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Politisches Manifest von F. T. Marinetti und zugleich Gründungsakt der futuristischen Partei, die 1918 aus der Taufe gehoben wurde, um dem Futurismus eine ideologische Plattform zu verschaffen. Digitale Textausgabe des Originals von 1919, erschienen im Verlag Facchi, Milano.
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Politisches Manifest von F. T. Marinetti und zugleich Gründungsakt der futuristischen Partei, die 1918 aus der Taufe gehoben wurde, um dem Futurismus eine ideologische Plattform zu verschaffen. Digitale Textausgabe des Originals von 1919, erschienen im Verlag Facchi, Milano.
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This paper analyses Velimir Khlebnikov's early Pan-Slavic and anti-German ideological positions against the background of the Balkan crisis (1908, 1912) and the development of the Neo-Slavophile movement. Furthermore, we illustrate how Khlebnikov's encounter with Janko Lavrin influenced his linguististic conceptions, which in 1913 led to the publication of a series of articles in the newspaper "Slavyanin". Finally, we argue that some of these articles already showed a significant shift from his Neo-Slavophile ideas to a new conception, which turns towards the Eurasian continent as the arena for his utopian visions.
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Works of art such as paintings with words on them or poems shaped as images communicate to the viewer by means of more than one medium. Here is presented a particular group of hybrid art works from the early twentieth century, to discover in what way words and images can function together to create meaning. The four central artists considered in this study investigate word/image forms in their work. F.T. Marinetti invented parole in libertà, among other ideas, to free language from syntactic connections. Umberto Boccioni experimented with newspaper clippings on the canvas from 1912-1915, and these collages constitute an important exploration into word/image forms. André Breton's collection of poems Clair de terre (1923) contains several typographical variations for iconographic effect. René Magritte explored the relationship between words and images, juxtaposing signifiers to contradictory signifieds on the canvas. A final chapter introduces media other than poetry and painting on which words and images appear. Posters, the theater, and the relatively new medium of cinema foreground words and images constantly. This volume will be of interest to scholars of twentieth-century French or Italian literature or painting, and to scholars of word and image studies.
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This paper analyses Velimir Khlebnikov's early Pan-Slavic and anti-German ideological positions against the background of the Balkan crisis (1908, 1912) and the development of the Neo-Slavophile movement. Furthermore, we illustrate how Khlebnikov's encounter with Janko Lavrin influenced his linguististic conceptions, which in 1913 led to the publication of a series of articles in the newspaper "Slavyanin". Finally, we argue that some of these articles already showed a significant shift from his Neo-Slavophile ideas to a new conception, which turns towards the Eurasian continent as the arena for his utopian visions.
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Futurism (Literary movement) --- Painters --- Russian poetry --- Futurism (Literary movement).
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