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As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.

IRCAM (Research institute : France)

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IRCAM (Research institute : France) --- Avant-garde (Music) --- Musique expérimentale --- Boulez, Pierre, --- Avant-garde (Music). --- Musique expérimentale --- Postmodernism --- Computer music --- Social aspects --- Social aqspects --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- I.R.C.A.M. --- Institut de recherche et de coordination acoustique/musique (France) --- Institut de recherche et coordination acoustique/musique (France) --- Institut de recherche et de coordination Acoustique/musique --- France. --- Research institutes --- France --- Anthropological aspects --- Boulez, Pierre --- Influence --- Social aspects.