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Forty five key women of the Bauhaus movement. Bauhaus Women: A Global Perspective reclaims the other half of Bauhaus history, yielding a new understanding of the radical experiments in art and life undertaken at the Bauhaus and the innovations that continue to resonate with viewers around the world today. The story of the Bauhaus has usually been kept narrow, localized to its original time and place and associated with only a few famous men such as Walter Gropius, Marcel Breuer, Paul Klee, Wassily Kandinsky, and Laszlo Moholy-Nagy. Bauhaus Women: A Global Perspective bursts the bounds of this slim history by revealing fresh Bauhaus faces: Forty-five Bauhaus women unjustifiably forgotten by most history books. This book also widens the lens to reveal how the Bauhaus drew women from many parts of Europe and beyond, and how, through these cosmopolitan female designers, artists, and architects, it sent the Bauhaus message out into the world and to a global audience.

Artistes allemandes. --- Art allemand --- Bauhaus --- 20.10 art and society: general. --- 20.70 European art. --- Art allemagne --- Art and Design. --- Art, German --- Art, German. --- Bauhaus. --- Femmes artistes --- Künstlerin. --- Women artists --- Women artists. --- 1900-1999. --- Germany. --- Femmes artistes allemandes.

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Considérées avant tout comme des épouses, des mères et des maîtresses de maison, les femmes n?ont accès à une formation académique officielle qu?à partir de 1889 en Belgique. Pour certaines, être 'fille de?' ou 'femme de?' leur permet de sortir de l'ombre. Sans liens familiaux ou maritaux efficaces, d'autres embrassent le célibat pour se consacrer à une carrière, comme Cécile Douard, Marie Collart ou Jenny Montigny. 00Musée Félicien Rops, Namur, Belgium (22.10.2016-08.01.2017).0.

Painting --- easel paintings [paintings by form] --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Belgium --- Exhibitions --- Women artists --- Women painters --- Art, Belgian --- Femmes artistes --- Femmes peintres --- Art belge --- Exhibitions. --- Expositions --- Art, Belgian. --- Women artists. --- Frau. --- Künstlerin. --- Malerei. --- Malerin. --- History --- 1800-1999. --- Belgium. --- Belgien. --- 1880-1914 --- Femmes peintres -- Belgique --- Catalogues d'exposition --- vrouwelijke kunstenaar

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Was lässt sich (alles) unter Collage verstehen? Ein geklebtes Papierbild? Eine künstlerische Ausdrucksform? Eine Forschungsmethode? Theorien von Inklusion? Eine kunstpädagogische Haltung? Eine (Künstler:Innen-)Biographie? Dieses Buch? Innerhalb der vorliegenden Arbeit wird die (Kunst-)Geschichte der Collage machtkritisch untersucht; zudem wird Collage als künstlerisches, methodisches, epistemologisches und biographisches Prinzip theoretisiert und mit Fragen nach Differenz und Erfahrungen verbunden. Ausgehend vom theoretischen Gegenstand der Subjektivierung werden im empirischen Teil - mittels bild- und diskursanalytischer Verfahren - Biographie und Leben(swerk) der Berliner Dada-Künstlerin Hannah Höch (1889-1978) in Bezug auf mögliche Differenzerfahrungen untersucht. Somit begibt sich dieses Buch auf eine poststrukturale Spurensuche, um Folgendes zu fragen: Wie zeigen, konkretisieren, perspektivieren, materialisieren sich Differenzerfahrungen? Welche (intersektionalen) Differenzerfahrungen lassen sich in Hannah Höchs biographischen Dokumenten und der Collage "Lebensbild" (1972/73) herausarbeiten?

Diskriminierung --- Grundschulpädagogik --- Inklusion --- Disability Studies --- Differenzerfahrung --- Kunst --- Biographie --- Diversität --- Hannah Höch --- Gender studies --- Othering --- Collagen --- Kunstpädagogik; Collage ; Differenz; Kunstgeschichte; Bildanalyse; Diskursanalyse; Künstlerin; Dadaismus; Inklusion; Gender; Sonderpädagogik; 20. Jahrhundert; Biografie; Biografieforschung; History of art; History of arts; History; Discourse Analysis; Artists; Inclusion; Remedial instruction sciences; Special education for the handicapped; Special needs education; Biographies; Biographical Inventories

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This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today.

Sociology of the family. Sociology of sexuality --- Painting --- Graphic arts --- patronage --- women [female humans] --- anno 1500-1599 --- anno 1600-1699 --- Netherlands --- Flanders --- Women artists --- Women art patrons --- Art --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art patrons --- Women benefactors --- Artists, Women --- Women as artists --- Artists --- History. --- women artists, feminist art history, Netherlandish art, Dutch art. --- patronage. --- women [female humans]. --- beeldende kunst. --- 71.31 sexes and their interrelations. --- 20.30 history of art: general. --- 20.10 art and society: general. --- Women art patrons. --- Women artists. --- Frau. --- Künstlerin. --- Kunst. --- Mäzenin. --- History --- 1500-1799. --- Netherlands. --- Niederlande. --- Femmes artistes --- Femmes mécènes --- Art, Primitive --- vrouwelijke kunstenaars --- persoon die de kunsten ondersteunt; kunstliefhebber, connaisseur, mecenas, beschermheer --- van Hemessen, Catharina --- Amalia van Solms-Braunfels (prinses van Oranje) --- Hollandine, Louise --- Verhulst, Mayken --- Diericx, Volcxken --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Noordelijke Nederlanden --- vrouwelijke kunstenaars. --- persoon die de kunsten ondersteunt; kunstliefhebber, connaisseur, mecenas, beschermheer. --- van Hemessen, Catharina. --- Amalia van Solms-Braunfels (prinses van Oranje). --- Hollandine, Louise. --- Verhulst, Mayken. --- Diericx, Volcxken. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Noordelijke Nederlanden. --- vrouwelijke kunstenaar --- vrouwengeschiedenis

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Jeffrey F. Hamburger's groundbreaking study of the art of female monasticism explores the place of images and image-making in the spiritually of medieval nuns during the later Middle Ages. Working from an extraordinary and previously unknown group of devotional drawings made by a Benedictine nun for her cloistered companions, Hamburger discusses in unprecedented detail the distinctive visual culture of female communities. Hamburger's book reconstructs the artistic, literary, and institutional traditions that shaped the lives of cloistered women. In illuminating the patterns and protocols of viewing that governed the nuns' devotional and liturgical life, Hamburger convincingly demonstrates the overwhelming importance of "seeing" in devotional practice, challenging traditional assumptions about the primacy of text over image in monastic piety. His presentation of the "visual culture of the convent" makes a fundamental contribution to the history of medieval art and more generally, of late medieval monasticism and spirituality. The drawings discovered by Hamburger and the genre to which they belong have never been given serious consideration by art historians, yet they serve as icons of the nuns' religious vocation in all its complexity. Setting the drawings and related imagery - manuscript illumination, prints, textiles, and metalwork - within the context of religious life and reform in late medieval Germany.

091 <43 EICHSTATT> --- 091.31:7.04 --- 091.31 <43> --- 271-055.2 "04/14" --- 769.4 --- Devotional objects --- Nuns as artists --- -Christian art and symbolism --- -Religious articles --- Sacramentals --- Liturgical objects --- 769.4 Prentenverzamelingen: doodsprentjes; santjes; bidprentjes; devotieprentjes --- Prentenverzamelingen: doodsprentjes; santjes; bidprentjes; devotieprentjes --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Women artists --- 271-055.2 "04/14" Vrouwelijke religieuze orden, congregaties--Middeleeuwen --- Vrouwelijke religieuze orden, congregaties--Middeleeuwen --- 091.31 <43> Verluchte handschriften--Duitsland voor 1945 en na 1989 --- Verluchte handschriften--Duitsland voor 1945 en na 1989 --- 091 <43 EICHSTATT> Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--EICHSTATT --- Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--EICHSTATT --- Catholic Church. --- Benediktinerinnen-Abtei St. Walburg (Eichstätt, Germany) --- Eichstätt (Germany). --- Benediktinerinnen-Abtei Sankt Walburg (Eichstätt, Germany) --- Benediktinerinnenkloster zu Eichstätt (Germany) --- Benediktinerinnenkloster St. Walburg zu Eichstätt (Germany) --- Klosterkirche St. Walburg (Eichstätt, Germany) --- Benediktinerinnenabtei St. Walburga (Eichstätt, Germany) --- St. Walburg (Church : Eichstätt, Germany) --- Abteikirche St. Walburg (Eichstätt, Germany) --- History of civilization --- Christian religious orders --- Christian special devotions --- anno 500-1499 --- Germany --- Beeldcultuur. --- Christian art and symbolism --- Kunst. --- Künstlerin. --- Nonne. --- Nonnen. --- Objets liturgiques --- Religieuses --- Religieuze kunst. --- Vie religieuse et monastique --- Église catholique --- Abtei Sankt Walburg (Eichstätt, Allemagne). --- Benediktinerinnen-Abtei St. Walburg (Eichstätt, Germany). --- -769.4 Prentenverzamelingen: doodsprentjes; santjes; bidprentjes; devotieprentjes --- Art et symbolisme chrétiens --- Objets de dévotion --- Religieuses artistes --- Catholic Church --- Eglise catholique --- Benediktinerinnen-Abtei St. Walburg (Eichstätt, Germany) --- Religious art --- Religious articles --- Benediktinerinnenabtei St. Walburg (Eichstätt, Germany) --- Benediktinerinnenkloster zu Eichstätt (Eichstätt, Germany) --- Benediktinerinnenkloster St. Walburg zu Eichstätt (Eichstätt, Germany) --- Kloster St. Walburg (Eichstätt, Germany) --- Abtei St. Walburg (Eichstätt, Germany) --- Eichstätt --- Medieval, 500-1500 --- Benedictine nuns --- Abtei St. Walburg (Eichstätt, Germany) --- Devotional objects - Germany - Eichstèatt. --- Devotional objects - Catholic Church. --- Christian art and symbolism - Medieval, 500-1500 - Germany - Eichstèatt. --- Nuns as artists - Germany - Eichstèatt. --- Christelijke bijzondere devoties --- Christelijke religieuze orden --- Cultuurgeschiedenis --- Duitsland --- Middle Ages, 500-1500 --- Symbolism in art