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Fiction --- anno 1700-1799 --- Europe --- European fiction --- Roman européen --- History and criticism. --- Histoire et critique --- History and criticism --- European fiction. --- roman européen --- Histoire. --- Histoire sociale. --- Roman européen. --- Histoire et critique. --- Congrès. --- Europe. --- Roman européen --- European fiction - History and criticism
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Realism in literature --- Sentimentalism in literature --- European fiction --- History and criticism --- 82-31 --- -Realism in literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- European literature --- Roman --- 82-31 Roman --- European fiction - History and criticism
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European fiction --- Roman européen --- History and criticism. --- Histoire et critique --- Pirandello, Luigi, --- History and criticism --- Pirandello, Luigi --- Criticism and interpretation --- European fiction - History and criticism - 20th century --- Pirandello, Luigi - Criticism and interpretation
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Fiction --- anno 1500-1799 --- Netherlands --- Criticism --- Dutch fiction --- European fiction --- History --- History and criticism. --- History and criticism --- 839.3-3 "16/17" --- Nederlandse literatuur: proza--?"16/17" --- Theses --- 839.3-3 "16/17" Nederlandse literatuur: proza--?"16/17" --- Criticism - Netherlands - History - 17th century --- Criticism - Netherlands - History - 18th century --- Dutch fiction - History and criticism --- European fiction - History and criticism
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History --- Literature --- Europe --- Europa --- Letterkunde --- Littérature --- European fiction --- History and criticism. --- History and criticism --- romans --- literatuurgeschiedenis --- proza --- 82-31 --- 828.3 --- Geschiedenis --- roman --- Roman --- 82-31 Roman --- European fiction - History and criticism --- History of civilization --- Histoire critique --- Litterature europeenne --- Histoire et critique --- 18e-20e siecle
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This study treats, after a discussion on literary theory, rhetorical and conventional aspects of realist novels from three different cultures: La regenta by the Spaniard Leopoldo Alas (1852-1901), the feminist novel Constance Ring by the Norwegian author Amalie Skram (1846-1905) and three Roman novels by the Dutch writer Louis Couperus (1863-1923). The author argues that part of the meaning of these novels is influenced and in some cases even rendered undecidable by the use of rhetorical figures and tropes or by the exigencies of literary decorum. Part of the rhetoric is strongly estheticizing: it generates a plaisir du texte, and also threatens the postulated «serious» or «emancipatory» meaning of the texts. Van Luxemburg's rhetorical analysis is influenced by the deconstructionist criticism of among others Roland Barthes, J. Hillis Miller, Paul de Man and Adena Rosmarin. His book covers the representation of women, of servants and slaves and (in relation to this) the depiction of morality and religion.
Fiction --- Comparative literature --- anno 1800-1899 --- Criticism, Textual. --- European fiction --- Realism in literature. --- Rhetoric. --- History and criticism. --- Criticism, Textual --- -Realism in literature --- Rhetoric --- Language and languages --- Speaking --- Authorship --- Expression --- Style, Literary --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- European literature --- Textual criticism --- Editing --- History and criticism --- Realism in literature --- Literary style --- Epic poetry, Greek Criticism, Textual --- European fiction - History and criticism.
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Il existe une nouvelle avant la nouvelle... avant son second âge d'or, la nouvelle réaliste du XIXe siècle et sa récupération par les grands noms de la littérature du XXe siècle. De Boccace à Sade, la nouvelle a connu une histoire, inséparable de l'évolution de la civilisation européenne et qui la met au cœur des grands débats culturels de la Renaissance jusqu'aux Lumières. Echo du Moyen Age, en elle s'opposent ou se complètent un naturalisme qui se rit de l'idée de péché et un idéalisme qui associe la nouvelle aux plus hautes aspirations de la culture. Qu'il s'agisse d'une réflexion sur l'amour, sur le mariage ou sur la nature de la femme, cette dernière, depuis les origines de la nouvelle, se trouve au centre du débat : une parole et une esthétique féminines s'y font entendre de manière déterminante et non sans audace.
Kortverhaal --- Nouvelle --- Novelle --- Short story --- European literature --- European fiction --- Littérature européenne --- Roman européen --- History and criticism. --- History and criticism --- Histoire et critique --- Short stories --- 82-32 --- Kort verhaal. Novelle --- 82-32 Kort verhaal. Novelle --- Littérature européenne --- Roman européen --- Story, Short --- Authorship --- Fiction --- European fiction - History and criticism.
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Travelers' writings, European --- European fiction --- History and criticism --- Paris (France) --- Berlin (Germany) --- Moscow (Russia) --- In literature --- Travelers' writings, European - History and criticism - Congresses --- European fiction - History and criticism - Congresses --- Paris (France) - In literature - Congresses --- Berlin (Germany) - In literature - Congresses --- Moscow (Russia) - In literature - Congresses
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