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“The more I reflect on her work, the more it appears to me as a peculiar form of Land Art”, is how arthistorian Ory Dessau describes the art practice of Marie Cloquet. The artist put together an extensive archive of photographs and uses it time and again to create her monumental landscapes on canvas. She considers the images, both digital and analog, as sketches and sees similarities between her process and that of classical painters. Close to the way in which, for example, the Flemish masters arranged the sketches they made on site, once back in their studios, into new, realistic looking compositions, Cloquet cuts up and mixes her images into independent entities that remain only loosely connected with the real world. After manipulating the photos in the darkroom, she prints them on drawing paper, tears them up and reconstructs them collage-wise, using watercolor paint. The rugged, anonymous worlds that emerge, play with scale, size and perspectives and simultaneously appeal, as places of devastation, to our collective memory. Marie Cloquet says, that at his core, her work is about collateral damage. If initially her pictures, mainly because of the analog production method, remained confined to the black and white spectrum, the artist has recently begun to gradually introduce color in her work. Subtle, pale and sketchy, so that the works tend towards the realm of the suggestive. It is an attempt to place a gentle veil over dramatic footage, to cover confrontational facts on the current state of the world and the human condition with a layer of beauty.

Painting --- photography and photographic processes and techniques --- Cloquet, Marie --- 77.092.07 --- Belgische kunstenaars --- Vrouwelijke kunstenaars --- Fotografen A - Z --- Cloquet, Marie, --- Cloquet, Marie °1976 (°Gent, België) --- Fotografie en schilderkunst ; bewerkte foto's --- Zilvergelatinedruk en aquarel --- Landschappen

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Photography was entangled with art from the very moment of its invention by painter and printmaker Louis Daguerre in 1839. This is the first publication to explore photography's complex and fascinating inter-relationship with painting and sculpture in the 19th and early 20th centuries. Spanning seventy-five years from the daguerreotype to very early colour photography, the book explores pioneer photographers, the Pre-Raphaelite circle and ravishing Symbolist and Pictorialist works. It features stunning works from artists such as Millais and Rossetti to Henry Fox Talbot, Roger Fenton, Julia Margaret Cameron, James McNeill Whistler and Alfred Stieglitz. Showcasing iconic and rarely seen works, this book includes 200 illustrations accompanied by refreshing new scholarship making this the essential book for collectors, gallery-goers and photography enthusiasts alike.

conditions and effects: photography --- Painting --- available light photography --- photographs --- Photography --- easel paintings [paintings by form] --- daguerreotypes [photographs] --- anno 1800-1999 --- Great Britain --- fotografie --- schilderkunst --- 19de eeuw --- 20ste eeuw --- Groot-Brittannië --- fotografie en schilderkunst --- negentiende eeuw --- portretschilderkunst --- portretfotografie --- landschapsschilderkunst --- landschapsfotografie --- tableaux vivants --- 77.035 --- Exhibitions --- conditions and effects for photography --- schilderkunst. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië. --- fotografiegeschiedenis

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Tuymans, Luc --- 625.1 Schilderkunst --- kunst --- schilderkunst --- Tuymans Luc --- België --- fotografie en schilderkunst --- polaroids --- 75.071 TUYMANS --- 75.07 --- Tuymans, Luc °1958 (°Mortsel, België) --- Schilderkunst ; 1980-2007 ; Luc Tuymans --- Belgische kunstenaars --- Polaroid --- 75 TUYMANS, LUC --- Schilderkunst ; schilders --- Schilderkunst--TUYMANS, LUC --- Tuymans, Luc, --- Criticism and interpretation --- Exhibitions

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Gilda Williams --- fotografie --- straatfotografie --- naakt --- naaktfotografie --- ingekleurde foto's --- fotografie en schilderkunst --- Oekraïne --- Sovjet-Unie --- Rusland --- Kharkov --- Mikhailov Boris --- twintigste eeuw --- 77.071 MIKHAILOV --- Mikhailov, Boris --- Naveau, Nadia --- Documentary photography --- Photographers --- Photography, Documentary --- Photography --- Artists --- Michailov, Boris, --- Mihailov, Boris, --- Michajlov, Boris, --- Mikhaylov, Boris, --- Mikhailov, Boris, --- Michailow, Boris, --- Mykhaĭlov, Borys Andriĭovych, --- Михайлов, Борис Андрійович, --- Mikhaĭlov, Boris Andreevich, --- Михайлов, Борис Андреевич,

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From as early as 1839, artists began exploring photography's enormous potential for storytelling and often went to great lengths to create pictures for the camera. Here, a short introductory essay summarizes the history of staged photogaphy, highlighting key debates on the medium's blunt factuality and its capacity for deception.

Staged photography --- Trick photography --- Photography, Artistic --- History --- 77.041 --- eenentwintigste eeuw --- enscenering --- fotografie --- fotografie en schilderkunst --- negentiende eeuw --- tableaux vivants --- twintigste eeuw --- Photographic amusements --- Photography, Trick --- Photography --- Directorial photography --- Fabricated photography --- Special effects --- Staged photography - History --- Trick photography - History --- Photography, Artistic - History