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Sociology of culture --- Film --- Film festivals --- Film festivals. --- Festivals de cinéma --- Europe

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More than 5,000 film festivals take place globally and many of these have only been established in the last two decades. International Film Festivals collects the leading scholarship on this increasingly prominent phenomenon from both historical and contemporary perspectives, using diverse methods including archival research, interviews and surveys and drawing widely from fields like sociology, urban studies and film criticism to patent technology and history. With contributors from across the world and covering the major festivals - Cannes, Venice, Toronto, Berlin - as well as niche, genre and online film festivals, this book is an authoritative and exemplary guide to the evolution of these key sites for film distribution, exhibition and reception. Chapters unravel topics such as the relationship between corporations and festivals, the soft power function they can perform for their host nations and the changing identities of audiences on arrival at, and during exploration of, a given festival venue. Tricia Jenkins' edited volume reconceives the film festival for the global, digital age whilst drawing out its historic importance and ultimately makes a major intervention in film festival studies as well as film and cultural studies more widely.

Film festivals. --- Festivals de cinéma. --- Festival de Cannes. --- Mostra internazionale d'arte cinematografica.

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Après avoir analysé le statut des festivals de cinéma sous une approche typologique, l'auteur envisage le festival dans son environnement politique et culturel, de manière à mettre en évidence l'économie festivalière ainsi que les politiques ministérielles qui s'y rapportent.

filmindustrie --- audiovisuele industrie --- filmproducties --- audiovisuele producties --- Film festivals --- Festivals de cinéma --- Festivals de cinéma --- Film --- multimedia --- Mass communications --- France

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Cette approche des échanges entre l’Amérique latine et la France est centrée sur l’étude de festivals de cinéma, depuis les premières décennies du Festival de Cannes et la naissance de festivals spécialisés dans des cinématographies issues du continent latino-américain, jusqu’à la deuxième décennie du XXIe siècle. Comment les films s’y expriment-ils, comment y sont-ils interprétés ? Dans quelle tradition s’inscrivent ces interprétations et en quoi participent-elles d’un univers imaginaire global ? Ponctué d’allers-retours qui entendent rendre compte du double lieu d’énonciation (l’Amérique latine elle-même et la France) et en dialogue permanent avec ce vaste horizon d’analyse, un regard « micro » explore le « territoire imaginaire latino-américain » fabriqué par le festival Cinélatino, Rencontres de Toulouse, devenu au fil des ans le principal événement français consacré aux cinémas d’Amérique latine. La trame qui tisse l’ensemble de l’ouvrage révèle la manière dont le discours contemporain sur les cinémas de ce continent s’insère dans la continuité des échanges, au croisement des enjeux discursifs, culturels et géopolitiques. Elle montre combien ces échanges sont façonnés par l’action des hommes et des femmes portés par une sensibilité à la fois envers l’Amérique latine et envers le cinéma, qui composent ensemble des réseaux d’acteurs coopérant pour faire exister ces cinématographies.

Motion pictures --- Film festivals --- Themes, motives. --- Appreciation --- History. --- Latin America --- France --- Relations --- Cinéma --- Cinéma latino-américain --- Festivals de cinéma --- Appréciation --- Amérique latine --- Civilisation

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Both the essays and their accompanying bibliographies provide an excellent sense of the latest developments in research and thinking about film festivals. Like Valck?s Film Festivals: From European Geopolitics to Global Cinephilia (2007), the present volume treats film festivals theoretically and comparatively, considering them as networked sites that negotiate cultural capital on local, national, and global scales. Contributors include many of the key researchers in the field, among them Cindy Hing-Yuk Wong, author of the terrific Film Festivals: Culture, People, and Power on the Global Screen (2011). Valck includes in this skillfully edited collection essays not only on Cannes and Asian film festivals but also on ?identity-based community festivals." Although the essays are marked by an odd lack of interest in the films themselves?in the foreword, Dina Iordanova writes that ?what is important" is that "the film festival is studied as a phenomenon complete in itself, emptied of specific content"?and although most contributors take celebratory rather than ?against the grain? approaches, this book is required reading for anyone interested in the subject. Those interested in political film festivals will want to consult Sonia Tascón's Human Rights Film Festivals: Activism in Context (2015).

Film --- Sociology of culture --- Film festivals --- Motion pictures. --- Cinéma --- History. --- Festivals de cinéma --- Histoire --- History --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film and video festivals --- Motion picture festivals --- Moving-picture festivals --- Video and film festivals --- Performing arts festivals --- History and criticism --- Festivals de cinéma --- Cinéma --- Cinéma. --- Histoire. --- Motion pictures