Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Blik in de kunst --- Gaze in art --- Regard dans l'art --- Fabre, Jan --- Criticism and interpretation

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Gaze in art --- Illumination of books and manuscripts, French --- Illumination of books and manuscripts, Medieval --- Bathsheba

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Aesthetics of art --- Painting --- art criticism --- easel paintings [paintings by form] --- portraits --- Portrait painting --- Strabismus --- Gaze in art. --- Themes, motives.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cette collection d'essais analyse des objets (image miraculeuse, tableau ou scène de théâtre), décortique des anecdotes et soulève des questions théoriques, comme le statut du plaisir dans la théorie de la peinture et la théologie des images. Qu'elles portent sur la peinture – et sa théorie profane ou sacrée – sur le théâtre ou sur l'exégèse, ces études ont en commun de s'intéresser à des oeuvres qu'on ne peut saisir que d'un regard oblique : si elles désignent un objet c'est le plus souvent pour en cacher un autre. En allant au-delà de ce qu'elles donnent à voir pour atteindre ce qu'elles donnent à ne pas voir, on peut dégager la théorie latente dont elles sont porteuses, et spéculer ainsi sur l'articulation entre visible et invisible, sur la relation perpétuellement réversible entre occultation et monstration, pulsion scopique et cécité. Ce qui revient à explorer la face cachée de la première modernité tout en interrogeant les voies tortueuses et les ressorts secrets de notre pulsion interprétative.

Regard --- Perception des images. --- Esthétique. --- Dans l'art. --- Image analysis --- Gaze in art --- Aesthetics --- Aesthetics of art --- Painting --- Theatrical science --- drama [literature] --- painting [image-making] --- aesthetics --- drama [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the post-colonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism"--

Affect (Psychology) in literature. --- Affect (Psychology) in motion pictures. --- Arts and society --- History --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Motion pictures --- Social aspects --- Art Analysis. --- Art and Emotion. --- Compassionate Encounters. --- Contemporary Art. --- Empathy. --- German Literature. --- German Screen. --- German Theater. --- Humanizing Potential. --- Perspective-Taking. --- Prosocial Behaviors. --- Sociopolitical Critique. --- Tender Gaze. --- Gaze in art.