Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book showcases the accomplishments and triumphs of women in Russian animation and reveals their past contributions to not only animation, but also world cinema. Through archival research, historical analysis, and close readings of animated films this book recuperates the often-overlooked contributions women made to Russian animation over the last 100 years.

Feminism and motion pictures --- Eastern European. --- Soviet and Russian animation. --- animation. --- animators. --- film and media studies. --- gender barriers. --- gender in film and media. --- women studies. --- world cinema.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.

ART / Film & Video. --- Film and media studies, philosophy of technology, media theory, science and technology studies, media archaeology, digital humanities.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play Scum, and his study of football hooliganism, The Firm. This book uncovers the full range of his work from the mythic fantasy of Penda's Fen, to the radical short film on terrorism, Elephant. Dave Rolinson uses original research to examine the development of Clarke's career from the theatre and the 'studio system' of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as one of Britain's greatest directors. 'Alan Clarke' examines techniques of television direction, and proposes new methodologies as it questions the critical neglect of directors in what is traditionally seen as a writer's medium. It raises crucial issues in television studies, including aesthetics, authorship, censorship, the convergence of film and television, drama-documentary form, narrative and realism.

Clarke, Alan, --- Criticism and interpretation. --- LITERARY COLLECTIONS --- General. --- Film and Media --- Film, TV & Radio --- PERFORMING ARTS / Television / General --- Television --- Alan Clarke. --- British television director. --- Elephant. --- Penda's Fen. --- Scum. --- borstal play. --- football hooliganism. --- social realism. --- terrorism. --- theatre.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is the first-ever critical work on Jack Rosenthal, the award-winning British television dramatist. His career began with Coronation Street in the 1960's and he became famous for his popular sitcoms, including The Lovers and The Dustbinmen. During what is often known as the 'golden age' of British television drama, Rosenthal wrote such plays as The Knowledge, The Chain, Spend, Spend, Spend and P'tang, Yang, Kipperbang, as well as the pilot for the series London's Burning. This study offers a close analysis of all Rosenthal's best-known works, drawing on archival material as well as interview...

Television plays, English --- English television plays --- English drama --- History and criticism. --- Rosenthal, Jack, --- Criticism and interpretation. --- Film and Media --- Film --- ART --- Electronic, holographic & video art --- TV & Radio --- Film & Video --- British television dramatist. --- Coronation Street. --- Don Black. --- Jack Rosenthal. --- Jonathan Lynn. --- London's Burning. --- Thatcherism. --- permissive society. --- recession. --- sitcoms.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era to understand how directors used the national song to promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He consides the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism; the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional [Ministry of National Propaganda]; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese Colonial Empire as an anachronism in the post-World War II years.
Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the Capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually,the fadista is the protagonist and the Fado, the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leito de Barros had proposed in the first Portuguese talkie, A Severa (1931).

Michael Colvin is Associate Professor of Hispanic Studies at Marymount Manhattan College.

Motion pictures --- Fados --- Folk songs, Portuguese --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism. --- History and criticism --- Hispanic music. --- Hispanic studies. --- Portugese composers. --- Portugese music. --- Spanish Civil War. --- film and media studies. --- history of music. --- music studies. --- music theory. --- musicology.