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Latin fiction --- Latin wit and humor --- Roman latin --- Humour latin --- History and criticism. --- Histoire et critique --- Apuleius. --- Apulée, --- Latin literature --- History and criticism --- Latin fiction - History and criticism. --- Latin wit and humor - History and criticism. --- Apuleius. - Metamorphoses.
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"What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena? Laughter in Ancient Rome explores one of the most intriguing, but also trickiest, of historical subjects. Drawing on a wide range of Roman writing-from essays on rhetoric to a surviving Roman joke book-Mary Beard tracks down the giggles, smirks, and guffaws of the ancient Romans themselves. From ancient 'monkey business' to the role of a chuckle in a culture of tyranny, she explores Roman humor from the hilarious, to the momentous, to the surprising. But she also reflects on even bigger historical questions. What kind of history of laughter can we possibly tell? Can we ever really 'get' the Romans' jokes?"--
Laughter --- Latin wit and humor --- History --- History and criticism --- Rome --- Social life and customs --- Lachen. --- Literary criticism --- Political science --- Ancient --- General. --- History and criticism. --- Ancient & Classical. --- History & Theory. --- Römisches Reich. --- Social life and customs. --- Rire --- Humour latin --- Histoire --- Histoire et critique --- Moeurs et coutumes --- Laughing --- Emotions --- Nonverbal communication --- Wit and humor --- Latin literature --- Laughter - Rome - History - To 1500 --- Latin wit and humor - History and criticism --- Rome - Social life and customs
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In these reflections on the mercurial qualities of style in Ovid's 'Meta-morphoses', Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art.In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's 'Aeneid' into the 'Metamorphoses' in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work.
Cosmology, Ancient, in literature. --- Latin language --- Latin wit and humor --- Metamorphosis in literature. --- Mythology, Classical, in literature. --- Narration (Rhetoric) --- Rhetoric, Ancient. --- Style. --- History and criticism. --- History --- Ovid, --- Literary style. --- Mythology, Classical, in literature --- Rhetoric, Ancient --- Cosmology, Ancient, in literature --- Metamorphosis in literature --- Style --- History and criticism --- Ovid --- Literary style --- Humour latin --- Mythologie ancienne dans la littérature --- Cosmologie antique dans la littérature --- Métamorphose dans la littérature --- Latin (Langue) --- Narration --- Rhétorique ancienne --- Histoire et critique --- Stylistique --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin rhetoric --- Latin literature --- Rhetoric --- Ovidius Naso, Publius. --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- אוביד, --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Latin language - Style --- Latin wit and humor - History and criticism --- Ovid - Literary style
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In laying the groundwork for a fresh and challenging reading of Roman satire, Kirk Freudenburg explores the literary precedents behind the situations and characters created by Horace, one of Rome's earliest and most influential satirists. Critics tend to think that his two books of Satires are but trite sermons of moral reform--which the poems superficially claim to be--and that the reformer speaking to us is the young Horace, a naive Roman imitator of the rustic, self-made Greek philosopher Bion. By examining Horace's debt to popular comedy and to the conventions of Hellenistic moral literature, however, Freudenburg reveals the sophisticated mask through which the writer distances himself from the speaker in these earthy diatribes--a mask that enables the lofty muse of poetry to walk in satire's mundane world of adulterous lovers and quarrelsome neighbors. After presenting the speaker of the diatribes as a stage character, a version of the haranguing cynic of comedy and mime, Freudenburg explains the theoretical importance of such conventions in satire at large. His analysis includes a reinterpretation of Horace's criticisms of Lucilius, and ends with a theory of satire based on the several images of the satirist presented in Book One, which reveals the true depth of Horace's ethical and philosophical concerns.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Latin wit and humor --- 871 HORATIUS FLACCUS, QUINTUS --- -Latin verse satire --- Latijnse literatuur--HORATIUS FLACCUS, QUINTUS --- -Gorat︠s︡īĭ --- 871 HORATIUS FLACCUS, QUINTUS Latijnse literatuur--HORATIUS FLACCUS, QUINTUS --- -Latijnse literatuur--HORATIUS FLACCUS, QUINTUS --- Aesthetics, Ancient --- Comic, The, in literature --- Verse satire, Latin --- Latin verse satire --- Latin poetry --- Latin literature --- History and criticism&delete& --- Theory, etc --- Horace. --- Horace --- Orazio --- Horacij Flakk, Kvint --- Aesthetics. --- Rome --- In literature. --- Horatius Flaccus, Quintus --- Horatius Flaccus, Q. --- Comic, The, in literature. --- Aesthetics, Ancient. --- History and criticism --- Theory, etc. --- Rome in literature. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס --- Verse satire, Latin - History and criticism - Theory, etc. --- Latin wit and humor - History and criticism - Theory, etc.
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