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ISBN: 0851703399 Year: 1992 Publisher: London : BFI Publishing,
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791.45 --- 791.45 Bioscopen --- Bioscopen --- Citizen Kane (Motion picture) --- Cetățeanul Kane (Motion picture) --- Film --- Welles, Orson --- Motion pictures --- Cinéma --- Welles, Orson, --- Critics and interpretation. --- 791.471 WELLES --- Citizen Kane --- film --- filmgeschiedenis --- filmklassiekers --- Laura Mulvey --- Welles Orson --- Criticism and interpretation --- Criticism and interpretation. --- Critique et interprétation. --- Critique et interprétation.
ISBN: 9781861892638 1861892632 Year: 2006 Publisher: London : Reaktion Books,
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Film --- Motion pictures --- Stills (Motion pictures). --- Philosophy. --- 778.5 --- Laura Mulvey --- film --- filmtheorie --- technologie --- digitale film --- tijd --- dood --- filmgeschiedenis --- Kiarostami Abbas --- Hitchcock Alfred --- Rosselini Roberto --- receptie-esthetica --- Verenigde Staten --- 791.41 --- 778.5 Filmfotografie. Filmkunst --- Filmfotografie. Filmkunst --- Cinéma --- Théorie --- Innovation technologique --- Spectateur
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ISBN: 052091516X Year: 1994 Publisher: Berkeley, California : University of California Press,
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D.N. Rodowick offers a critical analysis of the development of film theory since 1968. He shows how debates concerning the literary principles of modernism--semiotics, structuralism, psychoanalysis, Marxism, and feminism--have transformed our understanding of cinematic meaning. Rodowick explores the literary paradigms established in France during the late 1960s and traces their influence on the work of diverse filmmaker/theorists including Jean-Luc Godard, Peter Gidal, Laura Mulvey, and Peter Wollen. By exploring the "new French feminisms" of Irigaray and Kristeva, he investigates the relation of political modernism to psychoanalysis and theories of sexual difference. In a new introduction written especially for this edition, Rodowick considers the continuing legacy of this theoretical tradition in relation to the emergence of cultural studies approaches to film.
Film criticism. --- 1970s film theory. --- 20th century film. --- 20th century filmmakers. --- 20th century politics. --- cinema history. --- european films. --- european history. --- feminism. --- film and feminism. --- film and politics. --- film and television. --- film critics. --- film history. --- film symbolism. --- film theory. --- french films. --- gender and film. --- gender studies. --- history of filmmaking. --- history of france. --- jean-luc godard. --- laura mulvey. --- marxism. --- movie theory. --- peter gidal. --- peter wollen. --- postwar entertainment. --- psychoanalysis. --- semiotics. --- structuralism. --- womens studies.
ISBN: 0585335109 0520912861 9780520912861 9780585335100 0520079183 9780520079182 0520079175 0520087054 0520209435 Year: 1992 Publisher: Berkeley University of California Press
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This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
Experimental films --- Independent filmmakers --- NON-CLASSIFIABLE. --- Independent moviemakers --- Motion picture producers and directors --- History and criticism --- United States. --- History and criticism. --- Interviews --- United States --- Interviews. --- film --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Breer Robert --- Snow Michael --- Mekas Jonas --- Baillie Bruce --- Ono Yoko --- McCall Anthony --- Noren Andrew --- Robertson Anne --- Benning James --- Borden Lizzie --- McElwee Ross --- Friedrich Su --- Severson Anne --- Mulvey Laura --- Rainer Yvonne --- Minh-ha Trinh T --- Reggio Godfrey --- Watkins Peter --- 791.43 --- Films expérimentaux --- Réalisateurs de cinéma indépendants --- Histoire et critique --- Entretiens --- a critical cinema sequel. --- andrew noren. --- anne robertson. --- anne severson. --- anthony mccall. --- bruce baillie. --- film and television. --- film criticism. --- film culture. --- film fans. --- film history. --- film studies. --- gender and sexuality. --- gender theory. --- godfrey reggio. --- independent filmmakers. --- james benning. --- john lennon. --- jonas mekas. --- laura mulvey. --- lizzie borden. --- media studies. --- micheal snow. --- movie criticism. --- peter watkins. --- politics. --- robert breer. --- ross mcelwee. --- su friedrich. --- trinh t minh ha. --- women filmmakers. --- yoko ono. --- yvonne rainer.
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