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Ακολουθιαι αγιων
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ISBN: 9789608376229 9608376076 9608376130 9608376467 9789608376274 9789608376465 9608376270 9608376351 9608720354 9789608376137 9789608376359 9789608376076 960837622X 9789608720350 Year: 2003 Publisher: Athina: Ergho,

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Ειρμολογιον
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ISBN: 9789608809871 9608809878 Year: 2006 Publisher: Athena: Kuriakidhi,

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Τεσσερα κειμενα για την ποιηση του Συμεων του Νεου Θεολογου
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ISBN: 9789606736056 9606736059 Year: 2008 Publisher: Athina: Ekdoseis Kanakē,

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Μελετες βυζαντινης και μεταβυζαντινης αγιολογιας και υμνογραφιας
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ISBN: 9789602672563 9602672560 Year: 2018 Publisher: Thessalonikē: Ekdoseis Mparmpunakē,

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Nuovo Ottoeco : gli otto canoni per i SS. Apostoli
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ISBN: 9788832184013 883218401X Year: 2018 Publisher: Roma Università degli studi di Roma "Tor Vergata,"

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Il corpus innografico attribuito a Fozio : edizione critica e analisi musicale
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ISBN: 8862745516 9788862745512 Year: 2014 Publisher: Alessandria: Ed. dell'Orso,

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La magmatica e a volte impervia produzione innografica bizantina conosce tra i suoi autori un Fozio, il cui nome si legge in codici manoscritti databili dal X secolo in poi. L'erudizione greca e occidentale, nel lento ma progressivo procedere degli studi, ha attribuito sempre gli inni foziani di volta in volta scoperti al grande patriarca (858-867; 877-886), lodandolo come santo e melodioso uccello canoro della Chiesa, o al contrario segnalando talvolta con malcelato stupore la profonda pietas religiosa espressa nei canti del dotto artefice dello Scisma. In questo volume il corpus è analizzato e pubblicato con traduzione italiana (di cinque inni si offre la prima edizione). Nell'innografia, la parola della lode e della supplica alla Trinità, alla Madonna e ai santi si riveste di musica, divenendo canto. Per questo motivo l'analisi metrica dei componimenti foziani si fonda qui sul dettagliato esame di manoscritti musicali, vergati nella cosiddetta notazione mediobizantina, che lasciano intravedere qualche luce in merito alla melodia su cui i canoni, gli irmi e gli sticheri del corpus erano intonati durante i riti religiosi dell'Ortodossia. Si elencano infine gli elementi strutturali, linguistici, stilistici e metrici che possono indirizzare verso una prima valutazione critica dei componimenti, al fine di distinguere quelli a buon diritto ascrivibili al patriarca da quelli probabilmente da attribuirsi ad omonimi autori, da quelli senza dubbio spurii.


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ΤΟ ΥΜΝΟΓΡΑΦΙΚΟ ΕΡΓΟ ΤΟΥ ΜΑΡΚΟΥ ΕΥΓΕΝΙΚΟΥ.
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ISBN: 9607420829 9789607420824 Year: 2004 Publisher: Athina Kanaki

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Βυζαντινα υμνογραφικα και αγιολογικα κειμενα
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ISBN: 9606736202 9789606736209 Year: 2016 Publisher: Athina: Ekdoseis Kanakē,

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Initia Carminum Byzantinorum
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ISBN: 3110185431 3110922673 9783111876849 3111876845 9783110922677 9783110185430 Year: 2005 Volume: 8 Publisher: Berlin De Gruyter

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Dieses Nachschlagewerk stellt ein Arbeitsinstrument dar, mit dessen Hilfe der Erforscher der byzantinischen Literatur aufgrund des ersten Verses Identität, Autorschaft und Ausgabeort eines Gedichts möglichst rasch feststellen kann. In alphabetischer Reihenfolge bietet es den jeweils ersten Vers von rund 20.000 byzantinischen Gedichten: profanen wie religiösen, edierten wie ungedruckten, in der Hoch- wie in der Volkssprache von Beginn des 4. bis zum Ende des 15. Jahrhunderts. Neben breit angelegten Kompositionen und Epigrammen werden auch Versinschriften aller Art, Monosticha, Notizen von Kopisten, Besitzern und Lesern von Handschriften, metrische Werk- und Kapitelüberschriften, Rand- und Schlussbemerkungen sowie metrische Scholien berücksichtigt. Jedem Anfangsvers werden alle nötigen Informationen über Verfasser, Sujet, Ausgabeort und Umfang eines Gedichts beigegeben. Den Band rundet ein Verzeichnis der zitierten byzantinischen Autoren ab. This reference work provides a tool with which the scholar of Byzantine literature can speedily establish the identity, authorship and place of issue of a poem from its opening line. It provides an alphabetical listing of the opening lines of some 20,000 Byzantine poems - profane and religious, edited and unprinted, in the literary and the colloquial language - from the beginning of the 4th to the 15th century. Apart from broadly-based compositions and epigrams it also takes account of all types of poetic inserts, monosticha, notes by copyists, owners and readers of manuscripts, metrical work and chapter headings, marginalia and end-notes, together with metrical scholia. Each opening line is accompanied by all the necessary information on the author, subject, place of issue and length of the poem. The work is completed with a listing of all the Byzantine authors "ed.


Book
Liturgical subjects : Christian ritual, biblical narrative, and the formation of the self in Byzantium
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ISBN: 9780812246445 0812246446 1322513503 0812290151 0812224108 Year: 2014 Volume: *10 Publisher: Philadelphia University of Pennsylvania Press

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Liturgical Subjects examines the history of the self in the Byzantine Empire, challenging narratives of Christian subjectivity that focus only on classical antiquity and the Western Middle Ages. As Derek Krueger demonstrates, Orthodox Christian interior life was profoundly shaped by patterns of worship introduced and disseminated by Byzantine clergy. Hymns, prayers, and sermons transmitted complex emotional responses to biblical stories, particularly during Lent. Religious services and religious art taught congregants who they were in relation to God and each other. Focusing on Christian practice in Constantinople from the sixth to eleventh centuries, Krueger charts the impact of the liturgical calendar, the eucharistic rite, hymns for vigils and festivals, and scenes from the life of Christ on the making of Christian selves. Exploring the verse of great Byzantine liturgical poets, including Romanos the Melodist, Andrew of Crete, Theodore the Stoudite, and Symeon the New Theologian, he demonstrates how their compositions offered templates for Christian self-regard and self-criticism, defining the Christian "I." Cantors, choirs, and congregations sang in the first person singular expressing guilt and repentance, while prayers and sermons defined the collective identity of the Christian community as sinners in need of salvation. By examining the way models of selfhood were formed, performed, and transmitted in the Byzantine Empire, Liturgical Subjects adds a vital dimension to the history of the self in Western culture.

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