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Anne Duden’s reputation as one of the most innovative writers of her generation, established in 1982 with the experimental stories in Übergang, was confirmed in 1985 by Das Judasschaf, a novel interweaving an individual’s anguish with the cultural trauma of the German past. In her acclaimed poem cycles Steinschlag (1993) and Hingegend (1999) Duden pushes the limits of language in densely metaphoric evocations of landscapes and places of political and personal remembrance, mixing lament for ruined nature with grotesque comedy, mystic vision with horror. Duden is a distinguished practitioner of short forms. Her essays display the same intense engagement with the visual arts as informs her narrative texts. Her deep interest in music is echoed in the musicality of short prose poems. This volume presents for the first time a comprehensive collection of approaches to Duden's fiction, poetry and essays by international scholars. Topics include: the ethics and aesthetics of Duden’s engagement with German history; her constructions of female subjectivity; her criticism of western dualistic thinking with its devaluation of the body and exploitation of nature; her position within a modernist tradition with roots in the Romantic Age; the visual arts and poetic influences such as Hölderlin and Celan; the dilemmas of translating Duden’s highly individual style. Three essays on Steinschlag constitute the first systematic reading of this difficult, much praised cycle.

Duden, Anne, --- Criticism and interpretation

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In Women Writers and National Identity, Stephanie Bird offers a detailed analysis of the twin themes of female identity and national identity in the works of three major twentieth-century German-language women writers. Bird argues for the importance of an understanding of ambiguity, tension and contradiction in the fictional narratives of Ingeborg Bachmann, Anne Duden and Emine Özdamar. She aims to demonstrate how ambiguity is itself central to the development of an understanding of identity and that literary texts are uniquely able to point to the ethical importance of ambiguity through their stylistic complexity. Bird gives close readings of the three writers and draws on feminist theory and psychoanalysis to elucidate the complex nature of individual identity. This book will be of interest to literary and women's studies scholars as well as Germanists.

German literature --- Identity (Psychology) in literature. --- Women authors --- History and criticism. --- Özdamar, Emine Sevgi, --- Bachmann, Ingeborg, --- Duden, Anne, --- Bākhman, Īngihʹburg, --- باخمن، اينگه‌برگ --- Bakhman, Ingeborg, --- Бахман, Ингеборг, --- Sevgi Özdamar, Emine, --- Criticism and interpretation. --- Deutsch. --- Frauenliteratur. --- Identität (Motiv). --- Identität . --- Identité (Psychologie) dans la littérature. --- Kulturelle Identität . --- Nationalbewusstsein. --- Nationale identiteit. --- Vrouwelijke auteurs. --- Écrits de femmes allemands - Histoire et critique. --- Écrits de femmes allemands --- Women authors. --- Histoire et critique. --- Bachmann, Ingeborg <1926-1973> - Critique et interprétation. --- Bachmann, Ingeborg. --- Duden, Anne <1942-> - Critique et interprétation. --- Duden, Anne. --- Özdamar, Emine Sevgi <1946-> - Critique et interprétation. --- Özdamar, Emine Sevgi, --- Özdamar, Emine Sevgi. --- Critique et interprétation. --- Bachmann, Ingeborg --- Criticism and interpretation --- Duden, Anne --- Özdamar, Emine Sevgi --- History and criticism --- Identity (Psychology) in literature --- Arts and Humanities --- Literature

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Obgleich die Raumdebatte in den Kulturwissenschaften Konjunktur hat, wird selten darüber nachgedacht, wie sich deren Ergebnisse für die analytische Lektüre literarischer Texte nutzbar machen lassen. Anhand ausgewählter Gegenwartsprosa (von W.G. Sebald, Anne Duden und Herta Müller) will dieses Buch die Zusammenhänge zwischen literarisch artikulierten Raummodellen und texttheoretischen Fragestellungen erhellen. Dabei wird eine Erweiterung der klassischen Positionen zu topologischen und poetologischen Aspekten literarischer Texte ausgearbeitet, die die neueren Entwicklungen in der Raumtheorie konzeptuell aufnimmt. »I admire her highly intelligent readings, which should make for produktive discussions in graduate seminars.« Margaret R. McCarthy, Monatshefte, 102/4 (2010) Besprochen in: Modern Austria Literature, 42/2 (2009), Mark R. McCulloh

830 --- Duitse literatuur --- German literature --- Space in literature. --- History and criticism. --- Sebald, Winfried Georg, --- Duden, Anne, --- Müller, Herta --- 830 Duitse literatuur --- Müller, Herta. --- Space in literature --- History and criticism --- Müller, Herta, --- Mueller, Herta, --- זבאלד, וו. --- Sebald, Max, --- Criticism and interpretation. --- Sebald, W. G. --- 830 German literature. Literature in German --- German literature. Literature in German --- Literatur; Raum; Raumtheorie; Poetologie; W.G. Sebald; Anne Duden; Herta Müller; Germanistik; Allgemeine Literaturwissenschaft; Literaturwissenschaft; Literature; Space; German Literature; General Literature Studies; Literary Studies --- General Literature Studies. --- German Literature. --- Literary Studies. --- Space. --- Sebald, Winfried Georg (1944-2001) --- Duden, Anne (1942-....) --- Müller, Herta (1953-....) --- Littérature allemande --- Critique et interprétation --- 20e siècle --- Histoire et critique

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German literature --- Holocaust, Jewish (1939-1945), in literature --- History and criticism --- LITTERATURE ALLEMANDE --- HOLOCAUSTE JUIF (1939-1945, SHOAH) DANS LA LITTERATURE --- BACHMANN (INGEBORG), 1926-1973 --- BECKER (JUREK), 1937 --- -BÖLL (HEINRICH), 1917-1985 --- ADORNO (THEODOR WIESENGRUN), 1903-1969 --- DUDEN (ANNE), 1942 --- -FASSBINDER (RAINER WERNER), 1945-1982 --- FRANK (ANNE), 1929-1945 --- FÜHMANN (FRANZ), 1922-1984 --- HILSENRATH (EDGAR), 1926 --- -JASPERS (KARL), 1883-1969 --- JOHNSON (UWE), 1934-1984 --- KLÜGER (RUTH), 1931 --- -SACHS (NELLY), 1891-1970 --- CELAN (PAUL), 1920-1970 --- WEISS (PETER), 1916-1982 --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- CRITIQUE ET INTERPRETATION