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Humor en geestigheid in de literatuur --- Humor in literature --- Humour dans la littérature --- Lach in de literatuur --- Laughter in literature --- Rire dans la littérature --- Literature --- -humor in literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- History and criticism --- Humor in literature. --- Laughter in literature. --- History and criticism. --- Rire --- Essais --- Esprit et humour --- Comique, le --- Ironie --- Histoire
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Humanism in literature --- Humanisme dans la littérature --- Humanisme in de literatuur --- Humor en geestigheid in de literatuur --- Humor in literature --- Humour dans la littérature --- Ironie dans la littérature --- Ironie in de literatuur --- Irony in literature --- French literature --- 18th century --- History and criticism
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German literature --- Thematology --- Austria --- Humor en geestigheid in de literatuur --- Humor in literature --- Humour dans la littérature --- Austrian literature --- Comic, The, in literature --- History and criticism --- Congresses. --- -Comic, The, in literature --- -German literature --- -Congresses --- Congresses --- Austrian authors --- -History and criticism --- Austrian literature - History and criticism - Congresses. --- Comic, The, in literature - Congresses. --- Littérature autrichienne --- Comique (litterature) --- Comique, le --- Esprit et humour dans la litterature --- Esprit et humour autrichien --- Histoire et critique
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Schwankromane wie etwa der "Pfaffe Amîs", der "Kalenberger" oder "Neithart Fuchs" standen lange Zeit im Schatten des bekannteren Eulenspiegel-Romans. Dabei prägten die übrigen Romane deutlich die Erscheinungsform auch dieses Werks der Weltliteratur und somit auch die faszinierende, zum Teil widersprüchlich wirkende Zeichnung seines Helden. Der Band zeigt, wie im 15. und 16. Jahrhundert, ausgehend von älteren Stoffen, mit den neuen Mitteln der typographischen Revolution eine literarische Gattung ins Leben gerufen wurde, die sich als Unterhaltungsliteratur an ein breiteres anonymes Publikum richtete. Die Untersuchung ermöglicht Einblicke sowohl in die Mentalitätsgeschichte einer Zeit, deren Ängste und Wünsche sich paradigmatisch in der Symbolfigur des Narren spiegeln, als auch in erste unternehmerische Strategien, Bücher am Markt zu etablieren, indem sie sich an anderen erfolgreichen Titeln orientieren.
Genres [Letterkundige ] --- Genres [Literaire ] --- Genres littéraires --- Humor en geestigheid in de literatuur --- Humor in literature --- Humour dans la littérature --- Letterkundige genres --- Literaire genres --- Literary form --- German literature --- Fabliaux --- Tales, Medieval --- History and criticism --- 830-91 --- Duitse literatuur: populaire literatuur; volksboek --- Humor in literature. --- Literary form. --- Romances, German --- History and criticism. --- 830-91 Duitse literatuur: populaire literatuur; volksboek --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Romances [German ] --- Middle High German, 1050-1500 --- Early modern, 1500-1700 --- German literature - Early modern, 1500-1700 - History and criticism --- Fabliaux - History and criticism --- Tales, Medieval - History and criticism
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Humour is a key feature, laughter a central element, disrespect a vital textual strategy of postcolonial transcultural practice. Devices such as irony, parody, and subversion, can be subsumed under an interventionist stance and have accordingly received some critical attention. But literary and cultural postcolonial criticism has been marked by a restraint verging on the pious towards the wider significance and functions of laughter. This collection transcends such orthodoxies: laughter can constitute an intervention - but it can also function otherwise. The essays collected here take an interest in the strategic use of what can loosely be termed laughter - in all its manifestations. Examining postcolonial transcultural practice from a range of disciplinary and methodological perspectives, this study seeks to analyse laughter and the postcolonial in their complexity. For the first time, then, this collection gathers a group of international specialists in postcolonial transcultural studies to analyse the functions of laughter, the comic and humour in a wide range of cultural texts. Contributors work on texts from Africa, Asia, Australia, North America, the Caribbean, and Britain, reading work by authors such as Zakes Mda, Timothy Mo, VS Naipaul, and Zadie Smith. This interdisciplinary collection is a contribution to both, postcolonial studies and humour theory.
Decolonization --- Dekolonisatie --- Dekolonisation --- Descolonização --- Décolonisation --- Humor en geestigheid in de literatuur --- Humor in literature --- Humour dans la littérature --- Littérature post-coloniale --- Littérature postcoloniale --- Littératures postcoloniales --- Postcolonialism --- Postcolonialism in literature --- Postcolonialisme --- Postcolonialisme dans la littérature --- Postcolonialité littéraire --- Postkolonialisme --- Postkolonialisme in de literatuur --- Poésie postcoloniale --- Roman postcolonial --- Théâtre postcolonial --- Philosophy and psychology of culture --- anno 1900-1999 --- #SBIB:39A5 --- #SBIB:309H517 --- Kunst, habitat, materiële cultuur en ontspanning --- Verbale communicatie: sociale psychologie van de taal en de interactie, psycholinguistiek --- Comic, The, in literature. --- Humor in literature. --- Laughter in literature. --- Literature and anthropology. --- Postcolonialism in literature. --- Anthropology and literature --- Anthropology
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"Comedy was at the centre of a fierce controversy that raged from the opening of the first purpose-built playhouse in 1576 to the closure of the theatres in 1742. Shakespeare's plays made capital of this controversy. In them he repeatedly invokes the case made against comedy by the theatre-haters: that it perverts the young and incites the old to gross political and social misconduct. His plays are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay, and acts of comic rebellion and revenge that threaten destruction to individuals, families and even states. His comedy is unsettling, and this is part of what makes it pleasurable. Shakespeare and Comedy traces Shakespeare's exploration of the precarious status of the comic and the question of comic timing through close examination of eleven of his plays. This illuminating study succeeds in recapturing the sense of danger as well as delight that attached itself to theatrical laughter in Shakespeare's lifetime."--Bloomsbury Publishing.
Humor en geestigheid in de literatuur --- Humor in literature --- Humour dans la littérature --- Shakespeare, William --- Criticism and interpretation --- Humor in literature. --- Satire, English. --- Shakespeare, William, --- English satire --- English wit and humor --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Shakespeare, William (1564-1616) --- Shakespeare, William (1564-1616 ) --- Humour --- Critique et interprétation --- Contribution à la comédie --- Dans la littérature
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