativity. This assumption was tested in a workshop where sixteen participants collaborated with three AI systems throughout the creative phases of research, sketching, and color selection. Results show that designers can access a broader level of variance and inspiration while reducing the risk of fossilization by triggering lateral thinking through AI-generated data. Therefore, AI could significantly impact the creative phases of the design process if applied consciously. Being AI systems intelligent agents, the book treats the Human-AI collaboration as a collaboration between human agents, proposing a set of guidelines helpful to achieving an efficient partnership with the machine.
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