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Institution littéraire --- Belgique --- 19e siècle --- institution littéraire --- belgique --- 19e siècle
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Schrijvers bestaan bij de gratie van anderen: de theaterdirecteur, boekverkoper, mecenas, criticus of uitgever. Dit boek biedt een eerste overzicht van de literaire instituties die vanaf de middeleeuwen tot nu in het Nederlandse taalgebied actief waren: het hof (ca. 1150-1450), het klooster (dertiende-zestiende eeuw), rederijkerskamers (1400-1700), drukkers en boekverkopers (1450-1800), de Amsterdamse schouwburg (1638-heden), letterkundige genootschappen (achttiende eeuw-heden), literaire kritiek (ca. 1700-heden), literatuurwetenschap (achttiende eeuw-heden), de uitgeverij (negentiende eeuw-heden), literatuuronderwijs (negentiende eeuw-heden), bibliotheek (negentiende eeuw-heden) en de overheid (negentiende eeuw-heden). Het laat zien hoe groot hun invloed was op de productie, distributie en consumptie van literatuur, op de thematiek en vormgeving van teksten, op het verspreiden en waarderen ervan. Voor het schrijven van de verschillende hoofdstukken zijn specialisten aangezocht uit Nederland en Vlaanderen. De redacteuren zijn beiden verbonden aan het Instituut voor Neerlandistiek van de Universiteit van Amsterdam.
History of civilization --- Dutch literature --- Flanders --- Netherlands --- Institution littéraire --- Littérature et société --- Vie littéraire --- Littérature --- Histoire et critique --- #KVHA:Letterkunde; Nederlands --- #KVHA:Literaire instituties; Nederland en Vlaanderen --- Instellingen. --- Letterkundige genootschappen. --- Nederland. --- Vlaanderen (België) --- Vlaanderen (België). --- Littérature
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Literature and society --- French-Canadian literature --- Littérature et société --- Littérature québécoise --- Congresses --- History and criticism --- Congrès --- Histoire et critique --- Québec (Province) --- Intellectual life --- Vie intellectuelle --- Congresses. --- Littérature et société --- Littérature québécoise --- Congrès --- Québec (Province) --- Institution litteraire
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Literature and society --- Belgian literature (French) --- 19th century --- History and criticism --- 20th century --- French literature --- Belgian literature --- Belgian authors --- Littérature belge (française) --- History and criticism. --- Histoire et critique --- Belgian literature (French) - 19th century - History and criticism --- Belgian literature (French) - 20th century - History and criticism --- Institution litteraire
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Literature --- AMVC-Letterenhuis [Antwerpen] --- Flanders --- archiefinstellingen --- erfgoed --- Antwerpen --- 82 --- 069 <493 ANTWERPEN> --- 839.3 <09> --- 930.25 <493 ANTWERPEN> --- 632 Literatuurgeschiedenis --- C3 --- literatuurwetenschap --- Literatuur. Algemene literatuurwetenschap --- Permanente tentoonstellingen. Musea--België--ANTWERPEN --- Nederlandse literatuur--Geschiedenis van ... --- Archiefwetenschap. Archivistiek--België--ANTWERPEN --- Kunst en cultuur --- 930.25 <493 ANTWERPEN> Archiefwetenschap. Archivistiek--België--ANTWERPEN --- 839.3 <09> Nederlandse literatuur--Geschiedenis van ... --- 069 <493 ANTWERPEN> Permanente tentoonstellingen. Musea--België--ANTWERPEN --- 82 Literatuur. Algemene literatuurwetenschap --- Nederlandse literatuur--Geschiedenis van .. --- Archief en Museum voor het Vlaamse Cultuurleven (Antwerp, Belgium) --- Letterenhuis (Antwerp, Belgium) --- Museum van de Vlaamsche Letterkunde (Antwerp, Belgium) --- Antwerp. Museum van de Vlaamsche Letterkunde --- AMVC-Letterenhuis --- AMVC --- Archief en Museum voor het Vlaamse Kultuurleven --- Antwerp. --- A.M.V.C. --- History. --- Dutch literature --- Belgium --- 19th century --- 20th century --- Letterenhuis (Antwerpen, België) --- History --- 82 Literature in general --- Literature in general --- Nederlandse literatuur--Geschiedenis van --- INSTITUTION LITTERAIRE --- Littérature néerlandaise --- BELGIQUE --- 20e siècle --- Histoire et critique --- Antwerpen.
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Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers. In The Beautiful, Novel, and Strange Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty - worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.
Litterature et societe --- Art et litterature --- Roman anglais --- Litterature anglaise --- Esthetique --- Esthetica. --- Letterkunde. --- Engels. --- Literature and society. --- Fiction --- English fiction. --- Art and literature. --- Aesthetics, British. --- Literature and society --- Aesthetics, British --- Art and literature --- English fiction --- Histoire et critique. --- Technique. --- History --- History and criticism. --- 1700-1799 --- Great Britain. --- Visual arts --- Aesthetics --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Literature --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Aesthetics, English --- British aesthetics --- English aesthetics --- English literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Art, Théorie de l' --- Art --- Arts --- Contribution à l'esthétique --- Et l'esthétique --- Philosophie des arts --- Théorie artistique --- Théorie de l'art --- Théories artistiques --- Critique et interprétation --- Culture visuelle --- Esthétique --- Esthétique et droit --- Esthétique et morale --- Académisme --- Allusion --- Apollinien et dionysiaque --- Architecture --- Art pour l'art --- Auteur (esthétique) --- Authenticité (art) --- Avant-garde (esthétique) --- Beau (esthétique) --- Beauté féminine (esthétique) --- Camp (style) --- Catharsis --- Cinéma --- Comique --- Contemporanéité (esthétique) --- Création (esthétique) --- Déformation (esthétique) --- Dernières oeuvres --- Détails (philosophie) --- Dilettantisme (esthétique) --- Dimension (esthétique) --- Double (esthétique) --- Douceur --- Échelle (ordre de grandeur) --- Éclectisme (esthétique) --- Élégance --- Ellipse (esthétique) --- Empathie (esthétique) --- Entre-deux (esthétique) --- Épique (esthétique) --- Esthétique anarchiste --- Esthétique communiste --- Esthétique comparée --- Esthétique environnementale --- Esthétique fasciste --- Esthétique marxiste --- Esthétique national-socialiste --- Fantastique --- Fin de siècle (esthétique) --- Flou (esthétique) --- Force (esthétique) --- Forme (esthétique) --- Goût (esthétique) --- Grâce (esthétique) --- Grandiose (esthétique) --- Grotesque --- Harmonie (esthétique) --- Humour --- Imaginaire (philosophie) --- Imagination (philosophie) --- Immobilité (esthétique) --- Improvisation (esthétique) --- Informe (esthétique) --- Insignifiance (esthétique) --- Inspiration --- Ironie --- Jeu (philosophie) --- Jugement esthétique --- Kitsch --- Laideur --- Légèreté --- Littérature --- Médiévisme (esthétique) --- Modernisme (esthétique) --- Montage (esthétique) --- Mouvement (esthétique) --- Musique --- Nature (esthétique) --- Nouveauté --- Objet (esthétique) --- Orientalisme --- Originalité (esthétique) --- Peinture --- Pittoresque --- Poïétique --- Post-postmodernisme --- Postmodernisme --- Premières oeuvres --- Provocation (esthétique) --- Répétition (esthétique) --- Représentation (esthétique) --- Reste (esthétique) --- Ruines (esthétique) --- Rythme --- Silence (philosophie) --- Simultanéité (esthétique) --- Spectaculaire --- Stimmung --- Style --- Sublime --- Théâtre --- Tradition (philosophie) --- Transgression --- Valeurs (philosophie) --- Vulgarité --- Wabi-sabi --- Philosophie --- Littérature et art --- Littérature et arts plastiques --- Littérature et beaux-arts --- Littérature et peinture --- Littérature et sculpture --- Peinture et littérature --- Poésie et art --- Poésie et peinture --- Poésie et sculpture --- Sculpture et littérature --- Critique d'art --- Architecture et littérature --- Cubisme et littérature --- Ekphrasis --- Littérature et photographie --- Ut pictura poesis (esthétique) --- Arts et littérature --- Société et littérature --- Femmes et littérature --- Littérature et géographie --- Littérature postcoloniale --- Sociologie de la littérature --- Vie littéraire --- Féminisme et littérature --- Institution littéraire --- Psychologie sociale et littérature --- Histoire --- Aspect religieux --- Philosophie et esthétique --- Aspect social --- Esthétique et religion
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Why do people in socialist China read and write literary works? Earlier studies in Western Sinology have approached Chinese texts from the socialist era as portraits of society, as keys to the tug-of-war of dissent, or, more recently, as pursuit of "pure art." The Uses of Literature looks broadly and empirically at these and many other "uses" of literature from the points of view of authors, editors, political authorities, and several kinds of readers. Perry Link, author of Evening Chats in Beijing, considers texts ranging from elite "misty" poetry to underground hand-copied volumes (shouchauben) and shows in concrete detail how people who were involved with literature sought to teach, learn, enjoy, explore, debate, lead, control, and resist. Using the late 1970s and early 1980s as an entree to the workings of China's "socialist literary system," the author shows how that system held sway from 1950 until around 1990, when an encroaching market economy gradually but fundamentally changed it. In addition to providing a definitive overview of how the socialist Chinese literary system worked, Link offers comparisons to the similar system in the Soviet Union. In the final chapter, the book seeks to explain how the word "good" was used and understood when applied to literary works in such systems. Combining aspects of cultural and literary studies, The Uses of Literature will reward anyone interested in the literature of modern China or how creativity is affected by a "socialist literary system."
S16/0170 --- S16/0195 --- S06/0436 --- China: Literature and theatrical art--General works on modern literature --- China: Literature and theatrical art--Thematic studies --- China: Politics and government--Policy towards literature and art --- Chinese literature --- 20th century --- History and criticism --- Socialism and literature --- China --- Literature and society --- LITERARY CRITICISM / Asian / Chinese --- Litterature et societe --- Socialisme et litterature --- Litterature chinoise --- Chinesisch --- Politik --- Gesellschaft --- Literatur --- Sozialismus --- Socialism and literature. --- Literature and society. --- Chinese literature. --- Histoire et critique. --- History and criticism. --- China. --- Chinesisch. --- Akhmatova, Anna. --- Alyoshin, Samuil. --- Anhui province. --- Bai Hua. --- Bai Xianyong. --- Bell Tower Society. --- Bureau of Drama Reform. --- Cao Guanlong. --- Cao Xueqin. --- Chen Guokai. --- Chinese Academy of Sciences. --- Chinese Progress (journal). --- Christianity. --- Confucius. --- Dai minority people. --- Democracy Wall. --- Ehrenburg, Ilya. --- Fadeyev, Alexander. --- Feng Menglong. --- Gao Xiaosheng. --- Guo Moruo. --- Han Shaogong. --- Heavy Wings (Zhang Jie). --- Hiroshima. --- Hu Yaobang. --- Jiang Zilong. --- Jin Jingmai. --- Khrushchev Remembers. --- Khrushchev, Nikita. --- Kong Jiesheng. --- Li Yingru. --- Mao Zedong. --- Marxism-Leninism. --- May Fourth movement. --- Napoleon. --- Paustovsky, Konstantin. --- alienation. --- bookstores. --- bureaucratism. --- calligraphy. --- cartoonists. --- conservatives. --- corruption. --- decadence. --- democracy. --- engineering, literary. --- existentialism. --- feudalism. --- filmscripts. --- liberalism. --- neorealism. --- pluralism. --- Literature and socialism --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Social aspects --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Sozialistisches Gesellschaftssystem --- Gesellschaftsordnung --- Kommunismus --- Sozialistische Bewegung --- Sozialist --- Belletristik --- Dichtung --- Schöne Literatur --- Sprachkunst --- Wortkunst --- Buch --- Schriftsteller --- Sein --- Staatspolitik --- Politische Lage --- Politische Entwicklung --- Politische Situation --- Guoyu --- Kuo-yü --- Putonghua --- P'u-t'ung-hua --- Mandarin --- Guanhua --- Kuanhua --- Nationalsprache --- Sinotibetische Sprachen --- Littérature et socialisme --- Communisme et littérature --- Marxisme et littérature --- Politique et littérature --- Socialisme et culture --- Littérature --- Société et littérature --- Femmes et littérature --- Littérature et géographie --- Littérature postcoloniale --- Sociologie de la littérature --- Vie littéraire --- Féminisme et littérature --- Institution littéraire --- Psychologie sociale et littérature --- Aspect social --- 1949 --- -BNKhAU --- Chung-hua min kuo --- Jhonggu --- Khi͡atad --- Kin --- Kita --- Kitaĭskai͡a Narodnai͡a Respublika --- National Government --- Republic --- Republic of China --- Zhonghuaminguo --- Rotchina --- Zhongguo-Diguo --- Kaiserreich Zhongguo --- Zhonghua-minguo --- Chung-hua-min-kuo --- Zhonghua-Renmin-Gongheguo --- Kaiserreich China --- Shinkoku --- Chung-hua-jen-min-kung-ho-kuo --- Zhonghua --- Volksrepublik China --- Zhonghua renmin gongheguo --- République populaire de Chine --- Kytajsʹkaja Narodnaja Respublika --- Chinese People’s Republic --- Chinesen --- Taiwan
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