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Quels liens existent-ils entre danses et culture hip-hop ? A travers une étude historique et sociétale de cet art, l'auteure retrace les origines de la culture hip-hop, pour nous faire découvrir l'univers des danses hip-hop, avec ses particularités et ses codes. Autour de ce vocabulaire culturel et artistique qui leur est propre, les membres de la culture hip-hop - appelés B-BOYS et les B-GIRLS - recréent du lien social

Hip-hop dance --- Hip-hop --- Rap (Music)

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En se centrant sur une approche ludique, collective et mixte de la danse hip-hop, cet ouvrage propose des outils concrets (situations de création, enchaînements chorégraphiques, battles, témoignages de danseurs, évaluations...) pour construire des cycles d?apprentissage adaptés au contexte scolaire. Enseignants et danseurs aguerris y puiseront de multiples pistes de perfectionnement à travers une pratique propre à l?UNSS ou à toute autre structure associative.

Dancing --- Hip-hop dance --- Hip-hop (Dance) --- education. --- Hip-hop --- Danse --- Étude et enseignement. --- Étude et enseignement.

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Breaking, popping, locking, waacking, and hip-hop dance are practiced widely in contemporary Vietnam. Considering the dance practices in the larger context of post-socialist transformation, urban restructuring, and changing gender relations, Sandra Kurfürst examines youth's aspirations and desires embodied in dance. Drawing on a rich and diverse range of qualitative data, including interviews, sensory and digital ethnography, she shows how dancers confront social and gender norms while following their passion. As a contribution to area and global studies, the book illuminates the translocal spatialities of hip hop, produced through the circulation of objects and the movement of people.

Hip-hop dance. --- Cultural History. --- Culture. --- Gender. --- Globalization. --- Hip Hop. --- Popular Culture. --- Post-Socialist. --- Society. --- Sociology of Culture. --- Sociology. --- Southeast Asia. --- Urban Culture. --- Vietnam. --- Youth.

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Edwin Denby, who died in 1983, was the most important and influential American dance critic of this century. His reviews and essays, which he wrote for almost thirty years, were possessed of a voice, vision, and passion as compelling and inspiring as his subject. He was also a poet of distinction -- a friend to Frank O'Hara, James Schuyler, and John Ashbery. This book presents a sampling of his reviews, essays, and poems, an exemplary collection that exhibits the elegance, lucidity, and timelessness of Denby's writings.The volume includes Denby's reactions to choreography ranging from Martha Graham to George Balanchine to the Rockettes, as well as his reflections on such general topics as dance in film, dance criticism, and meaning in dance. Denby's writings are presented chronologically, and they not only provide a picture of how his dance theories and reviewing methods evolved but also give an informal history of dance in New York from the late 1930s to the early 1960s. The book -- the Only collection of Denby's writings currently in print -- is an essential resource for students and lover of dance.

Dance --- Music, Dance, Drama & Film --- Reviews --- Dancing --- Dance critics. --- Dance criticism. --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Dances --- Criticism --- Critics --- Ballet --- Hip-Hop Dance --- Jazz Dance --- Line Dancing --- Modern Dance --- Salsa Dancing --- Square Dance --- Tap Dance --- Dance, Hip-Hop --- Dance, Jazz --- Dance, Modern --- Dance, Square --- Dance, Tap --- Dancing, Line --- Dancing, Salsa --- Hip Hop Dance --- Performing Arts

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"Renegades: Digital Dance Cultures from Dubsmash to TikTok interrogates the roles that Dubsmash, social media, and hip hop music and dance play in youth identity formation in the United States. It explores why Generation Z-so-called Zoomers-use social media dance apps to connect, how they use them to build relationships, how race and other factors of identity play out through these apps, how social media dance shapes a wider cultural context, and how community is formed in the same way that it might be in a club. These Zoomer artists-namely D1 Nayah, Jalaiah Harmon, TisaKorean, Brooklyn Queen, Kayla Nicole Jones, and Dr. Boffone's high school students-have become key agents in culture creation and dissemination in the age of social media dance and music. These Black artists are some of today's most influential content creators, even if they lack widespread name recognition. Their artistic contributions have come to define a generation. And yet, up until this point, the majority of influential Dubsmashers have not been recognized for their influence on US popular culture. This book tells their stories"--

Hip-hop dance --- Dance and race --- Dance and the Internet --- Social media --- Generation Z --- Identity (Psychology) in adolescence --- Cultural appropriation --- Social aspects --- Social conditions. --- Dubsmash (Electronic resource) --- TikTok (Electronic resource)