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Juvarra (filippo), 1678-1736 --- Scenographie --- Opera --- Theatres --- Contribution au theatre --- Italie --- 18e siecle --- Decors
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Architecture baroque --- Architecte --- Patrimoine architectural --- Architecture, Baroque --- Juvarra, Filippo --- Juvara, Filippo, - 1678-1736 --- Espagne
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Theaters --- Architecture, Baroque --- Architecture baroque --- Stage-setting and scenery --- History --- Juvarra, Filippo,
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Le sujet de ce mémoire porte sur la comparaison entre 2 manières de restaurer un ancien bâtiment, le choix s'est porté sur le château de Rivoli, musée d'Art Contemporain en Italie et le musée d'Histoire de la ville de Luxembourg. L'analyse s'introduit par l'histoire et l'évolution du bâtiment, elle se développe par l'étude et l'adaptation du nouveau programme, la stratification du bâtiment, l'exposition des oeuvres, la restauration des éléments de décoration. (S.K.)
Groupe d'architectes --- Art contemporain --- Monument historique --- Architecte --- Restauration --- Réhabilitation de bâtiment --- Musée --- Bâtiment culturel --- Reperages --- Lentz, Conny --- Juvarra, Filippo --- Bruno, Andrea --- Musée d'histoire de la Ville de Luxembourg --- Château de Rivoli (Turin)
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beeldhouwkunst --- tekeningen --- Verrocchio, Andrea del --- Bandinelli, Baccio --- Fiorentino, Rosso --- Cordier, Nicolas --- Bernini, Gian Lorenzo --- Juvarra, Filippo --- Georgië --- Chaudet, Antoine-Denis --- Flaxman, John --- Rodin, Auguste --- Étienne-Martin --- Bourgeois, Louise --- Drawing --- Sculpture --- Normain (familie) --- Maini, Giovanni Battista --- Bouchardon, Edmé --- Nollekens, Joseph --- d'Angers, David --- González, Julio --- Picasso, Pablo --- sculptuur. --- tekeningen. --- Normain (familie). --- Maini, Giovanni Battista. --- Bouchardon, Edmé. --- Nollekens, Joseph. --- d'Angers, David. --- Picasso, Pablo. --- González, Julio. --- Andrea del Verrocchio. --- Bandinelli, Baccio. --- Fiorentino, Rosso. --- Cordier, Nicolas. --- Bernini, Gian Lorenzo. --- Juvarra, Filippo. --- Chaudet, Antoine-Denis. --- Flaxman, John. --- Rodin, Auguste. --- Étienne-Martin. --- Bourgeois, Louise. --- sculptuur --- Andrea del Verrocchio
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Again available in paperback, this definitive work on the genius of Domenico Scarlatti (1685-1757) is the result of twelve years of devoted effort by America's foremost harpsichordist and one of the principal authorities on eighteenth-century harpsichord music. Mr. Kirkpatrick traveled extensively to collect material that has tripled the known facts about Scarlatti's life, providing the first adequate biography of one of the greatest harpsichord composers of the eighteenth century and one of the most original composers of all time. The second half of his book is an illuminating study of Scarlatti's 555 sonatas, concluding with a chapter on their performance. The book contains extensive appendixes, including discussions of ornamentation and Scarlatti's vocal music, and an updated section of addenda and corrigenda.
Composers. --- Harpsichord music. --- Scarlatti, Domenico --- Ambleto. --- Amiconi, Jacopo. --- Aranjuez. --- Bach, Johann Sebastian. --- Boivin, Mme. --- Chopin, Frédéric. --- Couperin, François. --- Essercizi per Gravicembalo. --- Farinelli (Carlo Broschi). --- Gasparini, Francesco. --- Goya, Francisco de. --- Handel, George Frederic. --- Hasse, Johann Adolf. --- Juvarra, Filippo. --- Mele, Giovanni Battista. --- Mozart, Wolfgang Amadeus. --- Naples, character. --- Paganini, Nicolo. --- Pasquini, Bernardo. --- Porpora, Nicolo. --- Rameau, Jean Philippe. --- Rome, character. --- Santiago, Order of. --- Sarro, Domenico. --- continuo. --- pianofortes.
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