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"One bad day. According to the grinning engine of madness and mayhem known as The Joker, that's all that separates the sane from the psychotic. Freed once again from the confines of Arkham Asylum, he's out to prove his deranged point. And he's going to use Gotham's top cop, Commissioner Jim Gordon, and his brilliant and beautiful daughter Barbara to do it. Now Batman must race to stop his archnemesis before his reign of terror claims two of the Dark Knight's closest friends. Can he finally put an end to the cycle of bloodlust and lunacy that links these two iconic foes before it leads to a fatal conclusion? And as the horrifying origin of the Clown Prince of Crime is finally revealed, will the thin line that separates Batman's nobility and The Joker's insanity snap once and for all? '' -- dust jacket.
JB MOOR --- goed en kwaad --- strips --- Engels --- Batman --- Wayne, Bruce --- Valley, Jean-Paul --- McGinnis, Terry --- Fox, Jace --- Grayson, Dick --- Gordon, James
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From his debut in a six-page comic in 1939 to his most recent portrayal by Christian Bale in the blockbuster The Dark Knight Rises, Batman is perhaps the world's most popular superhero. The continued relevance of the caped crusader could be attributed to his complex character, his dual identity, or his commitment to justice. But, as the contributors to this collection argue, it is the fans who, with the patience of Alfred, the loyalty ofCommissioner Gordon, and the unbridled enthusiasm of Robin, have kept Batman at the forefront of popular culture for more than seven decades. Fan Phenomena: Ba
Superheroes --- Comic book heroes --- Super heroes --- Fictitious characters --- Batman --- Wayne, Bruce --- Batman [Fictieve figuur] --- United States --- Valley, Jean-Paul --- McGinnis, Terry --- Fox, Jace --- Grayson, Dick --- Gordon, James --- Drawing --- Literature --- United States of America --- beeldverhalen
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public spaces --- sculpture [visual works] --- Art --- easel paintings [paintings by form] --- street art --- Ash, Victor --- Flying Förtress --- Blek le Rat --- Hot Tea --- Numskull --- Finsta --- The London Police --- Hitotzuki --- Vladyart --- Mobstr --- Witz, Dan --- Dotdotdot --- Dotsy --- Jace --- Seiler, Jordan --- Zime & Sektie --- L'Atlas --- Honet --- Toaster --- hedendaagse kunst --- straatkunst --- MAD-faculty 17 --- paintings [visual works] --- kunst in de openbare ruimte
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Graffiti --- Street art --- Art, Municipal --- Abandoned buildings --- Ruined buildings --- Waste lands --- Vacant lands --- Art dans la rue --- Art urbain --- Constructions abandonnées --- Ruines --- Friches --- Terrains vacants --- History --- Histoire --- street art --- graffiti artists --- Art --- graffiti --- Lksir --- Sowat --- Bom.K --- Rero --- Lek --- Saïr --- Kenor --- Vania --- Raisin --- Keyler --- Katre --- Ox Nha --- Smash 137 --- Herrero, Pablo S --- Mutha --- JR --- Verbo --- Kan --- BLO --- Qbrick --- Chas --- Dal --- Outsider --- ROA --- Aryz --- Iemza --- Vhils --- Defco --- Jace --- Spot --- Reso --- Sambre --- Alëxone --- Graphic Surgery --- Roid --- Legz --- Septik --- Rusl --- Swiz --- TRBDSGN [Paris] --- kunst in de openbare ruimte --- graffiti [casual notations]
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public spaces --- Painting --- Graphic signs --- Art --- graffiti --- schilderkunst --- art [fine art] --- Art styles --- street art --- Sociology of culture --- painting [image-making] --- openbare ruimte --- Walker, Nick --- Microbo --- Harrington, Conor --- Goldsworthy, Andy --- Blek le Rat --- Vexta --- Thundercut --- Roth, Evan --- Fafi --- Labrona --- Swoon --- Basquiat, Jean-Michel --- Miss Van --- Case2 --- Wodiczko, Krysztof --- Sasu --- Sayeg, Magda --- Kero --- Blu --- Quinones, Lee --- Os Gemeos --- Baker --- Psalm --- Koralie --- Hitotzuki --- Jace --- JR --- Zevs --- Matta-Clark, Gordon --- Invader --- Lichtenstein, Roy --- Haring, Keith --- Moose --- Fake --- Roadsworth --- Puppet --- Pandolfo, Nina --- Eine --- Lady Pink --- D*Face --- Acconci, Vito --- Witz, Dan --- Fairey, Shepard --- Herakut --- Faith 47 --- Omen --- Waras, Mariusz --- Dondi --- ABOVE --- Kami --- English, Ron --- Banksy --- Pez --- Buff Monster --- Faile --- Mosstika [New York, N.Y.] --- anno 2000-2099 --- anno 1900-1999 --- Grafische tekens --- Sociologie van de cultuur --- Kunststijlen --- Schilderkunst --- straatkunst --- openbare ruimten --- Case 2 --- kunst in de openbare ruimte --- graffiti [casual notations]
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Art --- art [discipline] --- street art --- kunst in de openbare ruimte --- graffiti [casual notations] --- Crash --- Jenkins, Mark --- ROA --- Saraiva, André --- Alëxone --- Aryz --- Behr, Clemens --- C215 --- Eltono --- English, Ron --- Erosie --- EVOL --- Fairey, Shepard --- Faith 47 --- Faucheur, Jean --- Francis, Ian --- Green, Doze --- Harrington, Conor --- Hayuk, Maya --- Hicks, Logan --- Inti --- Invader --- Jace --- Jago, Duncan --- Kenor --- Kinsey, Dave --- Know Hope --- Lamarche, Greg --- L'Atlas --- Lister, Anthony --- Ludo --- MAMbo --- Miss Van --- Pose --- Quik --- Remed --- Rero --- Revok --- Ripo --- Rodríguez Gerada, Jorge --- SatOne --- Seen --- Smash 137 --- Sten & Lex --- The London Police --- Tilt --- Vhils --- Zlotykamien, Gérard --- How & Nosm --- Mad C --- Olek --- Delta --- Parra, Piet --- HENSE --- Sambre --- Icy and Sot --- Cope2 --- FKDL --- Horfée --- Jana & Js --- Aérosol, Jef --- JonOne --- Ruse132 --- Nasty --- Popay --- Pro --- Speedy Graphito --- Tanc --- Yaze --- Rubbish --- Liard, Arnaud --- Hopare --- Nelio --- Smole --- Levalet --- Kofie, Augustine --- Bezt --- DALeast --- Walker, David --- Ella --- Pitr --- FenX --- Petit, Gilbert --- Hush --- Reka, James --- Sortais, Ken --- Mist --- Moneyless --- Andersen, Morten --- Meulman, Niels --- Nychos --- Pixel Pancho --- Rough, Remi --- Rime --- Proch, Robert --- Sainer --- Serval --- Shaka --- Moscato, Stéphane --- Zest
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