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Motion picture acting --- Davis, Bette, --- Garbo, Greta --- Gish, Lillian,
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Motion picture actors and actresses --- Acteurs et actrices de cinéma --- Biography --- Biographies --- Gish, Lillian, --- Acteurs et actrices de cinéma --- Gish, Lillian --- United States
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A partir de l'analyse du jeu de sept stars hollywoodiennes comme Lillian Gish, Marlene Dietrich, ou James Cagney, dans un film en particulier, et de l'étude de la théâtralité dans "Fenêtre sur cour" et "La valse des pantins", décrypte le jeu de l'acteur de cinéma, sa dimension sociale et la transposition de techniques théâtrales au cinéma. James Naremore propose dans cet ouvrage des moyens et des outils pour étudier le jeu de l’acteur de cinéma. Il montre les implications idéologiques derrière les différentes approches actorales et il suggère comment le comportement à l’écran est lié à la manière dont l’individu se comporte en société. Publié en 1988 aux États-Unis, Acting in the cinema de James Naremore est vite devenu l’un des textes fondamentaux pour qui veut étudier le cinéma sous l’angle de l’acteur. C’est un livre incontournable dans la discipline relativement récente des études actorales et sa traduction était attendue depuis longtemps.
Acteurs de cinéma --- Gish, Lillian, --- Chaplin, Charles, --- Dietrich, Marlene, --- Cagney, James, --- Hepburn, Katharine, --- Brando, Marlon, --- Grant, Cary, --- Gish, Lillian --- Motion picture acting --- Motion pictures --- United States --- Chaplin, Charles
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Film --- United States --- Acteurs de cinéma --- Gish, Lillian, --- Dietrich, Marlene, --- Cagney, James, --- Hepburn, Katharine, --- Brando, Marlon, --- Grant, Cary, --- Rear window (film) --- Cinéma --- Histoire et critique --- Chaplin, Charles, --- Histoire et critique. --- Gish, Lillian --- Chaplin, Charles --- United States of America
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This engaging collection of Bruce F. Kawin's most important film essays (1977-2011) is accompanied by his interviews with Lillian Gish (1978) and Howard Hawks (1976). The Hawks interview is particularly concerned with his work with William Faulkner and their friendship. The Gish interview emphasizes her role as a producer in the 1920s. The essays focus on such topics as violence and sexual politics in film, the relations between horror and science fiction, the growth of video and digital cinema and their effects on both film and film scholarship, the politics of film theory, narration in film, and the relations between film and literature. Among the most significant articles reprinted here are 'Me Tarzan, You Junk', 'The Montage Element in Faulkner's Fiction', 'The Mummy's Pool', 'The Whole World Is Watching' and 'Late Show on the Telescreen: Film Studies and the Bottom Line'. The book includes close readings of films from 'La Jetée' to 'The Wizard of Oz'.
Motion pictures. --- Motion pictures --- Film reviews --- Motion picture plays --- Motion picture reviews --- Movie reviews --- Reviews of motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Gish, Lillian, --- Hawks, Howard, --- Hawks, Howard Winchester, --- De Guiche, Lillian, --- Guiche, Lillian de, --- Gish, Lilian, --- Hawks, Howard --- Gish, Lillian
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