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1980 --- -772.6 --- 772.8 --- Audibet, Marc --- Cattani, Emmanuel --- Delvaux --- Dubuisson, Sylvain --- Hello Innovatron --- Kookaï --- Létang Rémy --- Moreno, Roland --- Naggar, Patrick Elie --- Nouvel, Jean --- Sipek, Borek --- Starck, Philippe --- Strafor Facom --- Szekely, Martin --- Val Saint-Lambert --- cataloog La Redoute --- galeries Lafayette --- glaskunst --- kristal --- lederwaren --- productdesign --- productdesign, historisch, 1945-, algemeen --- productdesign, historisch, 1945-, landen afzonderlijk --- Decaux, Jean-Claude --- Naggar & Lachevensky --- Facom, Strafor --- Moreno, Ronald
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Plus d'un siècle sépare le geste de l'architecte néerlandais Rem Koolhaas de celui du Français Samuel Menjot de Dammartin qui, en 1891, érigea le bâtiment parisien du 9 rue du Plâtre. La proposition de Rem Koolhaas, cofondateur de l'agence OMA et lauréat du prix Pritzker 2000, se niche au creux de ce bâtiment sorti de terre en pleine révolution industrielle. Elle requalifie cet ancien entrepôt du Marais, construit pour les besoins du Bazar de l'Hôtel de Ville voisin, en machine de production et d'exposition pour Lafayette Anticipations - Fondation d'entreprise Galeries Lafayette. Des premiers échanges avec l'agence OMA et son think tank AMO en 2012 jusqu'aux dernières semaines de chantier à l'automne 2017, le livre 9 Plâtre retrace les étapes de construction d'un bâtiment-outil voué à accompagner, produire et présenter les œuvres de son époque. Rem Koolhaas évoque dans un entretien les enjeux conceptuels, artistiques, sociaux et politiques qui ont conduit l'architecture de son premier bâtiment parisien, tandis que les œuvres photographiques de Bas Princen posent un regard sensible sur les transformations successives de l'espace. Ouvrage manifeste, 9 Plâtre donne à voir les principes d'un lieu d'art ouvert sur la ville et à tous les publics. Il marque le début d'une programmation artistique dédiée à la rencontre des pratiques et des pensées.
Musées d'art --- Art museums --- Koolhaas, Rem --- Office for metropolitan architecture --- Lafayette Anticipations - Fondation d'entreprise Galeries Lafayette --- Paris (France) --- Constructions --- Buildings, structures, etc. --- Bâtiment culturel --- Réhabilitation de bâtiment --- Lafayette anticipations --- Lafayette anticipations. --- Koolhaas, Rem, --- Koolhaas, Rem, 1944 --- -Musées d'art --- Musées d'art --- -Bâtiment culturel --- -Musées d'art
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The dream of scientific management was a rationalized machine world where life would approach the perfection of an assembly line. But since its early twentieth-century peak this dream has come to seem a dehumanizing nightmare. Henry Ford's assembly lines turned out a quarter of a million cars in 1914, but all of them were black. Forgotten has been the unparalleled new aesthetic beauty once seen in the ideas of Ford and scientific management pioneer Frederick Winslow Taylor. In The Taylorized Beauty of the Mechanical, Mauro Guillen recovers this history and retells the story of the emergence of modernist architecture as a romance with the ideas of scientific management--one that permanently reshaped the profession of architecture. Modernist architecture's pioneers, Guillen shows, found in scientific management the promise of a new, functional, machine-like--and beautiful--architecture, and the prospect of a new role for the architect as technical professional and social reformer. Taylor and Ford had a signal influence on Bauhaus founder Walter Gropius and on Le Corbusier and his Towards a New Architecture, the most important manifesto of modernist architecture. Architects were so enamored with the ideas of scientific management that they adopted them even when there was no functional advantage to do so.
Modern movement. --- Industrial management. --- Engineering --- Architecture and society. --- Architecture --- Architectural practice --- Management. --- Economic aspects. --- History --- Adler-Automobilwerke. --- Art Nouveau. --- Bauhaus. --- Behrens, Peter. --- Bourdieu, Pierre. --- Carnegie-Mellon University. --- Chicago Movement, in architecture. --- Confindustria. --- Constructivism. --- DIN (Deutsche Industrie-Normen). --- De Chirico, Giorgio. --- Eiffel, Gustave. --- Fascism. --- Fordism. --- GATEPAC. --- Galeries Lafayette. --- Gosplan. --- Gropius, Walter. --- Harvard University. --- Hitler, Adolf. --- Illinois Institute of Technology. --- Jencks, Charles. --- Jugendstil. --- Kahlo, Frida. --- Kitsch art. --- Labayen, Joaquín. --- Labor unions. --- Mallet-Stevens, Rob. --- Mannesmann AG. --- May, Ernst. --- Modern colonial. --- Mondrian, Piet. --- Napoleon III. --- Neue Sachlichkeit. --- New Deal. --- Nuove Tendeze. --- Obelisk (Prebisch). --- Office landscaping. --- Paz, Octavio. --- Perret, Auguste. --- Pirelli SpA. --- Progressivism. --- Residencia de Estudiantes. --- Sauvage, Henri. --- Segura, Juan. --- Tafuri, Manfredo. --- Time League. --- University of Pennsylvania. --- Wagner, Martin. --- Yale University.
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