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Graces, The.

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Graces, The, in literature --- French literature --- Themes, motives --- French literature - 17th century - Themes, motives

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History of civilization --- Iconography --- Gratianus --- Venus --- Graces, The --- Mythology, Classical, in art --- Charites --- Mythologie ancienne dans l'art --- Art --- Graces, The, in art. --- Mythology, Classical, in art. --- Art, Modern. --- 7.046.1 --- Art, Modern --- Graces, The, in art --- Modern art --- Iconografie: klassieke mythologie --- 7.046.1 Iconografie: klassieke mythologie --- Nieuwe Ploeg (Group of artists) --- Venus [Mythological character]

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How grace shaped the Renaissance in Italy"Grace" emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work.Grace, Ita Mac Carthy argues, came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. Mac Carthy explores what grace meant to theologians, artists, writers and philosophers, showing how it influenced their thinking about themselves, each other and the world.Ambitiously conceived and elegantly written, this book portrays grace not as a stable formula of expression but as a web of interventions in culture and society.

Grace (Aesthetics) --- Grace (Theology) --- Graces, The. --- Language and culture --- History. --- Italy --- Intellectual life --- Aesthetics. --- Allegory. --- Ambivalence. --- Anathema. --- Art critic. --- Art criticism. --- Art history. --- Art. --- Astolfo. --- Baldassare Castiglione. --- Balzan. --- Bembo. --- Brotton. --- Buonarroti. --- Calculation. --- Canossa. --- Canti (Leopardi). --- Catherine of Siena. --- Christian theology. --- Clodagh. --- Close reading. --- Codrington Library. --- Council of Trent. --- Counter-Reformation. --- Courtesy. --- Courtier. --- De Oratore. --- Decorum. --- Divine grace. --- Drawing. --- Durham University. --- Emblem. --- Epigram. --- Flattery. --- Francesco del Cossa. --- Generosity. --- Giorgio Vasari. --- Giovanni Pico della Mirandola. --- God's Grace. --- God. --- Grace and favour. --- Humility. --- Iconography. --- Institutio Oratoria. --- Irony. --- Italian Renaissance. --- Johann Joachim Winckelmann. --- La Fornarina. --- Lecture. --- Linguistics. --- Literature. --- Lodovico Dolce. --- Mannerism. --- Martin McLaughlin. --- Medici Chapel. --- Michelangelo. --- Moderata Fonte. --- Mythologies (book). --- Narrative. --- O'Sullivan. --- Orlando Furioso. --- Palazzo Schifanoia. --- Paragone. --- Parody. --- Petrarch. --- Philology. --- Philosopher. --- Pietro Bembo. --- Pliny the Elder. --- Poetry. --- Poliziano. --- Pope Julius II. --- Pope Leo X. --- Pope Paul III. --- Princeton University Press. --- Prose. --- Protogenes. --- Quintilian. --- Reginald Pole. --- Religious experience. --- Renaissance art. --- Renaissance humanism. --- Rhetoric. --- Romanticism. --- San Giorgio Maggiore. --- Sanctification. --- Satire. --- Sola fide. --- Spiritual gift. --- Spirituali. --- Spirituality. --- Sprezzatura. --- Suggestion. --- Terence. --- Thought. --- Treatise. --- Tullia d'Aragona. --- Vittoria Colonna. --- Work of art. --- Writing.