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"From one of our foremost architectural writers: an engaging, brilliant exploration of the life and work of the most famous architect of our time, and one of the few architects ever to be widely admired by both critics and the general public.This first full-fledged critical biography of Frank Gehry presents and evaluates the work of a man whom fifty architects, critics, and historians assembled by Vanity Fair designated "the most important architect in the world." It discusses at length his major buildings: from his own house--an "exploded" Dutch Colonial in Santa Monica--to the Guggenheim Museum in Bilbao, which has almost single-handedly transformed contemporary architecture. It considers the work in light of Gehry's personal life: the influence of his immigrant grandparents, his two marriages, his close relationships to an unusual circle of celebrated clients and friends, his longtime therapist. It analyzes his carefully created "aw, shucks" persona and the intense ambition it masks; examines Gehry's anxieties about fame and how his "outsider" status as a Los Angeles architect allowed him to experiment in useful ways; and finally discusses how he thinks about and employs technology to change not just the way a building can look but the way architecture itself is practiced"
Architecture --- Frank Gehry Office --- Architects --- Gehry, Frank --- 72.07 --- Biografieën ; architecturale ; Frank Gehry --- Gehry, Frank Owen °1929 (°Toronto, Canada) --- Architectuur ; 20ste en 21ste eeuw ; Fr. Gehry --- Architecten. Stedenbouwkundigen A - Z --- Gehry, Frank O., --- Gehry, Frank, --- Goldberg, Frank, --- Gehry, Frank Owen, --- Goldberg, Ephraim Owen,
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Philip Johnson und Mark Wigley versammelten 1988 in ihrer ebenso erfolgreichen wie umstrittenen Ausstellung »Deconstructivist Architecture« Namen, die heute zur internationalen Elite der »Starchitects« gehören: Frank Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha Hadid, Coop Himmelb(l)au und Bernard Tschumi. Simone Kraft legt nun, mehr als 25 Jahre später, erstmals eine Untersuchung zu den Widersprüchlichkeiten der Ausstellung vor. Sie macht sich intensive Archivrecherchen und Informationen von Zeitzeugen zunutze, um die ungewöhnlichen organisatorischen Hintergründe zu rekonstruieren und argumentative Schwachstellen des kuratorischen Konzepts zu beleuchten. So wird schließlich am Beispiel der sieben ausgestellten Architekten eine Annäherung an einen fundierte(re)n Begriff von der dekonstruktivistischen Architektur ermöglicht.
Architektur; Museum of Modern Art; Philip Johnson; New York; Deconstructivist Architecture; Frank Gehry; Peter Eisenman; Daniel Libeskind; Zaha Hadid; Rem Koolhaas; Coop Himmelb(l)au; Bernard Tschumi; Museum; Museumswissenschaft; Dekonstruktion; Architecture; Museology; Deconstruction --- Bernard Tschumi. --- Coop Himmelb(l)au. --- Daniel Libeskind. --- Deconstruction. --- Deconstructivist Architecture. --- Frank Gehry. --- Museology. --- Museum of Modern Art. --- Museum. --- New York. --- Peter Eisenman. --- Philip Johnson. --- Rem Koolhaas. --- Zaha Hadid.
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A groundbreaking history of digital design from the nineteenth century to todayDigital design has emerged as perhaps the most dynamic force in society, occupying a fluid, experimental space where product design intersects with art, film, business, engineering, theater, music, and artificial intelligence. Stephen Eskilson traces the history of digital design from its precursors in the nineteenth century to its technological and cultural ascendency today, providing a multifaceted account of a digital revolution that touches all aspects of our lives.We live in a time when silicon processors, miniaturization, and CAD-enhanced 3D design have transformed the tangible world of cars and coffee makers as well as the screen world on our phones, computers, and game systems. Eskilson provides invaluable historical perspective to help readers better understand how digital design has become such a vibrant feature of the contemporary landscape. He covers topics ranging from graphic and product design to type, web design, architecture, data visualization, and virtual reality. Along the way, he paints compelling portraits of key innovators behind this transformation, from foundational figures such as Marshall McLuhan, Nam June Paik, and April Greiman to those mapping new frontiers, such as Sepandar Kamvar, Jeanne Gang, Karim Rashid, Neri Oxman, and Jony Ive.Bringing together an unprecedented array of sources on digital design, this comprehensive and richly illustrated book reveals how many of the digital practices we think of as cutting-edge actually originated in the analog age and how the history of digital design is as much about our changing relationship to forms as the forms themselves.
Design and technology --- Design and technology. --- Design --- History. --- Technological innovations --- Technological innovations. --- 3D computer graphics. --- Adrian Frutiger. --- Andi Watson. --- Apple Computer. --- Apple Macintosh. --- Apple. --- April Greiman. --- Architecture. --- Art. --- Artefact Design. --- Artificial Intelligence. --- CAD. --- Computer Design. --- Contemporary culture. --- Data Visualization. --- David Carson. --- Dieter Rams. --- Digital Architecture. --- Digital Design. --- Digital Design: A History Stephen J. Eskilson. --- Digital History. --- Digital Type. --- Flash. --- Frank Gehry. --- Graphic Design. --- Graphic design. --- Greg Lynn. --- Henry Dreyfuss. --- Herbert Bayer. --- IBM. --- Industrial Design. --- Jeanne Gang. --- MIT Media Lab. --- Marshall McLuhan. --- Material history of digital design. --- Muriel Cooper. --- Nintendo. --- Oskar Fischinger. --- PostScript. --- Princeton University Press. --- Rhinocerous Software. --- SHoP. --- SOM. --- Skeumorphism. --- Steve Jobs. --- Virtual Reality. --- Visible Language Workshop. --- Walter Gropius. --- Yugo Nakamura. --- ZHA. --- Zuzana Licko. --- biomorphic forms. --- computers. --- creator's tool kit. --- design software. --- digital art.
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Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house. Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
Art and society. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Psychology. --- Social aspects --- Acropolis Museum. --- Ai Weiwei. --- Alejandro Zaera-Polo. --- Alexander Nemerov. --- Andy Warhol. --- Antonio Negri. --- Art Basel. --- Art history. --- Art museum. --- Art world. --- Arthur Danto. --- Bernard Tschumi. --- Bill Ayers. --- Boris Groys. --- Bruno Latour. --- Calculation. --- Capitalism. --- Clement Greenberg. --- Commodity. --- Conceptual art. --- Contemporary art. --- Creative Commons. --- Cultural Property (Japan). --- Cultural capital. --- Curator. --- Customer. --- Damien Hirst. --- De Stijl. --- Decolonization. --- Diagram. --- Digital photography. --- Dissemination. --- Electronic Disturbance Theater. --- Emblem. --- Epistemology. --- Financial capital. --- Frank Gehry. --- Globalization. --- Guggenheim Museum Bilbao. --- Hannah Arendt. --- Hans Belting. --- High culture. --- Iconology. --- Ideology. --- Illegal immigration. --- Income. --- Infrastructure. --- Instance (computer science). --- Institution. --- Institutional Critique. --- Kunsthalle Wien. --- Lawrence Lessig. --- Le Corbusier. --- MIT Press. --- Manifesto. --- Market economy. --- Matthew Barney. --- Michael Hardt. --- Michel Foucault. --- Modern architecture. --- Modernism. --- Museum. --- Narrative. --- Neoliberalism. --- Newspaper. --- Overproduction. --- Ownership. --- Oxford University Press. --- Parametricism. --- Photography. --- Postcard. --- Public sphere. --- Publication. --- Rachel Harrison. --- Rem Koolhaas. --- Repatriation (humans). --- Rhetoric. --- Richard Meier. --- Rirkrit Tiravanija. --- Rosalind E. Krauss. --- Roselee Goldberg. --- Saskia Sassen. --- Scalability. --- Sherrie Levine. --- Social space. --- Subodh Gupta. --- Surrealism. --- T. J. Clark (art historian). --- Tactical media. --- Tania Bruguera. --- The Society of the Spectacle. --- Tourism. --- Understanding. --- Venice Biennale. --- Visual culture. --- Walker Evans. --- Walter Benjamin. --- Wealth. --- Website. --- Work of art.
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"A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern design"--
Modernism (Art) --- Modernism (Art) --- Sculpture and architecture. --- 666 Fifth Avenue. --- Abstract expressionism. --- Ada Louise Huxtable. --- Adolph Gottlieb. --- Alexander Calder. --- Alexander Liberman. --- Alexander Stirling Calder. --- Aline B. Saarinen. --- Anish Kapoor. --- Architectural Design. --- Architectural Forum. --- Architectural Record. --- Architectural firm. --- Architectural historian. --- Atomic Age. --- Black Mountain College. --- Buckminster Fuller. --- Charles Sheeler. --- Charles and Ray Eames. --- Claes Oldenburg. --- Constantin Brâncu?i. --- Contemporary society. --- Designer. --- Donald Deskey. --- Dropped ceiling. --- Edgar J. Kaufmann. --- Edward Durell Stone. --- Edward Larrabee Barnes. --- Eero Saarinen. --- Eliel Saarinen. --- Eliot Noyes. --- Fine art. --- Florence Knoll. --- Frank Gehry. --- George Nelson (designer). --- Gordon Bunshaft. --- Ground Floor. --- Harry Bertoia. --- Harvard Graduate Center. --- Henry-Russell Hitchcock. --- Herbert Bayer. --- Herbert Ferber. --- Herbert Matter. --- Herman Miller (manufacturer). --- Inland Steel Building. --- Interior design. --- International Style (architecture). --- Isamu Noguchi. --- Jack Burnham. --- John Cage. --- Josiah McElheny. --- Kevin Roche. --- La Grande Vitesse. --- Le Corbusier. --- Lee Bontecou. --- Lever House. --- Lighting. --- Lincoln Center for the Performing Arts. --- MIT Chapel. --- Manufacturers Trust Company Building. --- Marcel Breuer. --- Marcel Duchamp. --- Mark Rothko. --- Mark Tobey. --- Mary Callery. --- Max Abramovitz. --- Mid-century modern. --- Minimalism. --- Modern architecture. --- Modern sculpture. --- Modernism. --- Mural. --- Natalie de Blois. --- National Gallery of Art. --- Naum Gabo. --- Noguchi table. --- Olivetti. --- Philip Johnson. --- Pietro Belluschi. --- Public art. --- Richard Lippold. --- Robert Rauschenberg. --- Saul Steinberg. --- Sculpture. --- Seagram Building. --- Shoji Sadao. --- Sigfried Giedion. --- Sven Markelius. --- The Architects' Collaborative. --- The Broad. --- The Typewriter. --- Urban renewal. --- Vestibule (architecture). --- Vincent Scully. --- Walter Gropius. --- Weathering steel. --- Whitney Museum of American Art. --- William Baziotes. --- Wingspread. --- Work of art.
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