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Haus --- Abbruch --- Installation (Kunst) --- Ausstellung --- München (1991) --- Ruinenbau --- Ruine (Motiv) --- Malerei --- München

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In her PhD thesis, Anneka Metzger examines Barbara Köhler's text installations as an example of current experimental intermedial art forms. Based on the hypothesis that lyric as a genre would be predestined to allow border crossings between different forms of art, Metzger focuses on reflexive aspects of experimental poetry. She concentrates on the 'linguistic spaces' of Barbara Köhler to analyse poetic concept as well as practical installation. Köhler's work, which in some cases escapes the exclusive sphere of the linguistic and leaps into the social and situative space, is described under the concept of 'performative poetry.' Metzger finds adequate possibilities of categorization for different text-space images and compares them with current aesthetic discussions. (Abstract from http://gcsc.uni-giessen.de/wps/pgn/home/KULTonline/29-11/)

Art and literature --- German poetry --- German poetry --- Installation (Kunst). --- Installations (Art) --- Lyrik. --- Performative (Philosophy). --- History and criticism --- History and criticism --- History and criticism --- Köhler, Barbara (Schriftstellerin). --- Köhler, Barbara, --- Criticism and interpretation. --- Geschichte 1995-2007.

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A queer theory of visual art - based on extensive readings of art works Queer Art traces the question of how strategies of denormalization initiated by visual arts can be continued through writing. In the book's three chapters art theoretical debates are combined with queer theory, post-colonial theory, and (dis-)ability studies, proposing the three terms radical drag, transtemporal drag, and abstract drag. The works discussed include those by Zoe Leonard, Shinique Smith, Jack Smith, Wu Ingrid Tsang, Ron Vawter, Bob Flanagan, Henrik Olesen, Felix Gonzalez-Torres, Sharon Hayes, and Pauline Boudry/Renate Lorenz. »Ein sehr komplexes Buch, das es schafft, verständlich zu sein - und selber ansteckend zu wirken.« Persson Perry Baumgartinger, Stimme, 85 (2012) »Renate Lorenz geht es darum, das Auftreten des ›Freaks‹ als eine kulturelle Praxis zu beschreiben, die über Interventionen und Bilder Alternativen zu herkömmlichen sozialen Machtbeziehungen bietet und über eine einfache Kritik oder Subversion sozialer Normen hinausgeht. Das Besondere ist, dass diese Theorie poststrukturalistische Ansätze mit den typischen Elementen der Freak-Show [...] verbindet und hieraus innovative Schnittstellen generiert, die über bisher Charakteristisches für Queer hinausgehen und dem Feld neue Aspekte hinzufügen.« Silke Förschler, sehepunkte, 13 (2013) »Empfehlung!« Bettina Zehetner, www.frauenberatenfrauen.at, 4 (2012) Reviewed in: Auto, 22/9 (2012) fiber, 21 (2012), Gloria Höckner IASL online, 28.10.2015, Josch Hoenes

Homosexuality and art --- Queer theory --- Transvestism in art --- Performance art --- Art and homosexuality --- Installation (Kunst). --- Performativität (Kulturwissenschaften). --- Queer-Theorie. --- Drag King. --- Boudry, Pauline. --- Arts, Modern --- Happenings (Art) --- Performing arts --- Art --- Gender identity --- Ästhetik. --- Visual Arts; Queer; Performance; Video; Photography; Drag; Chronopolitics; Gender; Arts; Queer Theory; Theory of Art; Visual Studies; Cultural Studies --- Arts. --- Chronopolitics. --- Cultural Studies. --- Drag. --- Gender. --- Performance. --- Photography. --- Queer Theory. --- Queer. --- Theory of Art. --- Video. --- Visual Studies.