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From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater’s critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater’s latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater’s films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century.Stone explores the theoretical, practical, contextual, and metaphysical elements in Linklater’s filmography, especially his experimentation with cinematic representations of time and growth. He demonstrates that fanciful lives and lucid dreams are as central as alternative notions of America and time to Linklater’s films. Stone also considers Linklater’s collaborative working practices, his deployment of such techniques as rotoscoping, and his innovative distribution strategies. Thoroughly revised, updated, and extended, the book includes analysis of all of Linklater’s films, including Dazed and Confused (1993), Waking Life (2011), and A Scanner Darkly (2006) as well as his documentaries, short films, and side projects.
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From Slacker (1991), a foundational work of independent American cinema, to the Before trilogy, Richard Linklater's critically acclaimed films and aesthetic ambition have earned him a place as one of the most important contemporary directors. In this second edition of The Cinema of Richard Linklater, Rob Stone shows how Linklater's latest films have redefined our understanding of his work. He offers critical discussions and analysis of all of Linklater's films, including Before Midnight (2013) and Everybody Wants Some!! (2016), as well as new interviews with Linklater and a chapter on Boyhood (2014), hailed as one of the best films of the twenty-first century.Stone explores the theoretical, practical, contextual, and metaphysical elements in Linklater's filmography, especially his experimentation with cinematic representations of time and growth. He demonstrates that fanciful lives and lucid dreams are as central as alternative notions of America and time to Linklater's films. Stone also considers Linklater's collaborative working practices, his deployment of such techniques as rotoscoping, and his innovative distribution strategies. Thoroughly revised, updated, and extended, the book includes analysis of all of Linklater's films, including Dazed and Confused (1993), Waking Life (2011), and A Scanner Darkly (2006) as well as his documentaries, short films, and side projects.
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Premier ouvrage consacré à Richard Linklater, publié avec la complicité éditoriale de la revue Débordements et en partenariat avec le Centre Pompidou, Richard Linklater, cinéaste du moment se compose d’un important entretien inédit mené à Paris en juillet 2019 et des contributions critiques d’Adrienne Boutang, Fernando Ganzo, Romain Lefebvre, Raphaël Nieuwjaer, Judith Revault d’Allonnes et Jean-Marie Samocki, qui interrogent et approfondissent les thèmes essentiels de l’œuvre engagée et polymorphe du cinéaste.
Réalisateurs de cinéma --- Linklater, Richard --- Critique et interprétation.
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From Slacker (1991) to The School of Rock (2003), from Before Sunrise (1995) to Before Sunset (2004), from the walking and talking of his no/low-budget American independent films to conversing with the philosophical traditions of the European art house, Richard Linklater's films are some of the most critical, political, and spiritual achievements of contemporary world cinema. Examinations of Linklater's collaborative working practices and deployment of rotoscoping and innovative distribution strategies all feature in this book, which aspires to walk and talk with the filmmaker and his films. Informed by a series of original interviews with the artist, in both his hometown and frequent film location of Austin, Texas, this study of the director who made Dazed and Confused (1993), A Scanner Darkly (2006), and Bernie (2011) explores the theoretical, practical, contextual, and metaphysical elements of these works along with his documentaries and side-projects and finds fanciful lives and lucid dreams have as much to do with his work as generally alternative notions of America, contemporary society, cinema, and time.Â
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In 2017 verkozen filmcritici de Amerikaanse regisseur Richard Linklater (1960) tot beste regisseur van de afgelopen vijfentwintig jaar. In deze periode maakte hij furore met onder meer het veelbekroonde Boyhood, de Before-trilogie en Dazed and Confused.Naast filmische zijn er ook filosofische redenen om naar Linklaters films te kijken. Linklater staat bekend als een regisseur die weergaloos met tijd speelt. Sommige van zijn films spelen zich af in een dag of een paar uur, maar Boyhood beslaat maar liefst twaalf jaar. De vraag hoe wij ons verhouden tot het voorbijgaan van de tijd is cruciaal in het oeuvre van Linklater.
film --- filmgeschiedenis --- filmtheorie --- filmregisseurs --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Linklater Richard --- 791.471 LINKLATER --- 798.53 --- 21e eeuw (eenentwintigste eeuw) --- cineasten --- regisseurs --- Linklater, Richard --- film, cineasten
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