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Inchbald,

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Although she overcame a stammer to fulfil her acting ambitions, Elizabeth Simpson (1753-1821), known as Mrs Inchbald after her marriage in 1772, was more acclaimed for her good looks than her performances. Her husband was an actor, and she formed strong friendships with Sarah Siddons and John Philip Kemble, but her greatest impact was as a playwright, novelist, editor and critic. Despite her decision to destroy a four-volume autobiography, her extensive surviving journals and letters allowed James Boaden (1762-1839) to publish this two-volume work in 1833. Having produced biographies of Siddons, Kemble and Dorothy Jordan (which are also reissued in this series), Boaden presents here an informed account of this remarkable woman's personal, theatrical and literary life. Volume 1 covers the period from her birth to 1796 and includes as an appendix The Massacre (1792), a suppressed historical drama about the persecution of Huguenots in 1572.

Inchbald, Elizabeth, 1753-1821

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Elizabeth Simpson Inchbald (1753--1821) was one of the leading literary figures of the late eighteenth century -- an actress, a successful playwright and editor of several collections of plays, a popular novelist, and a drama critic. Considered a beautiful, independent woman, Inchbald was much involved in the theatrical, literary, and publishing life of London.Elizabeth Simpson ran away from home at age eighteen to seek fame as an actress in London and quickly married Joseph Inchbald, an actor twice her age. They toured the stage together until his sudden death in 1779. She made her London sta

Actors --- Theater critics --- Authors, English --- Women and literature --- Drama critics --- Critics --- History --- Inchbald, --- Inchbald, Elizabeth Simpson, --- Inkhbalʹd, --- Inchbald, Elizabeth, --- Simpson, Elizabeth,

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Women and literature --- Inchbald, - Mrs., - 1753-1821 --- Inchbald, - Mrs., - 1753-1821. - Wives as they were and maids as they are. - French. - 1973

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"The marriage plot is a ubiquitous theme across the history of the novel, beginning from the earliest examples of long-form prose published in the eighteenth century. What Sacred Engagements brings to this well-trodden area of literary studies is a unique feminist perspective on the relationship between fiction and interfaith marriage during a moment of broader cultural discourse about religious tolerance in England. Conway reads quite broadly for the marriage plot, including among her readings novels by Samuel Richardson, Frances Brooke, Elizabeth Inchbald, and Maria Edgeworth in which minor characters marry outside of their own religious institution, or the novel's hero and heroine have a failed courtship and do not marry by the novel's end. Her intervention at the nexus of literature and religion is also unique; existing studies in this subfield often focus on a particular religious sect and literary representations of it, whereas Conway reads for relationships forged across religious boundaries. While a political history of England in this period reveals a partial picture of how tolerance came to be during the Enlightenment, Conway's study of the novel shows a more nuanced story about the challenges of peaceful coexistence through its representations of interfaith marriage. By foregrounding women's right to liberty of conscience, interfaith marriage counters the privatization of religious affect and the naturalization of women's subordination in marriage. The interfaith marriage plot invites us to review the terms governing our narratives of marriage and community, and the ethics of sociability that sustain them, both in relation to the history of the novel and to our contemporary moment"--

English fiction --- English fiction --- Interfaith marriage in literature --- Religious tolerance in literature --- Women in literature --- History and criticism --- History and criticism --- Richardson, Samuel, --- Brooke, Frances, --- Inchbald, --- Edgeworth, Maria,