Listing 1 - 10 of 14 | << page >> |
Sort by
|
Choose an application
Choose an application
“Pouah ! Sortons vite, car je ne puis guère réprimer trop longtemps mon désir fou de créer enfin une véritable réalité musicale en distribuant à droite et à gauche de belles gifles sonores, enjambant et culbutant violons et pianos, contrebasses et orgues gémissantes! Sortons!”. Daté de 1913, L’Art des bruits, sous-titré “Manifeste futuriste”, impressionne par son anticipation des nouvelles formes de musique qui règnent aujourd’hui : partant du principe que les sons purs ont fait leur temps, il affirme que la musique nouvelle devra régler harmoniquement et rythmiquement des bruits très variés. Nouvelle édition.
Choose an application
Choose an application
Futurism (Art) --- Futurism (Literary movement) --- Futurism (Music)
Choose an application
Manifeste dans lequel le compositeur et musicologue italien (1880-1955) prône de nouveaux principes de composition musicale, notamment l'atonalité ou l'enharmonisme, et dévoile sa conception de la musique futuriste. ©Electre 2015
Music --- Futurism (Music) --- Musique --- Futurisme (Musique)
Choose an application
Futurism (Music) --- Italy --- 78.77.3 --- 78.75
Choose an application
L. Russolo, peintre et musicien futuriste, conçut en 1913 le bruitisme comme possibilité d'élargissement de la matière sonore. Cet étui contient le manifeste de 1913, le CD avec des pièces musicales bruitistes et des annexes présentant le travail de l'artiste.
Futurism (Art) --- Futurism (Music) --- Futurisme (Art) --- Futurisme (Musique)
Choose an application
Luigi Russolo (1885-1947)-painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement-was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.
Futurism (Music). --- Russolo, Luigi - Criticism and interpretation. --- Russolo, Luigi -- Criticism and interpretation. --- Visual arts. --- Futurism (Music) --- Russolo, Luigi --- Criticism and interpretation. --- Futurism (Literary movement). --- Futurismus. --- Musik. --- Geräusch. --- Russolo, Luigi. --- Russolo, Luigi, --- Italien. --- Russolo, L. --- Music
Choose an application
Russian Futurist Theatre explores is the first book to comprehensively uncover the Russian futurist theatre in all its virtuosity and diversity.
Theater --- Futurism (Literary movement) --- Futurism (Music) --- Music --- History. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History
Choose an application
Futurism (Music) --- Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Philosophy and aesthetics --- Futurism (Music). --- Philosophy and aesthetics. --- -Philosophy and aesthetics --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy --- moderne muziek --- muziek --- muziekgeschiedenis --- anno 1900-1999
Listing 1 - 10 of 14 | << page >> |
Sort by
|