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Contemporary African artists: changing tradition : El Anatsui, Youssouf Bath, Ablade Glover, Tapfuma Gutsa, Rosemary Karuga, Souleymane Keita, Nicholas Mukomberanwa, Henry Munyaradzi, Bruce Onobrakpeya
Authors: ---
ISBN: 094294903X Year: 1990 Publisher: New York (N.Y.) : Studio museum in Harlem,

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Book
El Anatsui : : a sculptured history of Africa
Author:
ISBN: 187284314X Year: 1998 Publisher: London : Saffron Books,

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Art 21 : Change : Ai Weiwei, El Anatsui, Catherine Opie
Authors: --- ---
ISBN: 9783869231143 3869231149 Year: 2013 Publisher: [Halle/Saale] Arthaus Musik

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"Art21" est une série de portraits documentaires d'artistes contemporains de tous horizons. Avec leurs mots, ils évoquent leur démarche, les processus de création et les techniques ou dispositifs mis en place pour répondre à leur approche esthétique. Chaque épisode propose trois ou quatre artistes à l'oeuvre réunis sous un même thème."Change" ("Changement") - Comment les artistes réagissent-ils à un monde en mutation, à l'inconstance des choses ? Comment se positionnent-ils en tant qu'acteurs de changement, et quels types de choix esthétiques font-ils ? L'artiste chinois Ai Weiwei, la photographe américaine Catherine Opie et le sculpteur ghanéen El Anatsui témoignent, à travers leur oeuvre, de la transformation - culturelle, matérielle et esthétique - et amènent des communautés de personnes à participer activement à leurs travaux à la fois comme collaborateurs et comme sujets.Noter qu'à l'époque du tournage, Ai Weiwei vit en liberté conditionnelle dans sa résidence de Pékin, suite à une condamnation - officiellement - pour "fraude fiscale" par les autorités chinoises. C'est à la condition de ne rien évoquer d'autre que son art que l'équipe du film a pu le rencontrer.1. Catherine Opie, née en 1961 à Sandusky, dans l'Ohio (États-Unis).2. El Anatsui, né en 1944 à Anyako (Ghana). Il vit et travaille au Nigeria.3. Ai Weiwei, né en 1957 à Pékin.


Book
El Anatsui : art and life
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ISBN: 9783791359786 Year: 2020 Publisher: Munich Prestel

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EL ANATSUI: ART AND LIFE by Susan Mullin Vogel is the essential resource on the Ghanaian artist known worldwide for spectacular tapestries of reclaimed bottle tops. This revised and expanded book follows Anatsui on his remarkable journey from an obscure university town in Africa to the summit of the global art world. Vogel, whose exhibitions and books have influenced African art history, analyzes Anatsui's unique art form, often quoting the artist's interviews with her. She describes his engagement with African traditions, his early work in clay and wood, a triumphant decade exhibiting radiant metal cloths, then a profound development in the second decade, presented here for the first time. The book takes us inside his busy studio, revealing the gritty reality and the subtle genius of his bottle-top hangings, exhibited in museums and biennials across the world.


Book
Art:21: art in the twenty-first century: season six
Author:
ISBN: 9781608836604 Year: 2012 Publisher: Place of publication unknown PBS

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Book
Sonsbeek 2008: Grandeur: Kunst Kijken: Excursieboekje Voortgezet Onderwijs
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Year: 2008 Publisher: Arnhem Stichting Sonsbeek Arnhem


Book
Bizarre perfection
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ISBN: 9789652783660 Year: 2008 Publisher: Jerusalem Israel Museum

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Book
La Biennale di Venezia : een gebruiksaanwijzing
Year: 2019 Publisher: Antwerpen H Art Magazine


Book
El Anatsui : The Reinvention of Sculpture
Authors: ---
ISBN: 9788862087636 8862087632 Year: 2022 Publisher: Bologna Damiani

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Written by two acclaimed scholars Okwui Enwezor and Chika Okeke-Agulu, 'El Anatsui: The Reinvention of Sculpture', is the most comprehensive, incisive and authoritative account yet on the work of El Anatsui, the world-renowned, Ghanaian-born sculptor. The product of more than three decades of research, scholarship and close collaboration with the artist, this book shows why his early wood reliefs and terracottas, and the later monumental metal sculptures, exemplify an innovative critical search for alternative models of art making.The authors argue that the pervasiveness of fragmentation as a compositional device in Anatsui's oeuvre invites meditation on the impact of colonization and postcolonial global forces on African cultures. At the same time, the simultaneous invocation of resilience and fragility across his media invests his abstract sculptures with iconic power. Insisting on the intimate connection between form and idea in Anatsui's work, the authors show how, in his critically acclaimed metal works, the manual work of flattening, cutting, twisting, and crushing bottle caps and using copper wires to suture and stitch the elements into one dazzling, reconfigurable epic piece serves as a powerful metaphor for the constitution of human society. This book presents Anatsui as a visionary of incomparable imagination. Yet, it places his work within a broader historical context, specifically the postcolonial modernism of mid-twentieth-century African artists and writers, the cultural ferment of post-independence Ghana, as well as within the intellectual environment of the 1970's Nsukka School. By recovering these histories, and subjecting his work to vigorous analysis, the authors show how and why Anatsui became one of the most formidable sculptors of our time.

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