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Literature, Experimental --- French literature --- Oulipo (Association) --- Experimental Literature --- Memories --- 20th-21st Century
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The European Avant-Garde: Text and Image is an interdisciplinary collection of thirteen essays relating to the study of European Avant-Garde movements between 1900 and 1940. The essays cover both literary and artistic subjects, across geographical, linguistic and disciplinary boundaries. Various aspects of the English, Irish, German, French, Italian, Spanish, and Polish avant-gardes are explored, examining both diverse literary genres such as prose, poetry and drama, and specific avant-garde ...
Literature, Experimental --- European literature --- Avant-garde literature --- Experimental literature --- Avant-garde (Aesthetics) --- Modernism (Literature) --- Literary style --- History and criticism.
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A vital compendium of poetic vision
Literature --- Literature, Experimental. --- Anthologies --- Avant-garde literature --- Experimental literature --- Avant-garde (Aesthetics) --- Modernism (Literature) --- Literary style --- Collections.
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Anti-Literature articulates a rethinking of what is meant today by "literature." Examining key Latin American forms of experimental writing from the 1920s to the present, Adam Joseph Shellhorse reveals literature power as a site for radical reflection and reaction to contemporary political and cultural conditions. His analysis engages the work of writers such as Clarice Lispector, Oswald de Andrade, the Brazilian concrete poets, Osman Lins, and David Viñas, to develop a theory of anti-literature that posits the feminine, multimedial, and subaltern as central to the undoing of what is meant by "literature." By placing Brazilian and Argentine anti-literature at the crux of a new way of thinking about the field, Shellhorse challenges prevailing discussions about the historical projection and critical force of Latin American literature. Examining a diverse array of texts and media that include the visual arts, concrete poetry, film scripts, pop culture, neo-baroque narrative, and others that defy genre, Shellhorse delineates the subversive potential of anti-literary modes of writing while also engaging current debates in Latin American studies on subalternity, feminine writing, posthegemony, concretism, affect, marranismo, and the politics of aesthetics.
Literature, Experimental --- Brazilian literature --- Avant-garde literature --- Experimental literature --- Avant-garde (Aesthetics) --- Modernism (Literature) --- Literary style --- History and criticism.
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In the Andes, indigenous knowledge systems based on the relationships between different beings, both earthly and heavenly, animal and plant, have been central to the organization of knowledge since precolonial times. The legacies of colonialism and the continuance of indigenous cultures makes the Andes a unique place from which to think about art and social change as ongoing, and as encompassing more than an exclusively human perspective. Beyond Human revises established readings of the avant-gardes in Peru and Bolivia as humanizing and historical. By presenting fresh readings of canonical authors like César Vallejo, José María Arguedas, and Magda Portal and through analysis of newer artist-activists like Julieta Paredes, Mujeres Creando Comunidad, and Alejandra Dorado, Daly argues instead that avant-gardes complicate questions of agency and contribute to theoretical discussions on vital materialisms: the idea that life happens between animate and inanimate beings-human and non-human-and is made sensible through art. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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Weltabgewandter Sprachspieler oder »radikaler Realist«? Fremd- und Selbstzuschreibung gehen in Bezug auf den Autor Ror Wolf weit auseinander. Dies gründet auf einer nur scheinbaren Paradoxie: In Wolfs vielgestaltigem Werk vollzieht sich der Zugriff auf Wirklichkeit gerade im Modus der Sabotage, Unterbrechung, Irritation oder Verzerrung - kurz: im Modus der Störung. Ausgehend von der langen Prosa fragt Barbara Bausch nach möglichen Formen literarischer Referenzialität. Dabei konturiert sie Ror Wolfs experimentelle und zugleich engagierte Poetik des ästhetisch produktiven Störens als Kreuzungspunkt verschiedenster Suchbewegungen des Prosaschreibens in den 1950er bis 1980er Jahren.
LITERARY CRITICISM / European / German. --- 1960s. --- Aesthetics. --- Culture. --- Disruption. --- Experimental Literature. --- German Literature. --- Language. --- Literary Studies. --- Literature. --- Neo-avantgarde. --- Realism. --- Reality.
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Literature, Experimental --- History and criticism. --- Themes, motives. --- Avant-garde literature --- Experimental literature --- Avant-garde (Aesthetics) --- Modernism (Literature) --- Literary style --- History and criticism --- Themes, motives
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