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In crossed approaches, the themes developed in this book bring a new look at the forms, uses and stakes of artistic lexicography in modern times.In a perspective of circulation of concepts and practices, and permeability of the artistic borders, the word proves to be a precious laboratory of the practice of the artistic practice and a field of exploration of the cultural networks that cross and make Europe .Through the development of a language, books on art whose publications are growing in the north of the Alps from 1600, aim at the construction of a common knowledge for the use of painters and amateurs.Their many translations, published since the modern era, also testify to their role of diffusion agent in constant adaptation to the readership to which they are addressed. Understanding strategies and processes of invention and transfer of specific terminology to aesthetic expression becomes an important issue. Words, indeed, are not interchangeable. By succeeding or overlapping, even if they are contradictory, the different senses give thickness and subtlety to the concept.The journey of a notion into time and space also contributes to broadening our understanding of a cultural history between universality and identity within the artistic diversity that characterizes modern Europe.

The arts --- Painting & paintings --- Literacy --- art theory --- painting --- artistic lexicography --- artistic literature --- artistic practice --- artistic terminology --- Giorgio Vasari --- Giovanni Pietro Bellori --- Karel van Mander --- Paris

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Die Zweitausgabe von Giorgio Vasaris »Viten« von 1568 ist um umfangreiche Schilderungen zu religiösen und profanen Festen sowie zu den damit verbundenen theatralen Aufführungsformen und ihrer Ausstattung ergänzt. Erstmalig analysiert Tanja Kreutzer diese Passagen im Hinblick auf die ihnen zugrundeliegenden kunsttheoretischen und historiografischen Argumentationsmuster. Im Abgleich mit der zeitgenössischen Tanz-, Theater- und Musiktheorie sowie mit Städtelob, Stadtgeschichtsschreibung und Biografik wird die essentielle Rolle des Ephemeren für die Geschichtserzählung der zweiten Vitenfassung belegt - als Paradebeispiel für ein breites Diffundieren der Künste auf ihrem Höchststand und mögliche Perspektive für den Fortgang der Kunstentwicklung nach Michelangelos Tod.

Giorgio Vasari; »Viten«; Theatergeschichte; Renaissance; Künstlerbiografie; Kunstentwicklung; Filippo Brunelleschi; Michelangelo; Medici; Kunst; Theater; Bild; Kunstgeschichte; Theaterwissenschaft; Kunsttheorie; Bildwissenschaft; Kunstwissenschaft; »viten«; History of Theatre; Artist Biography; Art; Theatre; Image; Art History; Theatre Studies; Theory of Art; Visual Studies; Fine Arts; --- Art History. --- Art. --- Artist Biography. --- Filippo Brunelleschi. --- Fine Arts. --- History of Theatre. --- Image. --- Medici. --- Michelangelo. --- Renaissance. --- Theatre Studies. --- Theatre. --- Theory of Art. --- Visual Studies.

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929 <45> --- 7 <45> --- #gsdbA --- 7(03) --- Giorgio Vasari ; Gekozen en van een nawoord voorz. door Henk van Veen ; Vert. door Anthonie Kee --- kunst --- schilderkunst --- beeldhouwkunst --- architectuur --- Italië --- renaissance --- zestiende eeuw --- Correggio --- Piero di Cosimo --- Fra Bartolommeo --- rafael --- del sarto Andrea --- Rosso --- Parmigianino --- Veneziano sebastiano --- pontormo jacopo --- Sodoma --- Salviati francesco --- Michelangelo --- Titiaan --- 7.071 AAAA --- 929 <45> Biografie. Genealogie. Heraldiek--Italië --- Biografie. Genealogie. Heraldiek--Italië --- 7 <45> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië --- Kunst ; encyclopedieën --- Art --- History --- biographies [documents] --- Vasari, Giorgio --- Italy --- biographies [literary works]

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[English version below]
Mit 43 Quellentexten von Leon Battista Alberti bis ins späte 19. Jahrhundert gibt der Band "Historienmalerei" einen umfassenden Überblick über die Theoriegeschichte dieser Gattung, welcher die führende Rolle in der Hierarchie der Bildaufgaben zugewiesen worden ist. Die Textsammlung bietet damit die Möglichkeit, bei der Deutung des einzelnen Kunstwerks und seiner historischen Stellung die kunsthistorische Debatten der unterschiedlichen Epochen zu berücksichtigen. Alle Quellentexte sind in der Originalsprache wiedergegeben sowie in deutscher Übersetzung. Die Analyse erfolgt dann in deutscher Sprache.

With 43 source texts, starting with Leon Battista Alberti and reaching out into the late 19th century, the volume "Historienmalerei" gives a comprehensive overview of the theoretical history of this genre, which has been assigned the leading role in the hierarchy of image tasks. The text collection thus offers the opportunity to take into account the art-historical debates of the different epochs when interpreting the individual artwork and its historical position. All source texts are presented in their original language and a german translation. Interpretations in German only.

Studium der Kunstgeschichte --- Gotthold Ephraim Lessing --- Cornelius Gurlittn Lodovico Dolce --- Leonardo da Vinci --- Georg Wilhelm Friedrich Hegel --- Johann Georg Sulzer --- Charles Blanc --- Giovan Pietro Bellori --- Denis Diderot --- Giorgio Vasari --- André Félibien --- study of art history --- Quellentexte --- Gabriele Paleotti --- Historiendarstellungen (biblisch und historisch) --- Wissenschaftsgeschichte --- Leon Battista Alberti --- Johann Wolfgang von Goethe --- Jonathan Richardson --- history of science --- Giovanni Paolo Lomazzo --- Samuel van Hoogstraten --- History painting (biblical and historical) --- source texts --- Johann Heinrich Meyer --- art theory --- Johann Joachim Winckelman --- Kunsttheorie --- Anthony Ashley Cooper Earl of Shaftesbury --- August Wilhelm Schlegel

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A panoramic history of the antiquarians whose discoveries transformed Renaissance culture and gave rise to new forms of art and knowledgeIn the early fifteenth century, a casket containing the remains of the Roman historian Livy was unearthed at a Benedictine abbey in Padua. The find was greeted with the same enthusiasm as the bones of a Christian saint, and established a pattern that antiquarians would follow for centuries to come. The Art of Discovery tells the stories of the Renaissance antiquarians who turned material remains of the ancient world into sources for scholars and artists, inspirations for palaces and churches, and objects of pilgrimage and devotion.Maren Elisabeth Schwab and Anthony Grafton bring to life some of the most spectacular finds of the age, such as Nero’s Golden House and the wooden placard that was supposedly nailed to the True Cross. They take readers into basements, caves, and cisterns, explaining how digs were undertaken and shedding light on the methods antiquarians—and the alchemists and craftspeople they consulted—used to interpret them. What emerges is not an origin story for modern archaeology or art history but rather an account of how early modern artisanal skills and technical expertise were used to create new knowledge about the past and inspire new forms of art, scholarship, and devotion in the present.The Art of Discovery challenges the notion that Renaissance antiquarianism was strictly a secular enterprise, revealing how the rediscovery of Christian relics and the bones of martyrs helped give rise to highly interdisciplinary ways of examining and authenticating objects of all kinds.

HISTORY / Renaissance. --- Adjective. --- Adverb. --- Aeneid. --- Allegory. --- Anecdote. --- Antiquarian. --- Archaeology. --- Archaism. --- Athanasius Kircher. --- Attempt. --- Brochure. --- Case study. --- Clergy. --- Close-up. --- Connotation. --- Copying. --- Costume. --- Credential. --- David Knowles (scholar). --- De architectura. --- Docimium. --- Domus Aurea. --- Dunstan. --- Effigy. --- Eldridge Cleaver. --- Epigraphy. --- Etruscan art. --- Explanation. --- Exploration. --- Facsimile. --- Famulus. --- Fantasy. --- Feature story. --- Fellow. --- Ferentino. --- Filarete. --- Finding. --- Friar. --- Giorgio Vasari. --- Handbook. --- Ideology. --- Illustration. --- Illustrator. --- Ingenuity. --- Institutio Oratoria. --- Intellectual history. --- Intertitle. --- Journal of the History of Ideas. --- Literature. --- Livy. --- Lovato. --- Magnificence (history of ideas). --- Masculinity. --- Material Evidence. --- Miscegenation. --- Mural. --- Narrative. --- Notary. --- Odor. --- Opportunism. --- Palaeography. --- Panache. --- Parody. --- Philology. --- Philosophy. --- Pigment. --- Poppaea Sabina. --- Porta Nigra. --- Porta Salaria. --- Precentor. --- Pronunciation. --- Protagonist. --- Qualia. --- Quattrocento. --- Quintilian. --- Rediscovery. --- Relic. --- Scientist. --- Sculpture. --- Simultaneity. --- Spelman (music). --- Structuring. --- Subjectivity. --- Subplot. --- Surveying. --- Technology. --- Temperament. --- Terminology. --- Teucer. --- The Archaeologist. --- Thomas Hearne (artist). --- Thought. --- Titulus (inscription). --- Urn. --- Vestibule (architecture). --- Visual arts. --- Vitruvius. --- Voyeurism. --- Work of art. --- Writing.