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75.071 CRANACH --- Cranach Lucas --- Duitsland --- kunst --- Max J. Friedländer & Jakob Rosenberg --- schilderkunst --- zestiende eeuw --- Cranach, Lucas, --- Müller, Lucas, --- Sunder, Lucas, --- Kranach, Lukas, --- Kranakh, Luka, --- Maler, Lucas, --- Catalogs. --- Cranach, Lucas I --- Cranach, Lucas --- Cranach, Lucas de Oude --- Müller, Lucas --- Sunder, Lucas --- Kranach, Lukas --- Kranakh, Luka --- Maler, Lucas

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infrared reflectography --- Congres / 1998 --- underdrawings --- Art --- Cranach, Lucas I --- Dürer, Albrecht --- tekeningen --- radiografie --- restauratie --- Cranach, Lucas (I) --- 16de eeuw --- Infrared photography --- -Painting --- -Painting, Renaissance --- -Paintings, Renaissance --- Renaissance painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Photography, Infra-red --- Photography, Infrared --- Infrared technology --- Photography --- Exhibitions --- Expertising --- -Exhibitions --- Radiography --- Cranach, Lucas --- -Cranach, Lucas --- Friends and associates --- Painting, Renaissance --- Painting --- Paintings, Renaissance --- Expertising&delete& --- Radiography&delete& --- Cranach, Lucas, --- Müller, Lucas, --- Sunder, Lucas, --- Kranach, Lukas, --- Kranakh, Luka, --- Maler, Lucas, --- Exhibitions. --- Cranach, Lucas de Oude --- Müller, Lucas --- Sunder, Lucas --- Kranach, Lukas --- Kranakh, Luka --- Maler, Lucas --- tekeningen. --- radiografie. --- restauratie. --- Cranach, Lucas (I). --- 16de eeuw. --- Duitse school

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Tanja Klemm legt in dieser kunsthistorischen Studie ihr Augenmerkauf das Verhältnis von Bild, Wahrnehmung und Betrachterkörpern im Spätmittelalter und in der Renaissance. Medizin, Naturphilosophie, Theologie und Bildtheorie dieser Zeit nimmt sie unter der Perspektive einer historischen Phänomenologie der Verkörperung in den Blick: Sinnliche Wahrnehmung versteht sich vor dem Hintergrund zeitgenössischer Theorien vom lebendigen Körper (corpus animatum) in einem ganzkörperlichen Sinn; Wahrnehmung - in den Worten der Zeit perceptio bzw. conceptio - erfolgt als gesamtorganismischer Vorgang. In einem ersten Teil der Studie liegt der Fokus auf der Lebendigkeit und Sinnlichkeit des corpus animatum aus medizinischer, theologischer und bildtheoretischer Sicht. Daraus entwickelt die Autorin eine Theorie des Bildes und der verkörperten Wahrnehmung, die bisher innerhalb der Renaissanceforschung nicht im Mittelpunkt des bild- und wahrnehmungsgeschichtlichen Interesses stand. In einem zweiten Teil exemplifiziert sie diese Theorie anhand von kunsthistorischen Studien zu Leonardo da Vinci, Albrecht Dürer und Martin Schongauer.

Perception --- Human figure in art --- Human anatomy --- History --- Phenomenology. --- Physiologie. --- Physiology. --- Phänomenologie. --- Renaissance. --- Wahrnehmung --- Erkenntnis --- HISTORY / General. --- Motiv --- Leonardo, --- Dürer, Albrecht, --- Cranach, Lucas, --- Schongauer, Martin, --- Müller, Lucas, --- Sunder, Lucas, --- Kranach, Lukas, --- Kranakh, Luka, --- Maler, Lucas, --- Da Vinci, Leonardo, --- Léonard, --- Leonardo da Vinci, --- Lieh-ao-na-to, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Lieaonaduo, --- Cranach, Lucas --- Cranach, Lucas de Oude --- Müller, Lucas --- Sunder, Lucas --- Kranach, Lukas --- Kranakh, Luka --- Maler, Lucas --- Perception - History --- Human figure in art - History --- Human anatomy - History

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35.00

Reformation and art --- Art and religion. --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Arts in the church --- Religion and art --- Religion --- Art and the Reformation --- Art and religion --- Christian art and symbolism --- Religious aspects --- Cranach, Lucas, --- Müller, Lucas, --- Sunder, Lucas, --- Kranach, Lukas, --- Kranakh, Luka, --- Maler, Lucas, --- Criticism and interpretation. --- Cranach, Lucas --- Cranach, Lucas de Oude --- Müller, Lucas --- Sunder, Lucas --- Kranach, Lukas --- Kranakh, Luka --- Maler, Lucas --- Cranach, Lucas (I) --- Art, Primitive --- Cranach, Lucas (I).

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This compelling book retells and revises the story of the German Renaissance and Reformation through the lives of two controversial men of the sixteenth century: the Saxon court painter Lucas Cranach (the Serpent) and the Wittenberg monk-turned-reformer Martin Luther (the Lamb). Contemporaries and friends (each was godfather to the other's children), Cranach and Luther were very different Germans, yet their collaborative successes merged art and religion into a revolutionary force that became the Protestant Reformation. Steven Ozment, an internationally recognized historian of the Reformation era, reprises the lives and works of Cranach (1472-1553) and Luther (1483-1546) in this generously illustrated book. He contends that Cranach's new art and Luther's oratory released a barrage of criticism upon the Vatican, the force of which secured a new freedom of faith and pluralism of religion in the Western world. Between Luther's pulpit praise of the sex drive within the divine estate of marriage and Cranach's parade of strong, lithe women, a new romantic, familial consciousness was born. The "Cranach woman" and the "Lutheran household"-both products of the merged Renaissance and Reformation worlds-evoked a new organization of society and foretold a new direction for Germany.

Reformation and art --- Art and the Reformation --- Art and religion --- Christian art and symbolism --- Cranach, Lucas, --- Luther, Martin, --- Luther, Maarten --- Lutherus, Martinus --- Lutero, Martin --- Müller, Lucas, --- Sunder, Lucas, --- Kranach, Lukas, --- Kranakh, Luka, --- Maler, Lucas, --- Criticism and interpretation. --- Friends and associates. --- Cranach, Lucas --- Cranach, Lucas de Oude --- Müller, Lucas --- Sunder, Lucas --- Kranach, Lukas --- Kranakh, Luka --- Maler, Lucas --- Luther, Martin --- Luter, Martinos, --- Lutr, Martin, --- Лютер, Мартін, --- Li︠u︡ter, Martin, --- Luter, Marcin, --- Luther, Maarten, --- Lutero, Martín, --- Luther, Martinus, --- Luther, Márton, --- Luther, Martti, --- Luther, Martí, --- Lutʻŏ, --- Lūtœ̄, Mātīn, --- D. M. L. A., --- Luters, Mārtiņš, --- Luter, Marṭin, --- Luther, Marczin, --- Rutā, Marutin, --- Joerg, Junker, --- לוטהער, מארטין --- לוטהער, מארטין, --- לותר --- 路德马丁, --- Luttar Cāstiriyār, --- Cāstiriyār, Luttar, --- ルター マルティン, --- Лютэр, Марцін, --- Li︠u︡tėr, Martsin, --- Лутер, Мартин, --- Liuteris, Martynas, --- Lutawm, Matees, --- Lu-toe, Ma-ti, --- Lotera, Martin, --- Lusā, Mātaṅʻ, --- Lūthœ̄, Mātin, --- Luta, Martin, --- Lute̳e̳r, Martẽ, --- Lūthar, Mārṭin,