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Sigurd Lewerentz (1885–1975) is one of the most highly revered—and also one of the most heavily mythologized—protagonists of modern European architecture. Arguably Sweden’s most distinguished modernist, he is more influential to other architects internationally today than he was during his lifetime. Countless architecture lovers from around the world visit his still existent buildings. Stockholm’s woodland cemetery Skogskyrkogården, his most significant contribution to landscape design, is a UNESCO World Heritage site.This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden’s national center for architecture and design, where his archive and personal library are kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs, etc. from his estate, most of which are published here for the first time, as well as new photographs of his realized buildings. Essays by leading experts explore Lewerentz’s life and work, his legacy, and lasting significance from a contemporary perspective.This vast, beautifully designed book offers the most comprehensive survey to date of all of Lewerentz’s achievements in all fields of his manifold work.
72.07 --- Lewerentz, Sigurd 1885-1975 (°Sandö, Bjärtra, Västernorrland, Zweden) --- Architectuur ; Zweden ; 20ste eeuw ; Sigurd Lewerentz --- Architecten. Stedenbouwkundigen A - Z --- Exhibitions --- Architecture --- Design --- Lewerentz, Sigurd, --- Lewerentz, Sigurd --- Stockholm --- Lewerentz, Sigurd (1885-1975)
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Sigurd Lewerentz (1885-1975) was one of the greatest masters of 20th-century Swedish architecture. Fredric Bedoire, in his chapter, describes the circumstances of Lewerentz’s construction work at Adolf Fredriks Kyrkogata 8 in Stockholm. What did its location tell us? Who commissioned and later used the building? How did the architect go about his work? Which other suggestions were considered and how did construction proceed?The authors of the book, Fredric Bedoire, Kerstin Wickman, Vicki Wenander and Ewa Glennow offer different perspectives of the building and take us on a journey from the first sketches back in 1928 until the 2017 reopening of the building as a modern office block.The book is richly illustrated with a number of sketches and pictures from, among other sources, the ArkDes Lewerentz Collection, the National Archives, the Nordic Museum, as well as new pictures taken by the photographer Jonas Lindström, and includes a foreword by architect and Lewerentz expert Wilfried Wang.
Architecture --- Architecture, Modern --- Lewerentz, Sigurd --- Lewerentz, Sigurd, --- Immeubles de bureaux --- Constructions --- Reconversion --- 72.07 --- 72.037(485) --- Architectuur ; Zweden ; 20ste eeuw ; Sigurd Lewerentz --- Lewerentz, Sigurd 1885-1975 (°Sandö, Bjärtra, Västernorrland, Zweden) --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1900 - 1950 ; Zweden --- Modern architecture --- Architectuurtheorie
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This volume collects the photographs taken by Swedish architect Sigurd Lewerentz (1885-1975) during his travels around his native country. Focusing on popular architecture, traditional construction, church interiors, landscapes and cemeteries, this series is key to understanding the postclassical stage of his career.
77 --- 77.046 --- Lewerentz, Sigurd --- Fotografie --- Architectuurfotografie --- Ecrit d'architecte --- Carnet de voyage --- Architectuurfotografie ; 20ste eeuw --- Architectuur ; Zweden ; Sigurd Lewerentz (1885-1975) --- Thema's in de fotografie ; architectuur --- Lewerentz, Sigurd 1885-1975 (°Sandö, Bjärtra, Västernorrland, Zweden) --- 77.04:72 --- 77.092.07 --- Fotografie ; artistieke fotografie ; architectuur --- Fotografen A-Z
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Through new essays, recently discovered archival material, photography, and drawings, the publication Lewerentz Fragments explores the architect’s body of work spanning three-quarters of the twentieth century. Comprising writings from all the major scholars on Lewerentz’ work, along with several new voices, this publication offers new insight into the context surrounding this architect’s work. Rather than focusing on a single thesis, the book offers a diversity of insight from multiple cultural and professional perspectives. In addition, previously unpublished translations of interviews and dialogs among the architect and his contemporaries offer a voice to the ‘silent architect’ altering the traditional interpretations of the work and digging past the surface of what might be considered his philosophy of building. Rather than serving as an introduction to the architect’s work, this volume provides detailed fragments as a deep and diverse dive into one of the most mysterious of Scandinavia’s modern masters.
Architecture --- 20e siècle --- Lewerentz, Sigurd, --- Architecture, Modern --- 72.07 --- Architectuur ; Zweden ; 20ste eeuw ; Sigurd Lewerentz --- Lewerentz, Sigurd 1885-1975 (°Sandö, Bjärtra, Västernorrland, Zweden) --- Architecten. Stedenbouwkundigen --- History --- 72 Lewerentz --- 72.035 --- 72.036 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- 72.035 Oude bouwstijlen in de 19e eeuw. Post-renaissance in de architectuur --- Oude bouwstijlen in de 19e eeuw. Post-renaissance in de architectuur --- Modern [style or period] --- architects --- Lewerentz, Sigurd --- Lewerentz, Sigurd, - 1885-1975
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The first volume of a collected works, this book covers fifteen years of Caruso St John, one of the most highly acclaimed and influential contemporary architectural practices. Following a thematic course shaped around key phases and aspects of their thinking, this extensive volume offers a detailed reflection on the practice’s activities between 1990 and 2005. Through a chorus of voices including critics, clients, and artists, it narrates their early emergence and development through to the international recognition which came with projects such as Nottingham Contemporary, The New Art Gallery Walsall, and the Brick House, with the latter two both being shortlisted for the Stirling Prize. Detailed accounts of early projects and competition entries, with unseen drawings and new commentaries by Adam Caruso and Peter St John, are presented here accompanied and contextualised by inventories of references from across architecture and contemporary art, together with new and archival texts capturing each project’s formation and reception. With an open and reflexive structure, the book offers both an accessible introduction and a detailed, cross-referential constellation of ideas, images, influences, and documentation. Diverse projects such as the progressive reiterations of Peter St John’s home at Orleston Mews and the signage system for London’s Bankside sit in dialogue with more well-known buildings. Bringing together the renowned and the minor, the peripheral and the spectacular, the ugly and the beautiful, this essential book – the first comprehensive monograph on the practice – embodies Caruso St John’s belief that the contemporary world is composed not solely of the new but of everything that has come before. It illuminates a vision of the built environment as a network of culture, memory, construction, and emotion, and articulates an architecture that inhabits and evolves with that fluctuating whole.
Architecture --- Caruso, Adam, --- St John, Caruso. --- St John, Peter, --- Caruso St John, Architects (Architectural firm). --- Architectuur ; Groot-Brittannië ; 21ste eeuw --- Architectuur ; Groot-Brittannië ; 2de h. 20ste eeuw --- Architectuurtentoonstellingen --- Architectuur en beeldende kunst --- Tentoonstellingsontwerp --- Museumarchitectuur ; 1990-2005 --- Caruso St John --- Lewerentz, Sigurd 1885-1975 (°Sandö, Bjärtra, Västernorrland, Zweden) --- 72.07 --- Architecten. Stedenbouwkundigen A - Z --- architectural firms --- Caruso St John Architects [London] --- Caruso St John. --- Caruso St John architects --- Caruso, Adam --- St John, Peter --- History --- Histoire --- St. John, Peter --- Caruso St John, Architects
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Cemeteries --- Landscape design --- Architecture --- History --- Landscape architecture --- Histoire --- Asplund, Erik Gunnar, --- Lewerentz, Sigurd, --- Skogskyrkogården (Stockholm, Sweden) --- Stockholm (Sweden) --- Buildings, structures, etc. --- Erik Gunnar Asplund 1885-1940 (°Stockholm, Zweden) Sigurd Lewerentz 1885-1975 (°Sandö Glass Works, Bjärtra, bij Sunsvall, --- Zweden) --- Architectuur ; Zweden ; modernisme ; E.G. Asplund --- Architectuur ; Zweden ; 20ste eeuw ; Sigurd Lewerentz --- Begraafplaatsen ; kerkhoven ; crematoria --- 72.07 --- 718 --- Architecten. Stedenbouwkundigen A - Z --- Landschaps- en tuinarchitectuur ; begraafplaatsen, kerkhoven, crematoria --- Skogskyrkogården (Stockholm, Sweden) --- Asplund, Erik Gunnar 1885-1940 (°Stockholm, Zweden) --- Lewerentz, Sigurd 1885-1975 (°Sandö, Bjärtra, Västernorrland, Zweden)
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St Mark's Church in Björkhagen, one of Stockholm's southern districts, is one of Sigurd Lewerentz's (1885-1975) key designs. In contrast to Lewerentz's other famous church, St Peter's in Klippan, no book has been published to date that constitutes a fitting tribute to this masterpiece of brick brutalism. This new building monograph now opulently and carefully fills this gap. Some 300 newly taken color photographs and especially drawn explanatory plans, alongside essays by distinguished authorities on Lewerentz's arechitecture, make this book a visual feast. It demonstrates the exquisitely atmospheric St Mark's Church as a whole and its embedment in the urban landscape. Moreover, it highlights many details, such as floor coverings, furnishings, lamps, banisters, the altar, and other liturgical features. The essays explore aspects of materiality and topics such as the church's special acoustics and atmosphere in an attempt to reveal the secret of Sigurd Lewerentz's church designs. With contributions by Stephen Bates, Hansjörg Göritz, Matthew Hall, Beate Hølmebakk, and Lars Ridderstedt. Photographs by Karin Björkquist and Sébastien Corbari.
Church buildings --- 72.07 --- Lewerentz, Sigurd 1885-1975 (°Sandö, Bjärtra, Västernorrland, Zweden) --- Architectuur ; Zweden ; 20ste eeuw ; Sigurd Lewerentz --- Architectuur ; 20ste eeuw ; Lewerentz ; St. Mark's Church --- Churches --- Buildings --- Church facilities --- Church architecture --- Architecten. Stedenbouwkundigen A - Z --- Lewerentz, Sigurd, --- St. Mark's Church (Bjorkhagen, Stockholm) --- Lewerentz, Sigurd --- Architectuurtheorie --- Architectural photography --- Brutalisme --- Bâtiment cultuel --- Björkquist, Karin --- Corbari, Sébastien --- Markuskyrkan (Björkhagen, Stockholms län, Sweden) --- Stockholm --- Religious architecture --- Architecture --- St. Mark's Church (Bjorkhagen, Stockholm). --- Architectural photography - Sweden - Stockholm --- Church architecture - Sweden - Stockholm - Pictorial works --- Lewerentz, Sigurd, - 1885-1975 --- religieuze architectuur
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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962.0 0Frampton?s account offers new insights into iconic buildings like Eileen Gray?s E-1027 House in France and Richard Neutra?s Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond?s Tokyo Golf Club and Alejandro de la Sota?s Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
Architecture, Modern --- Modern movement (Architecture). --- 72.037 --- 72.038 --- Architectuur ; modernisme --- Schindler, Rudolph Michael 1887-1953 (°Wenen, Oostenrijk) --- Gray, Eileen 1878-1976 (°Brownshood, Enniscorthy, County Wexford, Ierland) --- Duiker, J --- Dudok, Willem-Marinus --- De Koninck, Louis Herman --- Lewerentz, Sigurd 1885-1975 (°Sandö, Bjärtra, Västernorrland, Zweden) --- Raymond, Antonin --- Williams, Evan Owen --- Mendelsohn, Erich --- Lubetkin, Berthold 1901-1990 (°Tiflis, Georgië) ; emigreerde in 1931 naar Groot-Brittannië --- Krejcar, JaromÍr --- Lauritzen, Vilhelm --- Moser, Werner --- Haefeli, Max Ernst --- Jacobsen, Arne 1902-1971 (°Kopenhagen, Denemarken) --- Neutra, Richard 1892-1970 (°Wenen, Oostenrijk) --- Bill, Max (1908-1994) --- De la Sota, Alejandro --- Architectuurgeschiedenis ; 1900 - 1950 --- Architectuurgeschiedenis ; 1950 - 2000 --- Mouvement moderne --- Modern movement (Architecture) --- Mouvement moderne (Architecture) --- 72.036 --- 72 MIES VAN DER ROHE, LUDWIG --- 72.039 --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72 MIES VAN DER ROHE, LUDWIG Architectuur. Bouwkunst--MIES VAN DER ROHE, LUDWIG --- Architectuur. Bouwkunst--MIES VAN DER ROHE, LUDWIG --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw
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