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La poétique des passions à la Renaissance : mélanges offerts à Françoise Charpentier
Authors: --- ---
ISSN: 12430587 ISBN: 2745303007 9782745303004 Year: 2001 Volume: 22 Publisher: Paris Honoré Champion


Book
Dante in purgatory : states of affect
Authors: ---
ISBN: 9782503531298 2503531296 Year: 2010 Volume: 18 Publisher: Turnhout Brepols


Book
Understanding emotions in early Europe
Authors: ---
ISBN: 9782503552644 9782503552880 2503552641 Year: 2015 Volume: 8 Publisher: Turnhout Brepols

The plight of feeling : sympathy and dissent in the early American novel
Author:
ISBN: 0226773116 Year: 1997 Publisher: Chicago London University of Chicago Press

Le culte des passions : essais sur le XVIIe siècle français
Authors: ---
ISBN: 2865890627 9782865890620 Year: 1998 Volume: *4 Publisher: Paris Macula

Proust and emotion
Author:
ISBN: 0802087272 9786611996499 1442678860 1281996491 9781442678866 9781281996497 9780802087270 Year: 2003 Volume: *81 Publisher: Toronto Buffalo University of Toronto Press

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Abstract

In Proust and Emotion, Inge Crosman Wimmers proposes a new approach to A la recherche du temps perdu that centres on the role of affect. Through close reading of the hero-narrator's personal history, the author shows how emotional paradigms (especially separation anxiety), involuntary memory, and other compelling impressions give focus and structure to Proust's novel. Drawing on reader-oriented and emotion theories, she shows how affect commands the attention of the 'motivated reader' and is crucial to the process of self-understanding for both the narrator and the reader. This is the first extensive study in English to take fully into consideration the drafts (esquisses) published in the new Pleiade edition of the novel, the Mauriac edition of Albertine disparue, and material from the unpublished Proust manuscripts - all of which shed further light on the importance of affect in A la recherche. Proust and Emotion will appeal to readers interested in an approach to Proust that combines insights from philosophy, psychology, and literary aesthetics and in a poetics of reading that pays particular attention to emotion.

Der Schrei : Affektdarstellung, ästhetisches Experiment und Zeichenbewegung in der deutschsprachigen und in der französischsprachigen Literatur und Musik von 1740 bis 1900 - unter Berücksichtigung der bildenden Künste
Authors: ---
ISBN: 3825315142 9783825315146 Year: 2003 Volume: 194

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Die komparatistische und interdisziplinäre Untersuchung analysiert die Bedeutung des Schreis für die Erweiterung des künstlerischen Ausdrucksrepertoires und der ästhetischen Reflexion zwischen 1740 und 1900. Sowohl seine Beziehung zu bislang tabuisierten Themen als auch sein Status als Grenzphänomen fördern eine experimentelle künstlerische Gestaltung, die im Zeichen des Exzesses eine Eigendynamik entfaltet. Seine Legitimation als ästhetische Ausdrucksform bezieht er immer wieder aus wissenschaftlichen, technischen, sozialen sowie politischen Entwicklungen und Diskursen. Sie bestimmen auch die kulturellen Unterschiede und Wechselwirkungen der Wahrnehmungsmuster und ihrer Akzentsetzungen im deutschsprachigen und im französischsprachigen Raum.


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Emotions in antiquity : blessing or curse? : Fransum colloquium, Groningen, University of Groningen, 15 November 2008
Authors: --- ---
ISBN: 9789042932081 Year: 2016 Volume: 9 Publisher: Leuven Paris Bristol, CT Peeters

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This volume addresses various aspects of the character of Medea and the presentation of her emotions in literature and in connection with Medea, of philosophical views on emotions and of the reception of these themes in the later European tradition. One of the articles discusses the presentation of Medea's emotions in Hellenistic literature, i.e. in Callimachus and Apollonius Rhodius. Three other papers focus on aspects of philosophy, ranging from Plato to Stoicism. The reception of Euripidean emotionality and the character of Medea in the later European tradition is the subject of two other articles, which focus on the Renaissance poet Maffeo Vegio and on the way in which Goethe models his Iphigeneia on the character of Medea.

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