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Fascisme et cinéma --- Cinéma --- Histoire.
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Fascisme et cinéma --- Cinéma --- Italie --- 1929-1945
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Cinéma --- Cinéma et propagande --- Fascisme et cinéma --- Histoire --- Histoire.
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Cinéma --- Fascisme et cinéma --- Motion pictures --- Fascism and motion pictures --- Histoire --- History
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Through a series of detailed film case histories ranging from The Great Dictator to Hiroshima mon amour to The Lives of Others, The Aesthetics of Antifascist Film: Radical Projection explores the genesis and recurrence of antifascist aesthetics as it manifests in the WWII, Cold War and Post-Wall historical periods. Emerging during a critical moment in film history—1930s/1940s Hollywood— cinematic antifascism was representative of the international nature of antifascist alliances, with the amalgam of film styles generated in émigré Hollywood during the WWII period reflecting a dialogue between an urgent political commitment to antifascism and an equally intense commitment to aesthetic complexity. Opposed to a fascist aesthetics based on homogeneity, purity and spectacle, these antifascist films project a radical beauty of distortion, heterogeneity, fragmentation and loss. By juxtaposing documentation and the modernist techniques of surrealism and expressionism, the filmmakers were able to manifest a non-totalizing work of art that still had political impact. Drawing on insights from film and cultural studies, aesthetic and ethical philosophy, and socio-political theory, this book argues that the artistic struggles with political commitment and modernist strategies of representation during the 1930s and 40s resulted in a distinctive, radical aesthetic form that represents an alternate strand of post-modernism.
Guerre mondiale (1939-1945) --- Fascisme et cinéma --- Cinéma et guerre --- Guerre froide --- Mouvements de résistance --- Au cinéma
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"Portuguese Film, 1930-1960: The Staging of the New State Regime provides groundbreaking analysis of Portuguese feature films produced in the first three decades of the New State (Estado Novo), a right-wing totalitarian regime that lasted between 1933 and 1974. These films, sponsored by the National Propaganda Institute (Secretariado Nacional de Propaganda), convey a conservative image of both mainland Portugal and the country's overseas African colonies (Angola, Mozambique, Cape Verde, Guinea-Bissau and St. Thomas and Principe). The films about the mainland emphasize traditional values, the importance of obedience to authorities and a strict division of gender roles, whereby women are relegated to the domestic sphere. The Portuguese countryside, where age-old customs and a strong social hierarchy prevailed, is presented in these movies as a model for the rest of the country. The films about the colonies, in turn, underline the benefits of the Portuguese presence in Africa and portray the colonized as docile subjects to Portuguese rule. The book includes chapter summaries in the introduction, in-depth analyses of the most important Portuguese films produced between 1930 and 1960, a discussion of the main topics of Portuguese cinema from the New State, and a comprehensive bibliography that guides students who wish to read further on a specific topic. First published in Portuguese to wide acclaim, Portuguese Film, 1930-1960: The Staging of the New State Regime fills a gap in English-language scholarship on the history of the national cinema of the Iberian peninsula. Films covered include Fatima, Land of Faith (Terra de Fe), Spell of the Empire (Feitico do Imperio), and Chaimite"--
Cinéma --- Cinéma et propagande --- Fascisme et cinéma --- Motion pictures --- Motion pictures in propaganda --- Fascism and motion pictures --- Histoire --- Histoire. --- History --- History. --- film --- filmgeschiedenis --- Portugal --- twintigste eeuw --- de Oliveira Salazar António --- film en politiek --- salazarisme --- 791.43
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Histoire comparée du contrôle de la production, du financement et de la diffusion de films sous les régimes autoritaires du XXe siècle : URSS, Italie fasciste, Japon nationaliste, Portugal de Salazar, IIIe Reich en Allemagne, Espagne franquiste, France de Vichy, Europe centrale pendant la guerre froide, etc.
Motion pictures --- Motion pictures in propaganda --- Communism and motion pictures --- Fascism and motion pictures --- National socialism and motion pictures --- Cinéma --- Cinéma dans la propagande --- Communisme et cinéma --- Fascisme et cinéma --- Nazisme et cinéma --- Political aspects --- Aspect politique --- Totalitarianism and motion pictures --- Censorship --- Cinema and Dictatorships --- Censorship and Propaganda --- Socio-Political History --- 20th Century --- Cinéma et propagande --- Cinéma et politique --- Censure --- Cinéma --- Cinéma dans la propagande --- Communisme et cinéma --- Fascisme et cinéma --- Nazisme et cinéma --- Political aspects. --- Motion pictures - Political aspects --- Motion pictures - Censorship
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