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Art --- photographs --- installations [visual works] --- video art --- performance art --- time --- Jin-me Yoon
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Steinman, Barbara ; Magor, Liz ; Morgan, Joey : Decostere, Stefaan ; Belmore, Rebecca ; Yoon, Jin-Me ; Hock, Louis ; Sisco, Elizabeth
multimedia works --- environments [object groupings] --- art [fine art] --- Iconography --- Art --- Hock, Louis --- Morgan, Joey --- Sisco, Elizabeth --- Magor, Liz --- Jin-me Yoon --- Decostere, Stefaan --- Belmore, Rebecca --- Steinman, Barbara --- anno 1900-1999 --- Banff --- Art, Canadian --- Art canadien --- Exhibitions --- Expositions --- art [discipline]
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In Generations and Geographies in the Visual Achallenge of Arts: Feminist Readings the challenge of contemporary feminist theory encounters the provocation of the visual arts made by women in the twentieth century. The major issue is difference: sexual, cultural and social. The book points to the singularity of each artist's creative negotiation of time and historical and political circumstance. Griselda Pollock calls attention to the significance of place, location and cultural diversity, connecting issues of sexuality to those of nationality, imperialism, migration, diaspora and genocide.
Vicuña, Cecilia --- Sherman, Cindy --- Lichtenberg-Ettinger, Bracha --- Kollwitz, Käthe --- Jin-me Yoon --- Shimada, Yoshiko --- Mendieta, Ana --- Saville, Jenny --- Modersohn-Becker, Paula --- women [female humans] --- feminism --- vrouw in de kunst --- Art --- gender
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Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
Memory in art. --- Photography, Artistic. --- Photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- fotografie --- kunst --- fotografietheorie --- eenentwintigste eeuw --- Canada --- herinnering --- Denniston Stan --- Buchanan Hamish --- Bubas Karin --- Cumming Donigan --- Cadieux Geneviève --- Pelkey Brenda --- Snow Michael --- Mackenzie Robin --- Holownia Thaddeus --- Wall Jeff --- Jin-me Yoon --- Condé Carole --- Beveridge Karl --- Houle Robert --- Beam Carl --- Maggs Arnaud --- Evergon --- Penner Bancroft Marian --- Dean Max --- Semchuck Sandra --- April Raymonde --- Robideau Henri --- Clark June --- Carrière Bertrand --- Lambeth Michael --- Baillargeon Richard --- Steeves George --- Thorneycroft Diana --- Lamothe Michel --- Staats Greg --- MacKenzie Robin --- Readman Sylvie --- Yoon Jin-me --- 77.01 --- Mémoire dans l'art. --- Photographie artistique. --- Photographie
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