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Meyerbeer's first opera, Jephtas Gelübde, has a libretto by the German academic Alois Schreiber, based on a Biblical theme taken from chapters 11-12 of the Book of Judges. The story centres on the vow the ancient Israelite Judge made to God in return for victory over the enemy: ""If thou wilt give the Ammonites into my hand, then whatever comes forth from the doors of my house to meet me, when I return victorious . . . I will offer him up for a burnt offering"". The first person he was fatefull...
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This book provides an extensive literary analysis of the Gideon, Abimelech and Jephthah narratives in Judges 6-12, and discloses the main intention of these stories. The book consists of three chapters, each of which analyses the respective biblical narratives. These narratives show the two parameters by which the Israelite leaders are examined, namely their loyalty to God and their altruistic character: A leader who prefers his own interest is doomed to his own demise and brings devastation upon his people. Judges does not establish a preferred governmental model, instead it considers the advantages and disadvantages of the different types of regimes. In the epilogue it is suggested that these narratives are conveniently placed in the pre-monarchic period when the question of the regime becomes part of the political debate. The book of Judges offers criteria for the choice of the right leader.
Leadership --- Biblical teaching. --- Leadership in the Bible. --- Gideon --- Abimelech --- Jephthah --- Jefta --- Jeftes --- Jephte --- Jephtha --- Jephthah, --- Jeptha --- Abimelekh --- Avimelech --- Avimelekh --- Gedeon --- Gidʻon --- Jerubbaal --- Jerubbesheth --- Bible. --- Criticism, interpretation, etc. --- Leadership - Biblical teaching.
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#GGSB: Exegese O.T --- #GGSB: Historische boeken --- #GGSB: Tekstkritiek O.T --- Jephthah --- Jephthah's daughter --- Jefta --- Jeftes --- Jephte --- Jephtha --- Jephthah, --- Jeptha --- Bible. --- Criticism, interpretation, etc. --- Bible --- Exegese O.T --- Historische boeken --- Tekstkritiek O.T
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Les accords de libre-échange de nouvelle génération sont bien plus larges que les accords commerciaux précédemment conclus par les institutions européennes. Ces derniers ne se limitent plus aux barrières tarifaires, ils concernent de plus en plus de domaines (développement durable, réchauffement climatique,...). La notion d'accord commercial conclu par l'UE avec des Etats non-membres a-t-elle évolué avec l'apparition des accords de nouvelle génération ? C'est à cette question que ce mémoire répond. L'avis 2/15 de la Cour de Justice, la décision de la Commission de scinder les accords en deux ou encore les différentes critiques actuellement adressées aux accords commerciaux sont notamment développés dans ce travail.
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Bible plays --- Drama --- Joseph, --- Jephthah --- Drama, Modern --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- Giuseppe, --- José, --- Józef, --- Yūsuf, --- Jefta --- Jeftes --- Jephte --- Jephtha --- Jephthah, --- Jeptha --- Drama - 15th and 16th centuries --- Joseph, - Saint - Drama --- Jephthah - (Biblical judge) - Drama --- Joseph, - Saint --- Jephthah - (Biblical judge)
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Jephthah --- Bible OT. Historical books. Judges --- 222.5 --- Jozua. Rechters. Ruth --- Jephthah's daughter --- Jefta --- Jeftes --- Jephte --- Jephtha --- Jephthah, --- Jeptha --- Bible. --- Judges (Book of the Old Testament) --- Quḍāh (Book of the Old Testament) --- Shofṭim (Book of the Old Testament) --- Criticism, interpretation, etc.
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Binnen een periode van vier jaar heeft Vondel drie tragedies uitgegeven waarin de mannelijke hoofdpersonages gedwongen worden te kiezen tussen hoge, abstracte belangen aan de ene, en het leven van hun eigen zoon of dochter aan de andere kant. In Jeptha, of offerbelofte (1659), Koning David hersteld (1660) en Faëton, of roekeloze stoutheid (1663) komen zodoende vaders ten tonele die verscheurd worden door twijfel en die zich tot het bittere einde tussen hoop en angst heen en weer geslingerd zien. Vondel ontleedt hun gevoelens tot in detail en is er zo in geslaagd treurspelen te schrijven die de lezer tot op de dag van vandaag heftig beroeren. Het is moeilijk niet mee te leven met de oudtestamentische landvoogd Jeptha, de legendarische joodse koning David en de klassiek-mythologische zonnegod Febus / Apollo. Uiteindelijk hebben zij alledrie de dood van hun respectievelijke nakomelingen te betreuren, en dat is nog niet alles, want ze weten zich bovendien mede-schuldig aan het feit dat hun zoon of dochter niet meer leeft. Wat het voor een vader betekent zélf verantwoordelijk te zijn voor de dood van een eigen kind, en hoe het toch kan dat iemand het zover laat komen - dat zijn de vragen waarop Vondel in de drie genoemde drama's een antwoord wil geven.
Dutch literature --- Phaethon (Greek mythology) --- Dutch drama --- Jephthah --- David, --- Phaeton (Greek mythology) --- Mythology, Greek --- Jefta --- Jeftes --- Jephte --- Jephtha --- Jephthah, --- Daud, --- Dāwūd, --- Nabī Dāwūd, --- דוד --- דוד, --- דוד המלך --- David (Biblical figure) --- van den Vondel, Joost --- Theater --- Netherlands --- 16th century --- Drama --- Jeptha --- Phaethon (Greek mythology) - Drama --- Dutch drama - Early modern, 1500-1700 --- Jephthah - (Biblical judge) - Drama --- David, - King of Israel - Drama --- Jephthah - (Biblical judge) --- David, - King of Israel
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