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A compendium of chronicles : Rashid al-Din's illustrated history of the world.
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ISBN: 019727627X 9780197276273 Year: 1995 Volume: 27 Publisher: London Oxford university press

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De hemelvaart van Mohammed
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ISBN: 9027473013 Year: 1977 Publisher: Utrecht Spectrum


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A jeweler's eye : Islamic arts of the book from the Vever collection
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ISBN: 0295966777 9780295966779 Year: 1988 Publisher: Washington: Smithsonian institution. Arthur M. Sackler gallery,

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Numismatique, langues, écritures et arts du livre, spécificité des arts figurés : actes du VIIe colloque international réunis dans le cadre du 121e congrès des Sociétés historiques et scientifiques, Nice 21 au 31 octobre 1996
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ISBN: 2735504360 9782735504367 Year: 1999 Publisher: Paris Editions du comité des travaux historiques et scientifiques

Arab painting
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ISBN: 1282601407 9786612601408 9004236619 9047422376 9789047422372 9781282601406 9789004157224 9004157220 9004186301 Year: 2007 Publisher: Leiden Boston

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Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.


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Encounters with the Ottoman miniature
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ISBN: 0755607996 0857725998 0857739433 9780857725998 1780763913 9781780763910 1780763913 Year: 2015 Publisher: London I.B. Tauris

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"The dominant form of Ottoman pictorial art until the eighteenth century, miniatures have traditionally been studied as reflecting the socio-historical contexts, aesthetic concerns and artistic tastes of the era within which they were produced. Begum Ozden Fyrat proposes instead a radical re-reading of seventeenth- and eighteenth-century miniatures in the light of contemporary critical theory, highlighting the viewer's encounter with the image. Encounters with the Ottoman Miniature employs contemporary concepts such as the gaze, frame/framing, reading and re-reading, drawing on thinkers such as Walter Benjamin, Roland Barthes and Gilles Deleuze to establish the vibrant cultural agency of miniature paintings. With analysis that illuminates both the social and political situations in which these miniatures were painted as well as emphasising the miniature's contemporary relevance, Firat presents an important new re-imagining of this art form--Bloomsbury Publishing."


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The manuscript tradition of the Islamic West : Maghribī round scripts and the Andalusī identity
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ISBN: 1474499600 1474499619 1474499589 Year: 2022 Publisher: Edinburgh : Edinburgh University Press,

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This book traces the history of manuscript production in the Islamic West between the 10th and the 12th centuries. It interrogates the material evidence that survives from this period, paying special attention to the origin and development of Maghribi round scripts, the distinctive form of Arabic writing employed in al-Andalus (Muslim Iberia) and Northwest Africa. More than 200 dated manuscripts written in Maghribi round scripts - many of which have not previously been published and are of great historical significance - are presented and discussed. This leads to a reconstruction of the activity of Maghribi calligraphers, copyists, notaries and secretaries, creating a better understanding of the development of their practices. Using a blend of art historical methods, palaeographic analyses and a thorough scrutiny of Arabic sources, the author paints a comprehensive and lively picture of Maghribi manuscript culture, from its beginnings under the Umayyads of Cordova until the heyday of the Almohad caliphate. He lifts the veil on a glorious, yet neglected season in the history of Arabic calligraphy, shedding new light on a tradition that was crucial for the creation of the Andalusi identity and its spread throughout the medieval Mediterranean.

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