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Die Erfindung der Bildwissenschaft: Mit seiner Bild-Anthropologie gibt Hans Belting international richtungsweisende Impulse für eine grundlegende Revision von Selbstverständnis und Methoden der Kunstgeschichte. Mit seinem bekannten Buch Bild und Kult hat Hans Belting vor einiger Zeit die Schwelle zur Bildgeschichte überschritten. In der Bild-Anthropologie verfolgt er diesen Weg konsequent weiter und macht die gesamte Komplexität des Themas »Bild« sichtbar: vom Totenkult des alten Orients bis zur Photographie und zur virtuellen Realität in den heutigen Medien. Hans Belting hat damit eines der bedeutendsten Werke für die Entwicklung der Bildwissenschaft erarbeitet. Er untersucht darin sowohl die Entfaltung der Mediengesellschaft als auch die anhaltende »Krise der Repräsentation«.
Visual anthropology. --- Ethnology in art. --- Visual sociology.
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Cartography --- Ethnology in art --- Prints --- History --- History
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La figuration n’est pas tout entière livrée à la fantaisie expressive de ceux qui font des images. On ne figure que ce que l’on perçoit ou imagine, et l’on n’imagine et ne perçoit que ce que l’habitude nous a enseigné à discerner. Le chemin visuel que nous traçons spontanément dans les plis du monde dépend de notre appartenance à l’une des quatre régions de l’archipel ontologique : animisme, naturalisme, totémisme ou analogisme. Chacune correspond à une manière de concevoir l’ossature du monde, d’en percevoir les continuités et les discontinuités, notamment les diverses lignes de partage entre humains et non-humains. Masque yup’ik d’Alaska, peinture sur écorce aborigène, paysage miniature de la dynastie des Song, tableau d’intérieur hollandais du XVIIe siècle : par ce qu’elle montre ou omet de montrer, une image révèle un schème figuratif particulier, repérable par les moyens formels dont elle use, et par le dispositif grâce auquel elle pourra libérer sa puissance d’agir. En comparant avec rigueur des images d’une étourdissante diversité, Philippe Descola pose magistralement les bases théoriques d’une anthropologie de la figuration.
Visual anthropology --- Ethnology in art --- Art and anthropology
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Can the ethnological observations and feelings on Afro-diasporic cultures of a German writer be "restituted"? What are the possibilities and limits of using self-reflexion and gay sexuality as research tools since 2017, the exhibition and publication project 'Hubert Fichte: Love and Ethnology' has followed this question through Hubert Fichte?s cycle of novels 'Die Geschichte der Empfindlichkeit' (The History of Sensitivity). Fascinated by Afro-diasporic arts and religions, Fichte (1935-1986) traveled to cities such as Salvador da Bahia, Santiago de Chile, Dakar, New York, and Lisbon. For the project, translations from his Geschichte der Empfindlichkeit became the basis for critical local receptions and new artistic works in these cities. The final exhibition Love and Ethnology ? The Colonial Dialectic of Sensitivity (after Hubert Fichte) at Haus der Kulturen der Welt in Berlin presents these reflections against the background of the relationship between ethnology and the aesthetic avant-garde in post-war West Germany.00This publication brings together essays, artistic text contributions, and a glossary that explains Hubert Fichte's theoretical vocabulary. These are supplemented by curatorial statements from the past project stations in Salvador da Bahia, Rio de Janeiro, Santiago de Chile, Dakar, New York, and Lisbon, as well as extensive photo series depicting the artistic works from the exhibition at HKW.00Exhibition: Haus der Kulturen der Welt, Berlin, Germany (18.10.2019 - 06.01.2020).
Avant-garde (Aesthetics) --- Avant-garde (Aesthetics). --- Ethnology in art --- Ethnology in art. --- Influence (Literary, artistic, etc.). --- Fichte, Hubert --- Fichte, Hubert. --- Influence.
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Philosophical anthropology --- Philosophy of science --- Aesthetics --- Visual anthropology. --- Visual sociology. --- Ethnology in art.
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Comic books, strips, etc --- Ethnology in art --- Ethnology in literature --- History and criticism --- Bitterkomix.
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Philosophical anthropology --- Philosophy of science --- Aesthetics --- Ethnology in art --- Visual anthropology --- Visual sociology --- 7.01 --- CDL --- Ethnology --- Sociology --- Visual communication
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Hoffman, Malvina, --- Criticism and interpretation. --- Figure sculpture, American --- Ethnology in art. --- Art and anthropology --- Ethnology --- Art and society --- History --- Social aspects --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings --- Anthropology and art --- American figure sculpture
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"An innovative analysis of Indigenous strategies for overcoming the settler state. How do bureaucratic documents create and reproduce a state's capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused? Settler Colonial Ways of Seeing investigates how the Canadian state has used documents, lists, and databases to generate, make visible-and invisible-Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Danielle Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialize identity categories in the service of colonial governance. Her analysis of bureaucratic artifacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L'Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined. By integrating art-led inquiry with media theory and settler colonial studies approaches, Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorizing decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada's complex and violent relationship with Indigenous peoples."--
Indigenous art --- Indigenous peoples --- Legal documents --- Colonization --- Ethnosociology --- Ethnology in art. --- Political aspects. --- Sociological aspects. --- Identification. --- Social aspects --- Art. --- Canada. --- Indigenous art. --- Indigenous politics. --- Media history. --- Media studies. --- Media theory. --- Political theory. --- Visual art. --- bureaucracy.
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