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During the 1930s, American artists, such as Ben Shahn, developed a mode of representation generally known as Social Realism. Presenting an assessment of Social Realism, this book contends that the radical, 'realistic' art of the Americas during the 1930s was shaped as much by hemispheric exchange as by emulation of the European avant-garde.

Problèmes sociaux dans l'art --- Social problems in art --- Sociale problemen in de kunst --- Art --- Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art and politics --- Politics and art --- Political aspects --- Art [Modern ] --- 20th century --- Berni, Antonio --- Criticism and interpretation --- Johnson, Malvin Gray --- Richardson, Earle (Earl) W. --- Evergood, Philip --- Rivera --- Shahn, Ben

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political art --- jazz --- civil rights --- Art --- African American --- Harlem Renaissance --- art [fine art] --- primitivism [artistic concept] --- migration [function] --- racial discrimination --- motion pictures [visual works] --- Hartt, David --- Chase-Riboud, Barbara --- Johnson, Malvin Gray --- Marshall, Kerry James --- Lewis, Edmonia --- Smith, Albert --- White, Charles --- Thrash, Dox --- Thompson, Bob --- Micheaux, Oscar --- Delaney, Beauford --- Thomas, Hank Willis --- Motley, Archibald J. --- Basquiat, Jean-Michel --- Bearden, Romare --- Lawrence, Jacob --- Saunders, Raymond --- Overstreet, Joe --- Duncanson, Robert Scott --- Tanner, Henry Ossawa --- Dial, Thornton --- Driskell, David C. --- Bey, Dawoud --- Lovell, Whitfield --- Gallagher, Ellen --- Pippin, Horace --- Lewis, Norman --- Ligon, Glenn --- Hammons, David --- Gammon, Reginald --- Thomas, Alma --- Alston, Charles H. --- Jones, Loïs Mailou --- Barthé, Richmond --- Catlett, Elizabeth --- Saar, Betye --- Amos, Emma --- Douglas, Aaron --- Andrews, Benny --- Drake, David --- Hayden, Palmer --- Wells, James Lesesne --- Douglas, Emory --- Colescott, Robert --- Savage, Augusta --- Thomas, Mickalene --- Ellison, Walter --- Clark, Claude --- Ringgold, Faith --- Harrington, Oliver Wendell --- Smith, Mary T. --- Crite, Allan Rohan --- Bois, du, W.E. Burghardt --- Johnson, William H. --- Jennings, Wilmer --- anno 2000-2099 --- anno 1900-1999 --- anno 1800-1899 --- United States --- Woodruff, Hale --- Williams, Bert --- Afro-Amerikaanse kunst --- discriminatie --- zwarten --- Wereldoorlog I --- Wereldoorlog II --- geschiedenis --- racisme --- burgerrechten --- primitivisme --- Wereldtentoonstelling 1900 (Parijs) --- Crow, Jim --- Du Bois, William Edward Burghardt --- Louis, Joe --- Gammon, Reginald A. (Jr.) --- 19de eeuw --- 20ste eeuw --- Amerika --- Parijs --- Frankrijk --- Bois, Du, W.E.B. --- African American art --- Afro-Amerikaanse kunst. --- discriminatie. --- zwarten. --- Wereldoorlog I. --- Wereldoorlog II. --- geschiedenis. --- racisme. --- burgerrechten. --- primitivisme. --- Wereldtentoonstelling 1900 (Parijs). --- Crow, Jim. --- Du Bois, William Edward Burghardt. --- Pippin, Horace. --- Louis, Joe. --- Bearden, Romare. --- Catlett, Elizabeth. --- Lewis, Norman. --- Gammon, Reginald A. (Jr.). --- Thomas, Alma. --- 19de eeuw. --- 20ste eeuw. --- Amerika. --- Parijs. --- Frankrijk. --- art [discipline] --- United States of America