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Malick,Terence

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"Many critics have approached Terrence Malick's work from a philosophical perspective, arguing that his films express philosophy through cinema. With their remarkable images of nature, poetic voiceovers, and meditative reflections, Malick's cinema certainly invites philosophical engagement. In Terrence Malick: Filmmaker and Philosopher, Robert Sinnerbrink takes a different approach, exploring Malick's work as a case of cinematic ethics: films that evoke varieties of ethical experience, encompassing existential, metaphysical, and religious perspectives. Malick's films are not reducible to a particular moral position or philosophical doctrine; rather, they solicit ethically significant forms of experience, encompassing anxiety and doubt, wonder and awe, to questioning and acknowledgment, through aesthetic engagement and poetic reflection. Drawing on a range of thinkers and approaches from Heidegger and Cavell, Nietzsche and Kierkegaard, to phenomenology and moral psychology Sinnerbrink explores how Malick's films respond to the problem of nihilism the loss of conviction or belief in prevailing forms of value and meaning and the possibility of ethical transformation through cinema: from self-transformation in our relations with others to cultural transformation via our attitudes towards towards nature and the world. Sinnerbrink shows how Malick's later films, from The Tree of Life to Voyage of Time, provide unique opportunities to explore cinematic ethics in relation to the crisis of belief, the phenomenology of love, and film's potential to invite moral transformation"--

Motion picture producers and directors --- Malick, Terrence, --- Criticism and interpretation. --- Philosophy. --- #SBIB: --- Malick, Terence, --- Malick, Terry, --- #SBIB:309H1323 --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Malick, Terrence

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This unique study opens up a new dimension of Terrence Malick’s cinema – its expressions of unseeing and hearing. ‘Unseeing’ is Malick’s means of transcending the moment in order to enter the life that unfolds; to treat cinema as a real experience for those who live its reality. In this way, Terrence Malick’s Unseeing Cinema moves beyond film theory to advance a work of original philosophy, bringing together two thinkers not normally associated with one another: Gilles Deleuze and Søren Kierkegaard. It investigates how Malick’s gatherings of time allow one to explore new philosophical questions about immanence and transcendence, ethics and faith, time and infinity, and the foldings of subjectivity that are central to both philosophers. Beyond cinema, it offers a way to think about our everyday repetitions and recollections and our ephemeral points of connection with those we love. .

Malick, Terrence, --- Criticism and interpretation. --- Malick, Terence, --- Malick, Terry, --- Motion pictures-Production and d. --- Motion pictures-United States. --- Aesthetics. --- Directing. --- American Cinema and TV. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Motion pictures—Production and direction. --- Motion pictures—United States. --- Radio broadcasting Aesthetics --- Aesthetics

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Cinema is commonly hailed as "the universal language," but how does it communicate so effortlessly across cultural and linguistic borders? Drawing on a lifetime's worth of viewing an reviewing, influential critic Gilberto Perez invokes a dizzying array of masters past and present including Chaplin, Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard--to explore the transaction between filmmaker and audience. The Eloquent Screen shows how cinema, as the consummate contemporary art form, establishes a thoroughly modern rhetoric in which different points of view are brought into clear focus. --

film --- filmtheorie --- filmanalyse --- Chaplin Charles --- Ford John --- Kiarastomi Abbas --- Eisenstein Sergei --- Malick Terence --- Haneke Michael --- Mizoguchi Kenji --- Hitchcock Alfred --- Godard Jean-Luc --- 791.41 --- Motion pictures --- Subjectivity in motion pictures --- Metaphor in motion pictures --- Motion picture plays --- Point of view in motion pictures --- Subjective camera --- Philosophy --- History and criticism --- Subjectivity in motion pictures. --- Metaphor in motion pictures. --- Philosophy. --- History and criticism. --- 24.31 theory and aesthetics of film art. --- Film. --- Motion picture plays. --- PERFORMING ARTS --- Stilistik. --- Screenplays.