Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Moskva --- Målarkonst --- Ivan

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology.

Painting, Modern --- Painting, Modern --- Art and technology --- Art and technology. --- Painting, Modern. --- Målarkonst. --- 1900-2099.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Raphael is one of the rare artists who have never gone out of fashion. Acclaimed during his lifetime, he was imitated by contemporaries and served as a model for paintings through the 19th century. Because of the artist's renown, his works have continuously been subject to care, conservation, and restoration. In this book, Catherine Hoeniger focuses on the legacy of Raphael's art ... This book reveals the 500-year story of many of Raphael's best-known paintings."--Book jacket flap.

Art appreciation. --- Malerei. --- Målarkonst --- Painting, Italian --- Restaurierung. --- Rezeption. --- Bevarande och restaurering. --- Conservation and restoration. --- Rafael, --- Raffael, --- Raphael, --- mottagande. --- Appreciation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Paris Salons of the mid-nineteenth century are famous today above all for the paintings that were rejected more than for those that were actually shown. The rejected works form today's canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the nineteenth century. Salon Painting has often been dismissed as overly academic or staid. Now art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of the Salon Painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris's position as Europe's cultural capitol. Wolf examines masterpieces by Cabanel, Manet, Bierstadt, The Pre-Raphaelites, and Sargent, demonstrating how classical subjects gave way to modern concerns.

Salons --- academisme --- Wereldtentoonstellingen --- 19de eeuw --- Målarkonst --- Painting, Modern --- Painting, Modern. --- Salongskultur. --- Salons. --- Historia. --- History --- 1800-1899. --- 1800-talet. --- Painting --- anno 1800-1899 --- academisme. --- Wereldtentoonstellingen. --- 19de eeuw.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Federico Borromeo, Cardinal-Archbishop of Milan (1564–1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art. Borromeo recorded his reflections in two treatises. De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of iconographical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musaeum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection. He offered some of the earliest and most important critiques to survive on works by artists such as Leonardo, Titian, and Jan Brueghel the Elder. This volume offers, for the first time, translations of the treatises directly into English as well as freshly edited Latin texts, an introduction, extensive notes, and an appendix on the Academy of Design that was established in conjunction with the museum.

History --- Christian religion --- art theory --- Neo-Latin literature --- Art --- Borromeo, Federico --- Christian art and symbolism --- Christianity and art --- Painting --- Art et symbolisme chrétiens --- Christianisme et art --- Peinture --- Early works to 1800. --- Catholic Church --- Ouvrages avant 1800 --- Eglise catholique --- Pinacoteca ambrosiana (Milan, Italy) --- Art et symbolisme chrétiens --- Art and Christianity --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Milan. --- Ambrosiana Gallery (Milan, Italy) --- Symbolism in art --- 18.48 Neo-Latin literature. --- Art theory. --- Art, Renaissance. --- Christian art and symbolism. --- Christliche Kunst. --- Kristen konst och symbolik --- Kristendom och konst --- Kunst. --- Malerei. --- Målarkonst --- Painting. --- Religiöse Kunst. --- Ästhetik. --- Catholic Church. --- Romersk-katolska kyrkan --- Borromeo, Federico, --- Pinacoteca Ambrosiana Mailand. --- Pinacoteca ambrosiana (Milan, Italy). --- Christian art and symbolism - Early works to 1800 --- Christianity and art - Catholic Church - Early works to 1800 --- Painting - Early works to 1800