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As part of the Göttingen-based research project "Kleinüberlieferung mehrstimmiger Musik vor 1550 in deutschem Sprachraum" (Minor Transmission of Polyphonic Music Before 1550 in German-Speaking Areas), the Professor Emeritus for Historical Musicology, Martin Staehelin, has systematically indexed previously unknown late medieval sources from Germany and Switzerland. His extensive analysis of various works, including those from the collections of Basel monasteries, the Kassel University Library and the Herzog August Library in Wolfenbüttel, is prefaced by a chapter that presents the technical terms, research criteria and academic relevance of the theme. Im Zuge des Göttinger Forschungsunternehmens "Kleinüberlieferung mehrstimmiger Musik vor 1550 im deutschen Sprachraum" hat der emeritierte Professor für Historische Musikwissenschaften, Martin Staehelin, bisher unbekannte Quellen des Spätmittelalters aus Deutschland und der Schweiz systematisch erschlossen. Der ausführlichen Analyse unterschiedlicher Werke u.a. aus den baslerischen Klosterbeständen, der Universitätsbibliothek Kassel und der Herzog August Bibliothek zu Wolfenbüttel ist ein Grundlagenkapitel zu Sachbegriffen, Untersuchungskriterien und wissenschaftlicher Relevanz des Themas vorangestellt.

Music --- Germany. --- History of Music. --- Late Middle Ages. --- Sources and Literary Affiliations. --- Switzerland.

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Arts and Humanities --- Literature --- music theory --- music analysis --- musical structure --- history of music theory --- musicology --- analysis of performance

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Music --- Musique --- History and criticism --- Histoire et critique --- History of music --- Musicians --- Spain --- 18th century --- History and criticism. --- Philip --- 18th century.

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The life and death, but also the creative work of famous musicians is closely linked to their personal medical histories. In "Famous Composers – Diseases Reloaded" these case histories are vividly reconstructed on the basis of authentic biographical testimonies and closely linked to the personalities of the musicians. The latest research findings on the pathophysiology of these composers will be woven into the overall picture. Was Paganini's "devilishness" caused by a hereditary disease? Did Scarlatti have strange signs of illness on his fingers? What did Bach really die of? How did "Christel" from a dubious milieu change Schumann's entire life? What aggravated Ravel's underlying illness so that he did not complete a single composition in the last five years before his death? How did Tárrega manage to play the guitar again after his stroke with hemiplegia? Did the Brazilian Villa-Lobos' worldwide reputation help him live longer thanks to the best treatment available to him? Andreas Otte, physician and musician, has incorporated the latest medical history research into the composers' pathographies. This book is an exciting and "well-tempered" reading experience not only for physicians, music lovers, musicologists and musicians, but for all readers who want to develop a basic understanding of the pathophysiology and life scores of these great masters under current conditions from today's perspective.

Legal medicine --- Music --- muziek --- gerechtelijke geneeskunde --- Medical jurisprudence. --- Music. --- Forensic Medicine. --- History of Music. --- Classical Music. --- History and criticism. --- Compositors --- Història de la medicina --- Malalties

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Far los motz e-l so": "Faire le mot et le son". Cette expression fameuse revendiquée par les troubadours résume de façon éloquente l'art poétique et musical qui a fait leur juste renommée. Cet ouvrage éclaire, d'une façon très neuve, ce qu'est l'art du trobar dans cette union étroite des conditions poétiques et des formes rhétoriques du discours musical. A la fin du XIe siècle, la fin'amor apparaît dans le sud de la France. Elle met en scène la dame dont l'amant conquiert l'amour au travers de poèmes chantés. Le jeu est aussi de susciter l'intérêt de l'auditeur, le convaincre de la justesse de sa cause et de la pureté de ses sentiments. La force de la persuasion suppose de gagner son esprit et sa mémoire. La valeur d'un troubadour se reconnaît donc non pas tant par les thèmes poétiques abordés qui sont toujours les mêmes sinon par l'extrême subtilité à mêler le mot et le son.00.

Music and literature --- Musical analysis --- Musique et littérature --- Analyse musicale --- Musique et littérature --- Old French literature --- Music --- anno 500-1499 --- Troubadours --- France --- History --- Histoire --- Troubadours songs --- History and criticism --- History of music --- Medieval & renaissance (up to c. 1600)