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Jamaican literature. --- English literature --- Jamaican authors --- Jamaica
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Claude McKay (1889-1948) was one of the most prolific and sophisticated African American writers of the early twentieth century. A Jamaican-born author of poetry, short stories, novels, and nonfiction, McKay has often been associated with the "New Negro" or Harlem Renaissance, a movement of African American art, culture, and intellectualism between World War I and the Great Depression. But his relationship to the movement was complex. Literally absent from Harlem during that period, he devoted most of his time to traveling through Europe, Russia, and Africa during the 1920's and 1930's.
McKay, Claude. --- Authors, American --- Authors, Jamaican --- Jamaican Americans --- African American authors --- Ethnology --- Jamaicans --- Jamaican authors --- American authors --- Intellectual life
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"Informative biography of the late M.G. Smith, the Jamaican-born social anthropologist whose contributions as Caribbeanist, Africanist, and theoretician will be long valued"--Handbook of Latin American Studies, v. 57.
Anthropologists --- Authors, Jamaican --- Anthropology --- Social Sciences --- Anthropology - General --- Jamaican authors --- Scientists --- Biography --- Smith, M. G. --- Smith, Michael Garfield
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One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay’s life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. Winston James offers a revelatory account of McKay’s political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay’s time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay’s life, political evolution, and the historical, political, and intellectual contexts that shaped him.
African American authors --- Authors, Jamaican --- Black nationalism --- Jamaican Americans --- Socialism --- Jamaican authors --- Ethnology --- Jamaicans --- History --- Intellectual life --- McKay, Claude --- McKay, Festus Claudius,
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Motion pictures --- Caribbean literature (English) --- Postcolonialism in literature. --- Sovereignty in literature. --- Jamaican literature --- History and criticism. --- English literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Jamaican authors --- History and criticism
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The fugitive slave known as "Three-Fingered Jack" terrorized colonial Jamaica from 1780 until vanquished by Maroons, self-emancipated Afro-Jamaicans bound by treaty to police the island for runaways and rebels. A thief and a killer, Jack was also a freedom fighter who sabotaged the colonial machine until his grisly death at its behest. Narratives about his exploits shed light on the problems of black rebellion and solutions administered by the colonial state, creating an occasion to consider counter-narratives about its methods of divide and conquer. For more than two centuries, writers, performers, and storytellers in England, Jamaica, and the United States have "thieved" Three Fingered Jack's riveting tale, defining black agency through and against representations of his resistance. Frances R. Botkin offers a literary and cultural history that explores the persistence of stories about this black rebel, his contributions to constructions of black masculinity in the Atlantic world, and his legacies in Jamaican and United States popular culture.
BIOGRAPHY & AUTOBIOGRAPHY / Criminals & Outlaws. --- HISTORY / Caribbean & West Indies / General. --- LITERARY CRITICISM / Caribbean & Latin American. --- Legends --- American literature --- English literature --- Jamaican literature --- Folk tales --- Traditions --- Urban legends --- Folklore --- History and criticism. --- Jamaican authors --- Mansong, Jack, --- Three-finger'd Jack, --- Three-fingered Jack, --- Threefingered Jack, --- Legends. --- In literature. --- Caribbean. --- freedom fighter. --- jack mansong. --- jamaica. --- mansong. --- outlaw. --- rebel. --- thief.
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McKay, Claude --- Authors, American --- Authors, Jamaican --- African Americans --- Jamaican Americans --- African American authors --- Harlem Renaissance --- African American arts --- Jamaican authors --- Afro-American arts --- Arts, African American --- Negro arts --- Ethnic arts --- New Negro Movement --- Renaissance, Harlem --- American literature --- Ethnology --- Jamaicans --- Intellectual life --- McKay, Claude, --- McKay, Festus Claudius, --- Harlem (New York, N.Y.)
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