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Dutch literature --- Autobiografische roman [Belgische ] --- Autobiographical fiction [Belgian ] --- Autobiographical novels [Belgian ] --- Autobiographie romancée belge --- Autobiographies [Fictional ] [Belgian ] --- Autobiography [Fictional ] [Belgian ] --- Autofiction belge --- Fiction [Autobiographic ] [Belgian ] --- Fictional autobiographies [Belgian ] --- Fictional autobiography [Belgian ] --- Roman autobiographique belge

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Authors in literature --- Autobiography --- Literature, Modern --- -Literature, Modern --- -Autobiographical fiction --- -Self in literature --- Autobiographical novels --- Autobiographies, Fictional --- Autobiography, Fictional --- Fiction, Autobiographic --- Fictional autobiographies --- Fictional autobiography --- Biographical fiction --- Modern literature --- Arts, Modern --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- History and criticism --- Technique --- Authors in literature. --- Autobiographical fiction --- Autobiography. --- Self in literature. --- History and criticism. --- Self in literature

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Autobiografische roman --- Autobiographical novels --- Autobiographie romancée --- Autobiographies [Fictional ] --- Autobiography [Fictional ] --- Autofiction --- Fiction [Autobiographic ] --- Fictional autobiographies --- Fictional autobiography --- Roman autobiographique --- Slovaks --- Steel industry and trade --- Ethnology --- Ferrous metal industries --- Metal trade --- Iron industry and trade --- History --- Braddock (Pa.) --- Pennsylvania --- Fiction --- Autobiographical fiction

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Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.

Autobiography --- Autobiographical fiction --- Autobiography in literature --- Autobiographical fiction. --- Autobiography in literature. --- Autobiography. --- Biography as a literary form. --- Autobiographie. --- Autofiction. --- BIOGRAPHY & AUTOBIOGRAPHY / General. --- Biography --- Authorship --- Prose literature --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- Autobiographical novels --- Autobiographies, Fictional --- Autobiography, Fictional --- Fiction, Autobiographic --- Fictional autobiographies --- Fictional autobiography --- Biographical fiction --- History and criticism --- Technique

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L'étude des "fictions biographiques" est un champ délibérément ouvert. La formule peut en effet d'abord s'entendre comme un oxymore, au sens de biographies imaginaires de personnages réels, dans la lignée des Vies imaginaires de Marcel Schwob (1896), sens auquel la production littéraire contemporaine donne une indéniable actualité ; mais elle n'est pas sans évoquer également le roman biographique, récit de vie d'un personnage fictif qui reprendrait, souvent dans une perspective parodique, la forme et les conventions du genre biographique. Ces textes hybrides, au genre indécis, apparaissent comme l'espace privilégié d'un questionnement sur les liens qu'entretient la fiction avec la vérité, avec la connaissance et sur la capacité du récit de vie à se constituer en œuvre littéraire. Ce volume tente d'explorer la multiplicité des formes que prennent ces fictions biographiques depuis le XIXe siècle dans la littérature française ou étrangère, de tracer leurs frontières avec les genres voisins (biographie, autobiographie, hagiographie, histoire, mais aussi récit mythique ou essai), de cerner leurs objets privilégiés (hommes illustres ou inconnus, artistes ou témoins) tout en s'interrogeant sur la chronologie de ce genre, son archéologie et ses liens avec la modernité.

Non-fiction --- Fiction --- anno 1800-1999 --- anno 2000-2009 --- Autobiographical fiction --- Biographical fiction --- Biography as a literary form --- History and criticism --- 82-3 --- 82-94 --- Proza. Fictie. Narratologie --- Dagboek. Memoires. Autobiografie --- 82-94 Dagboek. Memoires. Autobiografie --- 82-3 Proza. Fictie. Narratologie --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Biographic fiction --- Biographical novels --- Biography --- Autobiographical novels --- Autobiographies, Fictional --- Autobiography, Fictional --- Fiction, Autobiographic --- Fictional autobiographies --- Fictional autobiography --- Philosophy --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Congresses --- Autobiographical fiction - History and criticism - Congresses --- Biographical fiction - History and criticism - Congresses --- Biography as a literary form - Congresses --- Fiction - 19th century - History and criticism - Congresses --- Fiction - 20th century - History and criticism - Congresses --- Fiction - 21st century - History and criticism - Congresses