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Book
American humour in England before Mark Twain
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Year: 1953 Publisher: Åbo : Åbo akademi,

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Book
Twenty-first century fiction : readings, essays, conversations
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Year: 2005 Publisher: Heidelberg : Winter,

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The spirit of medieval English popular romance
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ISBN: 0582298881 Year: 2000 Publisher: Harlow (Essex) : Pearson education,

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Simple forms : essays on medieval english popular literature
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ISBN: 9780198706090 019870609X 0191810487 Year: 2015 Publisher: Oxford [etc.] Oxford University Press

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Simple Forms is a study of popular or folk literature in the medieval period. Focusing both on the vast body of oral literature that lies behind the written texts which have survived from the medieval period and on the popular literature provided by literate authors for audiences of hearers or readers with varying degrees of literacy, Douglas Gray leads new readers to a productively complicated understanding of the relationship between medieval popular culture and the culture of the learned. He argues that medieval society was stratified, in what seems to us a rigid way, but that culturally it was more flexible. Literary topics, themes, and forms moved; there was much borrowing, and a constant interaction. Popular tales, motifs, and ideas passed into learned or courtly works; learned forms and attitudes made their way in into popular culture. All in all this seems to have been a fruitful symbiosis. The book's twelve chapters are principally organised genre, covering epics, ballads, popular romances, folktales, the German sage, legends, animal tales and fables, proverbs, riddles, satires, songs, and drama.

Praise and paradox : merchants and craftsmen in Elizabethan popular literature
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ISBN: 0521265061 0521522072 0511522835 Year: 1984 Volume: *18 Publisher: Cambridge : Cambridge University Press,

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Praise and Paradox explores the relationship of language, literary structure, and social ideology in the popular Elizabethan literature that praised merchants, industrialists and craftsmen. Part I defines a canon of 296 popular vernacular works, relates the increasing popularity of tales about tradesmen to the development of the English economy and the expansion of the Elizabethan audience, and discusses the social origins of the popular authors. Part II is concerned with the change of the merchant's literary image from that of a greedy usurer to that of a 'businessman in armour' who defended his monarch on the battlefield and entertained princes at lavish banquets. Part III discusses the change in the literary image of the craftsman, who ceased to be a clown or a rebel and became a 'gentle craftsman' who fought bravely on the battlefield when necessary but was happier in his humble shop, where he sang, danced, and courted pretty girls.


Book
The maniac in the cellar : sensation novels of the 1860s
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ISBN: 0691064415 1306991072 9781400855476 1400855470 9780691064413 0691615578 9780691615578 9780691615578 Year: 1980 Publisher: Princeton : Princeton University Press,

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Once a controversial genre of Victorian fiction that produced the major best sellers of its century, the now-forgotten sensation novel was a publishing phenomenon in its time. In a vivid portrait of this subversive and discomfiting popular literature, Winifred Hughes identifies its ingredients, its practitioners, and its implications, and reveals its significance both for the mid-Victorian consciousness and for the writers and readers of today.Originally published in 1981.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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