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This book is about a couple, not a single, dominant ruler. Thus it raises issues of gender, and the dynamics of a marriage over thirty-five years, as well as the practice of monarchical power. The reader sees Ferdinand and Isabella struggle to establish their regime, and then work out an elaborate reform programme in Church and State. It sees them fight a 'total war', by fifteenth-century standards, against Muslim Granada, leading to that kingdom's conquest, and an equally 'total' war, through the Inquisition and the Church in general, to convert Spanish Jews and Muslims to Christianity, an
Ferdinand --- Isabella --- Ferran --- Fernando --- Fernando, --- Ferran, --- Ferdinand, --- Ferdinando, --- Ferdinandus --- Fernandus --- Spain --- History
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History of civilization --- anno 500-1499 --- Spain --- Art, Renaissance --- Art, Spanish --- Art de la Renaissance --- Art espagnol --- Ferdinand --- Isabella --- Ferdinand, --- Isabelle, --- Art patronage --- Mécénat --- Espagne --- History --- Histoire --- Mécénat --- Art, Modern --- Spanish art --- Dau al set (Group of artists) --- Grupo Pórtico (Group of artists) --- Moviment Artístic del Mediterrani (Group of artists) --- Ferran --- Fernando --- Fernando, --- Ferran, --- Ferdinando, --- Ferdinandus --- Fernandus --- Art patronage. --- Kings and rulers --- Architecture [Renaissance ] --- Art [Renaissance ]
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Didactic poetry, Latin (Medieval and modern) --- Medici, Lorenzo de', --- Ferdinand --- Latin didactic poetry, Medieval and modern --- Latin poetry, Medieval and modern --- Ferdinand V, King of Spain --- Medici, Lorenzo de' --- Laurent, --- Lorenzo de' Medici, --- Médicis, Laurent de, --- Laurentios, --- Lorenzo, --- De' Medici, Lorenzo, --- De Médicis, Laurent, --- Dei Medici, Lorenzo, --- Medici, Lorenzo dei, --- Lorenzo dei Medici, --- Ferran --- Fernando --- Fernando, --- Ferran, --- Ferdinand, --- Ferdinando, --- Ferdinandus --- Fernandus --- Medici, Lorenzo de', - 1449-1492 --- Ferdinand - V, - King of Spain, - 1452-1516
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Auf dem Zenit ihrer Macht, die dank Columbus bis nach Amerika reicht, setzt Isabella statt auf Vertreter der italienischen Renaissance auf drei im Norden ausgebildete Maler: Felipe Morros, einen zuvor in Frankreich und Deutschland tätigen Pikarden, Juan de Flandes, welcher das Land nach Isabellas Tod 1504 nicht mehr verlassen und für die Universität von Salamanca sowie den Bischof von Palencia arbeiten wird, und Michel Sittow, welcher verschiedenen europäischen Höfen ebenso diente wie dem heimatlichen Reval (Tallinn) und mindestens zweimal die 4000 km von der Hansestadt nach Spanien und zurück gereist ist.
Art --- court art --- Sittow, Michel --- Morros, Felipe --- Juan de Flandes --- Isabella I the Catholic [Queen of Spain] --- Painting, Flemish --- Peinture flamande --- Sittow, Michel, --- Juan, --- Morros, Felipe, --- Isabella --- Ferdinand --- Art patronage. --- Flemish painting --- Michiel, --- Sittow, Michiel, --- Flamenco, Juan, --- Flandes, Juan de, --- Ferran --- Fernando --- Fernando, --- Ferran, --- Ferdinand, --- Ferdinando, --- Ferdinandus --- Fernandus --- Criticism and interpretation. --- Criticism and interpretation --- Art patronage --- Painting, Flemish - Spain - 15th century --- Painting, Flemish - Spain - 16th century --- Sittow, Michel, - 1469?-1525 - Criticism and interpretation --- Juan, - de Flandes, - approximately 1465-1519 - Criticism and interpretation --- Morros, Felipe - Criticism and interpretation --- Isabella - I, - Queen of Spain, - 1451-1504 - Art patronage --- Ferdinand - V, - King of Spain, - 1452-1516 - Art patronage --- Sittow, Michel, - 1469?-1525 --- Juan, - de Flandes, - approximately 1465-1519 --- Isabella - I, - Queen of Spain, - 1451-1504 --- Ferdinand - V, - King of Spain, - 1452-1516
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