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"Gone are the days when fashion relied on a runway launch with coinciding press promotions to show a couturier's new range. Today, design houses are thinking beyond traditional methods of display to stimulate interest in their collections, such as to the internet, fashion film and, more recently, fashion installations. This book offers a critical evaluation of the changing ways in which fashion has been exhibited, focusing specifically on the recent turn toward installation, whether in the form of static presentations, interactive performances or the more conventional curated designer exhibition. Connecting viewers - and consumers - on an immersive level, the fashion world has begun to appropriate installation methods traditionally associated with displays of experimental art, transcending the runway system and its constraints. This book turns to the designers who have pioneered fashion installations, such as Aitor Throup, Muccia Prada, Walter Van Beirendonck and Hussein Chalayan among others, and also looks back to the early influential fashion displays by designers such as Worth and Poiret to provide historical context. Divided into three parts, and covering a variety of installations from Vivienne Westwood's fashioned 'concept' stores to Gareth Pugh's immersive films, this ground-breaking book positions the designer as the curator and exhibition-maker and offers the first focused study of the pertinent concept of fashion installation."--Bloomsbury Publishing.
Fashion and art. --- Fashion --- Marketing.
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Fashion and art --- Fashion --- Wearable art
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Fashion and art --- Fashion design --- History --- History
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Taking a complex view of the meaning of fashion as it relates to art, while also offering critiques of 'art as fashion', 'Fashionable Art' is an original, key text that will be essential reading for students and scholars of art history, fashion studies and material culture.
Art and society. --- Fashion and art. --- Aesthetics. --- Social values.
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Coppens, Christophe --- Costume designers --- Belgium --- Hats --- Pictorial works --- Fashion and art --- 21st century
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When Tony Viramontes' work appeared in the late 1970s, his hard and direct style of drawing was a marked contrast to the prevailing soft-pastel school of fashion illustration. He scored immediate success, rapidly acquiring the kind of prestigious editorial commissions normally given to photographers, from Lei, Per Lui in Italy,Vogue in the USA, The Face in Britain, and Le Monde and Le Figaro in France.This beautiful hardcover book brings together an extensive collection of his work, featuring striking images of smoldering and smoky-eyed men and women who vibrate with New Wave energy. Viramonte
Fashion and art. --- Art and fashion --- Art --- Viramontes, Tony, --- Viramontes, Frank Anthony,
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The first in-depth look at the work of the globally celebrated and multidisciplinary London-based designer Faye Toogood - this book covers all aspects of her work, from clothes and furniture, to installations and interior design Faye Toogood is unlike any other designer. Her impressive creative output encompasses not only furniture, but sculpture, fashion, interiors, and homeware. This book is the first to explore Toogood's unique approach to design across disciplines through the studio's guiding principles: drawing, material, sculpture, and landscape.In doing so it not only reveals the fascinating creative process behind Toogood's beautiful designs, but also illustrates the interconnectedness of her design across a range of practices together with the poetry that flows throughout her work.The book also features her collaborations with (and commissions by) such brands as Birkenstock, Carhartt WIP, Comme des Garçons, Dover Street Market, Hermès, Mulberry and National Gallery of Victoria.
Toogood, Faye --- Mode --- Art, Modern --- Clothing and dress --- Fashion and art --- Interior decoration
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In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group, the collective of artists and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E. M. Forster's top buttons to the creativity of Vanessa Bell's wayward hems; from the sheer pleasure of Ottoline Morrell's lavish dresses to the clashing self-consciousness of Virginia Woolf's orange stockings. As Porter carefully unpicks what they wore and how they wore it, we see how clothing can be a means of artistic, intellectual and sexual liberation, or, conversely, a tool for patriarchal control. Travelling through libraries, archives, attics and studios, Porter uncovers fresh evidence about his subjects, revealing them in a thrillingly intimate, vivid new light. And, as he is inspired to begin making his own clothing, his perspective on fashion - and on life - starts to change. In the end, he shows, we should all 'bring no clothes,' embracing a new philosophy of living: one which activates the connections between the way we dress and the way we think, act and love --
Bloomsbury group --- Artists --- Fashion and art --- Clothing and dress --- Clothing --- History --- Bloomsbury group. --- Groupe de Bloomsbury. --- Mode et art --- Kleidung. --- Lebensgefühl. --- Reformkleidung. --- Clothing. --- Histoire --- Clothing and dress. --- Fashion and art. --- 1900-1999. --- Great Britain.
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Glass art --- Fashion and art --- Art du verre --- Mode et art --- Exhibitions. --- Exhibitions. --- Expositions --- Expositions --- McElheny, Josiah, --- Exhibitions.
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