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Rooms You May Have Missed : Umberto Riva, Bijoy Jain est une histoire inattendue d’attitudes architecturales qui commence à se dérouler de l’intérieur. Le livre associe deux architectes opérant dans des contextes distincts, Mumbai et Milan, afin de découvrir de nouvelles possibilités de conception et de production de l’espace. À travers un récit personnel tiré des visites de bâtiments et des conversations en cours, Mirko Zardini, commissaire d’une exposition d’accompagnement au Centre canadien d’architecture, interprète les motivations et les préoccupations de chaque architecte et trouve une résonance improbable dans leurs approches complémentaires. Les deux architectes sont réunis au centre du livre dans des photographies de l’exposition, pour lesquelles ils ont chacun été invités à créer un design d’exposition évoquant l’atmosphère de leurs projets domestiques. Le livre contient également un vaste matériel visuel, y compris des dessins riches et rarement publiés par Riva et une documentation en cours sur les projets et les recherches les plus récents de Jain.

Architecture, Domestic --- Architecture, Domestic --- Architecture domestique --- Architecture domestique --- Riva, Umberto --- Jain, Bijoy --- Riva, Umberto, - 1928 --- -Jain, Bijoy --- Riva, Umberto, - 1928 --- -Jain, Bijoy

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The workshop of Studio Mumbai, headed by Bijoy Jain, consists of open air spaces in a rustic setting surrounded by trees. There, a variety of skilled craftsmen, architects and engineers collaborate in the same space, engaging in, exercising and practicing architecture in a manner that aspires to transcend its own physicality. In this way, the process and act of communication has come to characterise the studio, its creative process and its output. An intimate look at the workings, outlook and inspiration of the practice is given, which includes the story of its background and setting, along with an interview with Jain and detailed profiles of significant projects in India: Tara House, Leti 360 Resort, House on Pali Hill and the Copper House, to name a few.

Agences d'architecture --- Studio Mumbai Architects --- Architecture écologique --- Studio Mumbai --- Jain, Bijoy --- Processus de conception --- Maison résidentielle --- Inde --- Architects --- Architectural firms --- Architecture --- Architectes --- History --- Histoire

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Catalogue published in conjunction with the exhibition ‘Work-Place’ produced for the Venice Architecture Biennale in 2010. Studio Mumbai is composed of a few architects and nearly a hundred craftsmen – carpenters, masons, plumbers, electricians, and stonecutters – all working full time. Their work is based on a constant dialogue: “In India, a country with a population of 1,2 billion, the majority of construction is carried out without architects, which does not prevent them from being human in the largest sense. This reflection also forms part of one of our work’s most critical aspect…” reveals Bijoy Jain, the founder of Studio Mumbai. The Studio is a human infrastructure of skilled craftsmen and architects who design and build the work directly. Livre en ligne : http://issuu.com/archizoom/docs/studio_mumbai/23?e=3753097/2912493.

Architectural firms --- Architecture --- Agences d'architecture --- History --- Histoire --- Jain, Bijoy --- Studio Mumbai Architects --- Exhibitions. --- Manifestation artistique --- Studio Mumbai --- Inde --- Venise --- 72.07 --- Biennale van Venetië (2010) ; 12de internationale architectuurtentoonstelling ; Studio Mumbai --- Studio Mumbai ; collectief gesticht door Bijoy Jain --- Jain, Bijoy °1965 (°Bombai, Indië) --- Architectuur ; evinvironment ; installatie ; 2010 ; Studio Mumbai --- 72 --- 72-05 --- Architecten. Stedenbouwkundigen A - Z --- Architectuur. Bouwkunst --- Architecten. Algemene studies over bouwmeesters --- Exhibitions --- 72-05 Architecten. Algemene studies over bouwmeesters --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Catalogues d'exposition --- (1965-....)

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Studio Mumbai is a human infrastructure of skilled craftsmen and architects who design and build the work directly. Gathered through time, this group shares an environment created from an iterative process, where ideas are explored through the production of large-scale mock-ups, models, material studies, sketches and drawings. Projects are developed through careful consideration of place and a practice that draws from traditional skills, local building techniques, materials and an ingenuity arising from limited resources. The practice was started in 1995 by Bijoy Jain. Projects include the Studio Mumbai Work-Place in Nagaon, the Casa Tara in Kashid, the Leti 360 Resort in Leti, the Palmyra House in Nandgaon. Excerpts from a dialogue between Dr. Balkrishna V. Doshi and Bijoy Jain and an essay by Peter Wilson.

Studio Mumbai --- Jain, Bijoy --- Bijoy Jain --- 72.071 --- 72.07 --- buitenlandse architecten --- Architecten. Stedenbouwkundigen A - Z --- Ambachten. --- Bouwmaterialen. --- Duurzaam bouwen. --- India. --- Natuur in de architectuur. --- Architecture --- anno 2000-2009 --- anno 2010-2019 --- Architecture, Modern --- Dessins et plans. --- Studio Mumbai Architects. --- Architects --- Architectural firms --- Architectes --- Agences d'architecture --- History --- Dessins et plans --- Histoire --- Studio Mumbai Architects

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"J'ai toujours pensé que la matérialisation de l'architecture n'a pas lieu au moment où elle se dessine, mais au moment où elle se construit. Sinon, elle n'a pas de sens. L'architecture vernaculaire, née sur place, façonnée par les contraintes, est par définition plus contextuelle. Sa force, en même temps que sa fragilité, vient du fait qu'elle se situe dans la permanence et non dans l'événement", Patrick Bouchain.

Vernacular architecture. --- Farm buildings --- Architecture --- Architecture vernaculaire --- Constructions rurales --- Environmental aspects --- Aspect de l'environnement --- Vernacular architecture --- Architecture contemporaine --- Architecture troglodytique --- Construction en matériau végétal --- Construction en pierre --- Construction en terre --- Construction parasismique --- Construction traditionnelle --- Rapport art-architecture --- Rapport art-sacré --- Jain, Bijoy --- Reuter Sandman, Hollmén --- Smuts, Carin --- Vélez, Simón, --- Afghanistan --- Cameroun --- Chine --- Corée du Sud --- Italie --- Mali --- Maroc --- Suisse --- Sumatra --- Togo --- Yémen --- Aspect environnemental --- Vélez, Simón, 1949 --- -Afghanistan